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Curatorial Volume.3

Curatorial Volume.3
Author: Capsules Book
Publisher:
Total Pages:
Release: 2021-07-20
Genre:
ISBN: 9781925968576

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Cultures of the Curatorial 3

Cultures of the Curatorial 3
Author: Beatrice Von Bismarck
Publisher: National Geographic Books
Total Pages: 0
Release: 2015-09-04
Genre: Art
ISBN: 3956790898

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A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs. Hospitality: Hosting Relations in Exhibitions is the third volume in the Cultures of the Curatorial book series. Copublished with Kulturen des Kuratorischen, Hochschule für Grafik und Buchkunst Leipzig Contributors Beatrice von Bismarck, Nanne Buurman, Maja Ćirić, Alice Creischer, Andrea Fraser, Lorenzo Fusi, Wiebke Gronemeyer, Erik Hagoort, Anthony Huberman, Thomas Locher, Benjamin Meyer-Krahmer, Dieter Roelstraete, Stefan Römer, Jörn Schafaff, Andreas Siekmann, Ruth Sonderegger


A Brief History of Curating

A Brief History of Curating
Author: Hans Ulrich Obrist
Publisher: JRP Ringier
Total Pages: 252
Release: 2008
Genre: Art
ISBN:

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This bestseller is now available in its 6th reprinted edition!This publication, now in its 6th reprinted edition, is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume.The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.This book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings.


Museums and Communities

Museums and Communities
Author: Viv Golding
Publisher: A&C Black
Total Pages: 339
Release: 2013-05-09
Genre: Art
ISBN: 0857851314

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With contributions from key scholars in a range of disciplines, this engaging new volume explores the complex issues surrounding collaboration between museums and their communities.


Curating at the Edge

Curating at the Edge
Author: Kate Bonansinga
Publisher: University of Texas Press
Total Pages: 297
Release: 2014-01-06
Genre: Art
ISBN: 0292754434

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Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin’s location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists’ working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences.


New Media in the White Cube and Beyond

New Media in the White Cube and Beyond
Author: Christiane Paul
Publisher: Univ of California Press
Total Pages: 284
Release: 2008
Genre: Art
ISBN: 0520243978

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"New Media in the White Cube and Beyond perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, New Media in the White Cube and Beyond represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity


Curatorial Volume. 2

Curatorial Volume. 2
Author: Capsules Book
Publisher:
Total Pages:
Release: 2020-04-08
Genre:
ISBN: 9781925968361

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Cream 3

Cream 3
Author: Editors of Phaidon Press
Publisher: Phaidon Press
Total Pages: 443
Release: 2003-07-01
Genre: Art
ISBN: 9780714843117

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Now in its third edition, "Cream 3" offers an authoritative view on theontemporary art world for today and tomorrow. Ten international curators,enowned experts in contemporary art, have each chosen ten artists whom theyeel best exemplify what is happening in the contemporary art world today,nd also those who will be the stars of the future.;The 100 artists in "Cream" have risen to an international platform since 1997 or, in the opinion ofhe curators who have selected them, are about to do so. Each artist's works represented in two double-page spreads, accompanied by a short biographynd bibliography and a text by the curator who selected them.;The variety ofdeas and forms in contemporary art are presented in each artist's worklongside a brief text from the curator. This virtual exhibition of new arts preceded by a virtual conversation - an Internet discussion among the 10urators - each a noted name involved in the staging of new developments inrt.;New to this edition of "Cream" is each curator's selection of a "Source"rtist whom they feel has influenced or created the context for the new


Across Anthropology

Across Anthropology
Author: Margareta von Oswald
Publisher: Leuven University Press
Total Pages: 434
Release: 2020-06-15
Genre: Social Science
ISBN: 9462702187

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How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised ‘elsewhere’ and ‘otherwise’. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland – and through conversations that expand these geographies and genealogies of contemporary exhibition-making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful. Across Anthropology charts new ground by analysing the convergences of museums, curatorial practice, and Europe’s reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies. Preface by Arjun Appadurai. Afterword by Roger Sansi Contributors: Arjun Appadurai (New York University), Annette Bhagwati (Museum Rietberg, Zurich), Clémentine Deliss (Berlin), Sarah Demart (Saint-Louis University, Brussels), Natasha Ginwala (Gropius Bau, Berlin), Emmanuel Grimaud (CNRS, Paris), Aliocha Imhoff and Kantuta Quirós (Paris), Erica Lehrer (Concordia University, Montreal), Toma Muteba Luntumbue (Ecole de Recherche Graphique, Brussels), Sharon Macdonald (Humboldt-Universität zu Berlin), Wayne Modest (Research Center for Material Culture, Leiden), Bonaventure Soh Bejeng Ndikung (SAVVY Contemporary, Berlin), Margareta von Oswald (Humboldt-Universität zu Berlin), Roger Sansi (Barcelona University), Alexander Schellow (Ecole de Recherche Graphique, Brussels), Arnd Schneider (University of Oslo), Anna Seiderer (University Paris 8), Nanette Snoep (Rautenstrauch-Joest-Museum, Cologne), Nora Sternfeld (Kunsthochschule Kassel), Anne-Christine Taylor (Paris), Jonas Tinius (Humboldt-Universität zu Berlin) Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).


Curatorial Activism

Curatorial Activism
Author: Maura Reilly
Publisher: National Geographic Books
Total Pages: 0
Release: 2018-04-17
Genre: Art
ISBN: 0500239703

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A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris. Profiles key exhibitions by pioneering curators including Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin and Nan Goldin, with a foreword by Lucy Lippard, internationally known art critic, activist and curator, and early champion of feminist art, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today’s expanding new generation of curators.