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Ask Amy Green: Dancing Daze

Ask Amy Green: Dancing Daze
Author: Sarah Webb
Publisher: Candlewick Press
Total Pages: 257
Release: 2013-08-27
Genre: Juvenile Fiction
ISBN: 0763667056

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Ballet intrigue, a best friend predicament, and a bullying problem to solve keep Amy plenty busy in a new adventure. Claire, the older sister of Amy Green’s very best friend, Mills, has a dancing dilemma. Claire has landed the lead in Budapest Ballet Company’s production of Romeo and Juliet. It’s the role of a lifetime (not to mention that her Romeo is the hot and talented Hungarian dancer Péter Bako), so why does she seem so depressed? And why won’t she talk to anyone about what’s bothering her? Amy Green and her aunt Clover, advice-givers extraordinaire, are coming to the rescue. It may take some serious snooping and a trip to Budapest, but Amy and Clover are determined to help the budding ballet star get back on her feet.


Our Dancing Days

Our Dancing Days
Author: Matty Dalrymple
Publisher: William Kingsfield Publishers
Total Pages: 21
Release: 2022-04-20
Genre: Fiction
ISBN:

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An angry lover who turned a place of dance and light into a place of death. A much-missed husband in the wrong place at the wrong time. Who will be waiting for Ann at the top of the stairs? "A hall, a hall, give room!—And foot it, girls.— More light, you knaves! And turn the tables up, And quench the fire. The room is grown too hot.— Ah, sirrah, this unlooked-for sport comes well.— Nay, sit, nay, sit, good cousin Capulet, For you and I are past our dancing days." —William Shakespeare, "Romeo & Juliet" An Ann Kinnear Suspense Short from Matty Dalrymple, author of the Ann Kinnear Suspense Novels, including Book 1: THE SENSE OF DEATH.


Dancing Days

Dancing Days
Author: Val St. Crowe
Publisher: Punk Rawk Books
Total Pages: 322
Release: 2013-12-30
Genre: Juvenile Fiction
ISBN:

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When Nora Sparrow was a little girl and Owen Asher told her she was special, she believed him. But Nora’s fifteen now, and she’s too old to believe in magical happily-ever-afters or mystical otherworlds where she can create all day long and do what she likes. Sure, there are inexplicable things about her and Owen, like that trick he can do with his eyes that bends people to his will or the fact that storm clouds gather if she ever does one creative thing, but… Special? Her? She doesn’t even want to be special. She only wants to be like everyone else. When he begs her to try another ritual to open the dimensions, she agrees mostly to humor him. Owen’s rituals never work. Except this one does, and it’s all real. She’s a muse, not a human, and this world is Helicon—a bohemian world where the muses play hard, drink hard, throw parties, and create constantly. It’s Woodstock with magic, and here everyone is like her. She finally belongs. But Owen was right after all. Half-god Owen, the son of Dionysus, the powerful and single-minded boy whose little eye trick doesn’t work on her anymore? He was right, because she is special. She’s the only one Owen is obsessed with. And he’ll do anything to have her, to keep her, anything at all. Even tear Helicon apart at the seams. The Helicon series is a soapy, irreverent portal fantasy wherein the drama of teen relationships tends to overshadow whatever magical threat they’re trying to fight. Lots of drinking, swearing, inappropriate sexual decisions, grappling with sexual orientation and gender, and random appearances by mythological figures thrown in for good measure. It’s genre-bending, impossible to categorize, and for everyone out there who equally loves Gossip Girl, Rocky Horror, and Narnia. Topics: free, freebie, fantasy, magic, myths, legends, Greek mythology, abuse, portal fantasy, fairies, muses, Dionysius, Nimue, King Arthur, Norse mythology, Loki


Dancing Days #5

Dancing Days #5
Author: Sue Bentley
Publisher: Penguin
Total Pages: 97
Release: 2014-01-23
Genre: Juvenile Fiction
ISBN: 0698164415

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Can Arrow save the day for Sara? Sara is excited to perform in her dance recital, but when she sprains her ankle in rehearsal, dancing is out. But when Sara meets magical bunny Arrow, her dancing disaster turns into the perfect chance to meet a special friend.


