Culture And Identity In African And Caribbean Theatre PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Culture And Identity In African And Caribbean Theatre PDF full book. Access full book title Culture And Identity In African And Caribbean Theatre.

Culture and Identity in African and Caribbean Theatre

Culture and Identity in African and Caribbean Theatre
Author: Osita Okagbue
Publisher: Adonis & Abbey Publishers
Total Pages: 0
Release: 2009
Genre: Drama
ISBN: 9781905068609
GET BOOK

Download Culture and Identity in African and Caribbean Theatre Book in PDF, ePub and Kindle

Because of a shared experience of European colonialism and trans-Atlantic slavery, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanization and loss of freedom, which left imprints on the collective psyches of the colonized Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Culture and Identity in African and Caribbean Theatre

Culture and Identity in African and Caribbean Theatre
Author: Osita Okagbue
Publisher: Adonis & Abbey Publishers Ltd
Total Pages: 277
Release: 2009-09-30
Genre: Drama
ISBN: 1912234262
GET BOOK

Download Culture and Identity in African and Caribbean Theatre Book in PDF, ePub and Kindle

What connects Africa and the Caribbean is trans-Atlantic slavery which transported numerous sons and daughters of Africa to the plantations of the New World in the service of Western European capitalism. Because of this shared experience of trans-Atlantic slavery and European colonialism, issues of culture and identity are major concerns for African and Caribbean playwrights. Slavery and colonialism had involved systematic acts of cultural denigration, de-humanisation and loss of freedom, which left imprints on the collective psyches of the colonised Africans and enslaved peoples of African descent in the Caribbean. Both experiences brought intense cultural and psychic dislocations which still impact in various ways on the lives of Africans and peoples of African descent around the world. African and Caribbean playwrights try to help their peoples regain their dignities by affirming their cultures, histories and identities. The book focuses on the similarities and differences between Caribbean theatre and the theatre of sub-Saharan Africa, showing how identities and cultures are negotiated and affirmed in each case.

Scars of Conquest/Masks of Resistance

Scars of Conquest/Masks of Resistance
Author: Tejumola Olaniyan
Publisher: Oxford University Press
Total Pages: 209
Release: 1995-06-22
Genre: Literary Criticism
ISBN: 0195357507
GET BOOK

Download Scars of Conquest/Masks of Resistance Book in PDF, ePub and Kindle

This original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.

The Cambridge Guide to African and Caribbean Theatre

The Cambridge Guide to African and Caribbean Theatre
Author: Martin Banham
Publisher: Cambridge University Press
Total Pages: 276
Release: 1994-08-04
Genre: Drama
ISBN: 9780521411394
GET BOOK

Download The Cambridge Guide to African and Caribbean Theatre Book in PDF, ePub and Kindle

Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.

The Changing Face of Afro-Caribbean Cultural Identity

The Changing Face of Afro-Caribbean Cultural Identity
Author: Mamadou Badiane
Publisher: Rowman & Littlefield
Total Pages: 199
Release: 2010
Genre: Literary Criticism
ISBN: 0739125532
GET BOOK

Download The Changing Face of Afro-Caribbean Cultural Identity Book in PDF, ePub and Kindle

The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L opold Senghor, L on-Gontran Damas, and Aim C saire. Mamadou Badiane further discusses the under-represented N gritude women writers who were silenced by their male counterparts during the first half of the twentieth century. Ultimately, this is a book on Caribbean cultural identity that shows it in a slippery and fluctuating zone. By demonstrating that while the founders of the N gritude movement both identified themselves as descendants of Africans and were proud to proclaim their African heritage, the members of the Antillanit and Cr olit movements see themselves as a product of miscegenation between different cultures.

