Cynthias Rebellion Classic Reprint PDF Download

Excerpt from Cynthia Looks Ahead Cynthia Payson, college senior, is trying to decide whether to accept an opportunity to go on the stage or to go home to her father, who needs her. She falls asleep, and, fifteen years ahead, sees herself a famous actress and guest of a classmate, Betty. Cynthia the actress is unhappy: - "I have made a god of success." Betty is hated by her husband's employees, who are striking and threaten to burn the house. Maisie Deane, another classmate, now a newspaper editor, makes Betty take the side of the employees, averting the danger. Cynthia, the actress, and Betty see they have been selfish. Cynthia, the college senior, wakes - "I will go to my father." Costumes, Etc. Cynthia Payson, No. I (Prologue). About twenty-one. She wears cap and gown. Cynthia Payson, No. 2 (Acts I and II). About thirty-six. On entrance wears traveling suit and hat. Changes in Act I to evening dress. In Act II she wears the same evening dress. Mrs. Melby (in Prologue). About thirty-five. Wears cap and gown over traveling suit, which she wears in Act I. Then she appears to be about fifty years old; powdered hair or wig. Wears hat and coat on entrance. Changes to sober evening dress, which she wears in Act II. In Epilogue wears cap and gown - the gown being slipped on over her evening dress. Annie Blakely (in Prologue). About twenty. Wears black dress, white apron and cap. In Acts I and II wears street suit and hat, and appears about thirty-five. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.