Dance, Sex, and Gender

Dance, Sex, and Gender
Author: Judith Lynne Hanna
Publisher: University of Chicago Press
Total Pages: 372
Release: 1988-05-15
Genre: Family & Relationships
ISBN: 9780226315515

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"Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality


Teaching Dance as Art in Education

Teaching Dance as Art in Education
Author: Brenda Pugh McCutchen
Publisher: Human Kinetics
Total Pages: 568
Release: 2006
Genre: Dance
ISBN: 9780736051880

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Brenda McCutchen provides an integrated approach to dance education, using four cornerstones: dancing and performing, creating and composing, historical and cultural inquiry and analysing and critiquing. She also illustrates the main developmental aspects of dance.


Poems of the Dance

Poems of the Dance
Author: Edward Robert Dickson
Publisher:
Total Pages: 308
Release: 1921
Genre: Performing Arts
ISBN:

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The Ancient English Morris Dance

The Ancient English Morris Dance
Author: Michael Heaney
Publisher: Archaeopress Publishing
Total Pages: 747
Release: 2023-12-31
Genre: History
ISBN: 1803274727

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The idea that morris dancing captures the essence of ancient Englishness, inherently carefree and merry, has been present for over four hundred years. The Ancient English Morris Dance traces the history of those attitudes, from the dance's introduction to England in the fifteenth century, through the contention of the Reformation and Civil War, during which morris dancing and maypoles became potent symbols of the older ways of living. Thereafter it developed and diversified, neglected and disdained, until antiquaries began to take an interest in its history, leading to its re-invention as emblematic of Victorian concepts of Merrie England in the nineteenth century. The quest for authentic understanding of what that meant led to its revival at the beginning of the twentieth century, but that was predicated on the perception of it as part of England's declining rural past, to the neglect of the one area (the industrial north-west) where it continued to flourish. The revival led in turn to its further evolution into the multitude of forms and styles in which it may be encountered today.


European Dance

European Dance
Author: Robin Rinaldi
Publisher: Infobase Publishing
Total Pages: 129
Release: 2010
Genre: Dance
ISBN: 1604134801

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Discusses the origins and evolution of the folk dances of Ireland, Poland, Greece and Spain.


Dance and Dancers in the Victorian and Edwardian Music Hall Ballet

Dance and Dancers in the Victorian and Edwardian Music Hall Ballet
Author: Alexandra Carter
Publisher: Routledge
Total Pages: 187
Release: 2017-11-28
Genre: Music
ISBN: 1351163620

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First published in 2005. The Victorian and Edwardian music hall ballet has been a neglected facet of dance historiography, falling prey principally to the misguided assumption that any ballet not performed at the Opera House or 'legitimate' theatre necessarily meant it was of low cultural and artistic merit. Here Alexandra Carter identifies the traditional marginalization of the working class female participants in ballet historiography, and moves on to reinstate the 'lost' period of the music hall ballet and to apply a critical account of that period. Carter examines the working conditions of the dancers, the identities and professional lives of the ballet girls and the ways in which the ballet of the music hall embodied the sexual psyche of the period, particularly in its representations of the ballet girl and the ballerina. By drawing on newspapers, journals, theatre programmes, contemporary fiction, poetry and autobiography, Carter firmly locates the period in its social, economic and artistic context. The book culminates in the argument that there are direct links between the music hall ballet and what has been termed the 'birth' of British ballet in the 1930s; a link so long ignored by dance historians. This work will appeal not only to those interested in nineteenth century studies, but also to those working in the fields of dance studies, gender studies, cultural studies and the performing arts.