Global Culture, Island Identity

Global Culture, Island Identity
Author: Karen Fog Olwig
Publisher: Routledge
Total Pages: 468
Release: 2005-10-05
Genre: Social Science
ISBN: 1135306125
GET BOOK

Download Global Culture, Island Identity Book in PDF, ePub and Kindle

Looking at the development of cultural identity in the global context, this text uses the approach of historical anthropology. It examines the way in which the West Indian Community of Nevis, has, since the 1600s, incorporated both African and European cultural elements into the framework of social life, to create an Afro-Caribbean culture that was distinctive and yet geographically unbounded - a "global culture". The book takes as its point of departure the processes of cultural interaction and reflectivity. It argues that the study of cultural continuity should be guided by the notion of cultural complexity involving the continuous constitution, development and assertion of culture. It emphasizes the interplay between local and global cultures, and examines the importance of cultural display for peoples who have experienced the process of socioeconomic marginalization in the Western world.

Theatre of Racial Conflict

Theatre of Racial Conflict
Author: Bunmi Popoola
Publisher: AuthorHouse
Total Pages: 34
Release: 2020-05-07
Genre: Biography & Autobiography
ISBN: 1728360862
GET BOOK

Download Theatre of Racial Conflict Book in PDF, ePub and Kindle

Theatre of Racial Conflict is intended to initiate a debate around the issue of black theatre underpinned by colour identity as opposed to cultural identity. The idea is to take the colour out of theatre or performing Arts and make it more culture focus. As a theatre director the inspiration for this book comes out of burning desire to change the narrative of corrupted African cultural identity, recognising that to do otherwise is to embrace nothingness, and to embrace nothingness is to relinquish power and be subjected by those whom cultural identity we as African people emulated, embraced, replicated, and plagiarised unashamedly to our detriment without regard for our own cultural identity. It amounts to nothing more than self-enslavement. Black theatre, in contrast to Yoruba theatre, Zulu theatre, Shona theatre, Jamaican theatre, African American theatre obscures our individual story. Black theatre is a product of racist means of devaluing our story. Black as related to African people, and as applied to theatre is obsolete.

Caribbean Cultural Identity

Caribbean Cultural Identity
Author: Rex M. Nettleford
Publisher:
Total Pages: 274
Release: 2003
Genre: History
ISBN:
GET BOOK

Download Caribbean Cultural Identity Book in PDF, ePub and Kindle

This revised edition is a re-affirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change.

"Making it All Click"

Author: Lisa M. Beckley
Publisher:
Total Pages:
Release: 2005
Genre: African diaspora
ISBN:
GET BOOK

Download "Making it All Click" Book in PDF, ePub and Kindle

The purpose of this study is to discuss how the expressive culture of members of the African Caribbean Dance Theatre of Tallahassee (ACDT) is directly linked to those of African people and other peoples of the African diaspora. This thesis discusses and analyzes how aspects of memory, identity, ethnicity, history and community are at work both in the ensemble and the community which surrounds it. Throughout this work the concepts of ethnicity and identity are discussed in order to explain how and why the ACDT was formed, as well as how it is the source for many members to establish and assert their identity. In addition, I explore why many members of the ensemble have identified themselves and specific aspects of their behavior as being African in origin through an ethnomusicogical scope. The main focus is on these behaviors and expressions within their American context as a means of reconnecting with a conceptualization of "traditional African values". This work seeks to establish music and dance as the vehicles of memory that have created new senses of identity, self esteem, and place in a diasporic community. Furthermore, this research explores new concepts of the process of re-inventing and re-collecting aspects of African culture as a part of a larger cultural flow process between the continent of Africa and the West.

Nation Dance

Nation Dance
Author: Patrick Taylor
Publisher: Indiana University Press
Total Pages: 238
Release: 2001
Genre: Music
ISBN: 9780253338358
GET BOOK

Download Nation Dance Book in PDF, ePub and Kindle

Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book’s three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on Santería, Palo Monte, Vodou, Winti, Obeah, Kali Mai, Orisha work, Spiritual Baptist faith, Spiritualism, Rastafari, Confucianism, Congregationalism, Pentecostalism, Catholicism, and liberation theology. Some essays are based on fieldwork, archival research, and textual or linguistic analysis, while others are concerned with methodological or theoretical issues. Contributors include practitioners and scholars, some very established in the field, others with fresh, new approaches; all of them come from the region or have done extensive fieldwork or research there. In these essays the poetic vitality of the practitioner’s voice meets the attentive commitment of the postcolonial scholar in a dance of "nations" across the waters.