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| Author | : Dietmar Elger |
| Publisher | : Taschen |
| Total Pages | : 106 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9783822829462 |
In 1916 a meeting of artists, writers, émigrés and opposition figures took place in the Cabaret Voltaire in Zurich. Under the shadow of the First World War, this was the starting point for the dissemination of the artistic and literary style known as Dadaism.
| Author | : Marianne Oesterreicher-Mollwo |
| Publisher | : |
| Total Pages | : 112 |
| Release | : 1979 |
| Genre | : Art |
| ISBN | : |
| Author | : Erin C. Garcia |
| Publisher | : Getty Publications |
| Total Pages | : 130 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1606060600 |
American artist Man Ray spend the most productive years of his career, during the 1920s and 1930s, in Paris.
| Author | : Marc Dachy |
| Publisher | : |
| Total Pages | : 230 |
| Release | : 1990 |
| Genre | : Arts, Modern |
| ISBN | : |
| Author | : José Pierre |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 1969 |
| Genre | : Art |
| ISBN | : |
| Author | : Naomi Sawelson-Gorse |
| Publisher | : MIT Press |
| Total Pages | : 720 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : 9780262692601 |
his book is the first to make the case that women's changing role in European and American society was critical to Dada.
| Author | : Jed Rasula |
| Publisher | : Basic Books |
| Total Pages | : 384 |
| Release | : 2015-06-02 |
| Genre | : Art |
| ISBN | : 0465066941 |
In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.
| Author | : Catherine Craft |
| Publisher | : University of Chicago Press |
| Total Pages | : 326 |
| Release | : 2012-05-30 |
| Genre | : Art |
| ISBN | : 0226116808 |
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
| Author | : André Breton |
| Publisher | : Grove Press |
| Total Pages | : 164 |
| Release | : 1960 |
| Genre | : Fiction |
| ISBN | : 9780802150264 |
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
| Author | : Emily Hage |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 339 |
| Release | : 2020-12-24 |
| Genre | : Art |
| ISBN | : 1501342673 |
Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This first volume entirely devoted to Dada periodicals retells the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. The book includes magazines from well-known Dada cities like New York and Paris as well as Zagreb and Bucharest, and reveals that Dada continued to inspire art journals into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists-Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others-compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines-and 1970s “Dadazines” inspired by them-Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.
