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Dante Alighieri

Dante Alighieri
Author: Paget Jackson Toynbee
Publisher:
Total Pages: 258
Release: 1901
Genre: Authors, Italian
ISBN:

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The Inferno of Dante

The Inferno of Dante
Author: Dante Alighieri
Publisher:
Total Pages: 394
Release: 1865
Genre: Poetry
ISBN:

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Freedom Readers

Freedom Readers
Author: Dennis Looney
Publisher:
Total Pages: 0
Release: 2017-07-15
Genre: Literary Criticism
ISBN: 9780268160746

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Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy is a literary-historical study of the many surprising ways in which Dante Alighieri and the Divine Comedy have assumed a position of importance in African American culture. Dennis Looney examines how African American authors have read, interpreted, and responded to Dante and his work from the late 1820s to the present. In many ways, the African American reception of Dante follows a recognizable narrative of reception: the Romantic rehabilitation of the author; the late-nineteenth-century glorification of Dante as a radical writer of reform; the twentieth-century modernist rewriting; and the adaptation of the Divine Comedy into the prose of the contemporary novel. But surely it is unique to African American rewritings of Dante to suggest that the Divine Comedy is itself a kind of slave narrative. Only African American "translations" of Dante use the medieval author to comment on segregation, migration, and integration. While many authors over the centuries have learned to articulate a new kind of poetry from Dante's example, for African American authors attuned to the complexities of Dante's hybrid vernacular, his poetic language becomes a model for creative expression that juxtaposes and blends classical notes and the vernacular counterpoint in striking ways. Looney demonstrates this appropriation of Dante as a locus for black agency in the creative work of such authors as William Wells Brown, the poet H. Cordelia Ray, Richard Wright, Ralph Ellison, Amiri Baraka, Gloria Naylor, Toni Morrison, and the filmmaker Spencer Williams. Looney fruitfully suggests that we read Dante's Divine Comedy with its African American rewritings in mind, to assess their effect on our interpretation of the Comedy and, in turn, on our understanding of African American culture.


The Divine Comedy

The Divine Comedy
Author: Dante Alighieri
Publisher: Penguin
Total Pages: 831
Release: 2013-02-26
Genre: Poetry
ISBN: 1101608382

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This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.


Dante’s Bones

Dante’s Bones
Author: Guy P. Raffa
Publisher: Harvard University Press
Total Pages: 385
Release: 2020-05-12
Genre: Biography & Autobiography
ISBN: 0674980832

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A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.


Paradiso

Paradiso
Author: Dante Alighieri
Publisher: Bantam Classics
Total Pages: 464
Release: 2016-06-14
Genre: Fiction
ISBN: 0553900544

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This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary.


Dante's Divine Comedy

Dante's Divine Comedy
Author: Dante Alighieri
Publisher:
Total Pages: 524
Release: 1904
Genre:
ISBN:

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Dante Alighieri

Dante Alighieri
Author: Robert Royal
Publisher: The Crossroad Publishing Co.
Total Pages: 256
Release: 1999
Genre: Biography & Autobiography
ISBN:

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A commentary on medieval Catholic poet Dante Alighiere's longpoem "The Divine Comedy," an account of a man's spiritual pilgrimage to God.


Dante Alighieri - The Divine Comedy, Translated by Henry Francis Clay

Dante Alighieri - The Divine Comedy, Translated by Henry Francis Clay
Author: Dante Alighieri
Publisher: Portable Poetry
Total Pages:
Release: 2017-08-07
Genre:
ISBN: 9781787372764

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Durante degli Alighieri, but better known simply as Dante, was born in Florence in about 1265. He grew to be the major Italian poet of the Late Middle Ages and wrote perhaps the greatest of literary works in Italian: The Divine Comedy. In Italy, Dante is often referred to as il Sommo Poeta - "the Supreme Poet." Significantly he writes in the vernacular, an amalgam of Tuscan dialect, Latin and other influence and for this he is often cited as the Father of the Italian Language. As well he wrote The Divine Comedy in a three-line rhyme scheme, or the terza rima, a significant development and its first use, of course, is attributed to him. This major work provided influence for almost all who followed including Milton and Tennyson and has been translated into English by many world class poets including Henry Wadsworth Longfellow and Laurence Binyon. Henry Francis Cary was born in Gibraltar, on December 6th, 1772. He was the eldest son of William Cary, at the time a Captain of the First Regiment of Foot and Henrietta Brocas. Cary was educated at Rugby School and at the grammar schools of Sutton Coldfield and Birmingham, before proceeding, in 1790, to Christ Church, Oxford, where he studied French and Italian literature. He was a regular contributor at school to the Gentleman's Magazine, and published a volume of Sonnets and Odes. In 1797 he took holy orders and became the vicar of Abbots Bromley in Staffordshire. In 1808 he moved to London and became reader at the Berkeley Chapel and subsequently lecturer at Chiswick and the curate of the Savoy Chapel. Cary's translation of the complete Divina Commedia by Dante in blank verse appeared in 1814. It had to be published by Cary himself as publishers believed the risk of failure too great after the losses on his earlier rendering on The Inferno. The translation was brought to the notice of Samuel Rogers by Thomas Moore. Rogers made some additions to an article on it by Ugo Foscolo in the critically important Edinburgh Review. This article, as well as some fulsome praise from Coleridge in a lecture at the Royal Institution, led to a general consensus of its merit. Gradually Cary's Dante took its place among standard works, passing through four editions in the translator's lifetime. Between 1821 and 1824 Cary published a series of papers in The London Magazine which were later collected together in book form as Lives of The English Poets. He also published a companion volume, Lives of theFrench Poets. In 1824 Cary published a translation of The Birds of Aristophanes, the celebrated Greek dramatist. By 1826 he was appointed assistant librarian in the British Museum, a post which he held for eleven years. Cary had been married to Jane Ormsby for a number of years and the couple had nine children; William Lucius, Jane Sophia, Henrietta, James Walter, Henry, Charles Thomas, Francis Stephen, John and Richard. In 1833 Cary fell ill and was granted a six month leave of absence to recuperate. He took the remaining time to travel with his son, Francis, to Amiens, Paris, Lyons, Aix, Nice, Mentone, Genoa, Pisa, Florence, Sienna, Rome (staying a month), Naples, Bologna, Verona, Venice (again staying a month), Innsbruck, Munich, Nuremberg, Frankfurt, Cologne, Rotterdam, The Hague, Amsterdam, Brussels, Ghent and Bruges. In 1841 a crown pension of 200 a year, obtained through the efforts of Samuel Rogers, was conferred on him. Cary's Lives of the early French Poets, and Lives of English Poets (from Samuel Johnson to Henry Kirke White), intended as a continuation of Johnson's Lives of the Poets, were published in collected form in 1846. He was buried in Poets' Corner, Westminster Abbey.