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Cultures of War in Graphic Novels

Cultures of War in Graphic Novels
Author: Tatiana Prorokova
Publisher: Rutgers University Press
Total Pages: 247
Release: 2018-07-06
Genre: Literary Criticism
ISBN: 0813590957

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Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.


Comic Books and the Cold War, 1946-1962

Comic Books and the Cold War, 1946-1962
Author: Chris York
Publisher: McFarland
Total Pages: 233
Release: 2014-01-10
Genre: Literary Criticism
ISBN: 0786489472

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Conventional wisdom holds that comic books of the post-World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture--from atomic anxieties and the nuclear family to communist hysteria and social inequalities--manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.


The Ten-Cent Plague

The Ten-Cent Plague
Author: David Hajdu
Publisher: Macmillan
Total Pages: 462
Release: 2009-02-03
Genre: Art
ISBN: 9780312428235

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In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.


Cultures of War in Graphic Novels

Cultures of War in Graphic Novels
Author: Tatiana Prorokova
Publisher: Rutgers University Press
Total Pages: 247
Release: 2018-07-06
Genre: Literary Criticism
ISBN: 0813590973

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First runner-up for the 2019 Ray and Pat Browne Award for the Best Edited Collection in Popular and American Culture Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.


Comic Book Nation

Comic Book Nation
Author: Bradford W. Wright
Publisher: JHU Press
Total Pages: 364
Release: 2003-10-17
Genre: Art
ISBN: 9780801874505

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A history of comic books from the 1930s to 9/11.


Comic Books and American Cultural History

Comic Books and American Cultural History
Author: Matthew Pustz
Publisher: A&C Black
Total Pages: 297
Release: 2012-02-23
Genre: Comics & Graphic Novels
ISBN: 1441172629

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A highly original collection of essays, demonstrating how comic books can be used as primary sources in the teaching and understanding of American history.


The Art of War

The Art of War
Author: Pete Katz
Publisher:
Total Pages: 130
Release: 2021-10-19
Genre: Comics & Graphic Novels
ISBN: 0711268010

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The Art of War is a beautifully illustrated retelling of one of Chinese literature's most celebrated and influential books.


Sheriff of Babylon

Sheriff of Babylon
Author: Tom King
Publisher: National Geographic Books
Total Pages: 0
Release: 2021-03-16
Genre: Comics & Graphic Novels
ISBN: 1779509138

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The Fog of War Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. He’s in country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him—or why. Chris’s inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of Saddam’s police force—and probably the last real investigator left in Baghdad. United by death but divided by conflicting loyalties, the three must help one another navigate the treacherous landscape of post-invasion Iraq in order to hunt down the killers. But are their efforts really serving justice—or a much darker agenda? Inspired by his real-life experiences as a CIA operations officer in Iraq, New York Times bestselling writer TOM KING joins forces with celebrated artist MITCH GERADS to deliver a wartime crime thriller like no other. The Sheriff of Babylon collects all 12 issues of the groundbreaking series and features an introduction by King and an afterword by Gerads, as well as a special gallery of preliminary artwork from Gerads and cover artist JOHN PAUL LEON.


Of Comics and Men

Of Comics and Men
Author: Jean-Paul Gabilliet
Publisher: Univ. Press of Mississippi
Total Pages: 595
Release: 2013-03-25
Genre: Literary Criticism
ISBN: 1628469994

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Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.


War Bears

War Bears
Author: Margaret Atwood
Publisher: Dark Horse Comics
Total Pages: 108
Release: 2019-04-09
Genre: Comics & Graphic Novels
ISBN: 1506708986

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From the Booker Prize-winning author of The Handmaid's Tale, comes this historical fiction graphic novel tracing the Golden Age of Canadian comic books. Collects War Bears issues #1-3. Oursonette, a fictional Nazi-fighting superheroine, is created at the peak of World War II by comic book creator Al Zurakowski who dreams of making it big in the early world of comics publishing. A story that follows the early days of comics in Toronto, a brutal war that greatly strains Al personally and professionally, and how the rise of post-war American comics puts an end to his dreams. Internationally and New York Times best-selling novelist Margaret Atwood and acclaimed artist Ken Steacy collaborate for one of the most highly anticipated comic book and literary events!