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Cultural Studies in Modern China

Cultural Studies in Modern China
Author: Dongfeng Tao
Publisher: Springer
Total Pages: 231
Release: 2017-07-14
Genre: Social Science
ISBN: 9811055807

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As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.


Mobility and Cultural Authority in Contemporary China

Mobility and Cultural Authority in Contemporary China
Author: Pál Nyíri
Publisher: University of Washington Press
Total Pages: 240
Release: 2010-04-14
Genre: History
ISBN: 0295990163

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Nyiri explores recent challenges to state authority as Chinese citizens become increasingly mobile as migrant workers, tourists, and students, both inside China and abroad.--Pal Nyiri is professor of global history from an anthropological perspective at the Vrije Universitiet, Amsterdam.


Modern Chinese Literary and Cultural Studies in the Age of Theory

Modern Chinese Literary and Cultural Studies in the Age of Theory
Author: Rey Chow
Publisher: Duke University Press
Total Pages: 337
Release: 2001-01-04
Genre: History
ISBN: 0822380161

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These groundbreaking essays use critical theory to reflect on issues pertaining to modern Chinese literature and culture and, in the process, transform the definition and conceptualization of the field of modern Chinese studies itself. The wide range of topics addressed by this international group of scholars includes twentieth-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism; as well as the geographies of migration and diaspora. One of the volume’s provocative suggestions is that the old model of area studies—an offshoot of U.S. Cold War strategy that found its anchorage in higher education—is no longer feasible for the diverse and multifaceted experiences that are articulated under the rubric of “Chineseness.” As Rey Chow argues in her introduction, the notion of a monolithic Chineseness bound ultimately to mainland China is, in itself, highly problematic because it recognizes neither the material realities of ethnic minorities within China nor those of populations in places such as Tibet, Taiwan, and post–British Hong Kong. Above all, this book demonstrates that, as the terms of a chauvinistic sinocentrism become obsolete, the critical use of theory—particularly by younger China scholars whose enthusiasm for critical theory coincides with changes in China’s political economy in recent years—will enable the emergence of fresh connections and insights that may have been at odds with previous interpretive convention. Originally published as a special issue of the journal boundary 2, this collection includes two new essays and an afterword by Paul Bové that places its arguments in the context of contemporary cultural politics. It will have far-reaching implications for the study of modern China and will be of interest to scholars of theory and culture in general. Contributors. Stanley K. Abe, Ien Ang, Chris Berry, Paul Bové, Sung-cheng Yvonne Chang, Rey Chow, Dorothy Ko, Charles Laughlin, Leung Ping-kwan, Kwai-cheung Lo, Christopher Lupke, David Der-wei Wang, Michelle Yeh


Cultural Representation and Cultural Studies

Cultural Representation and Cultural Studies
Author: Zhou Xian
Publisher: Taylor & Francis
Total Pages: 325
Release: 2023-06-30
Genre: Social Science
ISBN: 1000905810

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From the perspective of critical cultural sociology, this book delves into the intertwining relations of cultural transformation and social evolution, illuminating contemporary Chinese culture’s landscape and underlying logic since the 1980s. With a special focus on the tensions among politics, economy, and culture itself, this book examines the transitions of Chinese culture from tradition to the modern age. It expounds the cultural differentiation and its effect in contemporary China. Within this framework, the author addresses some key issues and phenomena that figure in the cultural scene of modern China, ranging from the crisis of Chinese cultural identity in the context of globalization, the media culture, and its impacts on everyday life, to the visual culture and social transformation. Offering a panoramic view of Chinese contemporary culture, literature, arts, and society, this title will serve as an essential read for scholars of China studies, Cultural studies, and visual culture, as well as anyone interested in what’s going on in Chinese contemporary culture.


Cultural China 2020

Cultural China 2020
Author: Séagh Kehoe
Publisher: University of Westminster Press
Total Pages: 184
Release: 2021-11-29
Genre: Social Science
ISBN: 1914386221

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Cultural China is a unique annual publication for up-to-date, informed, and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. It builds on the University of Westminster’s Contemporary China Centre Blog, providing additional reflective introductory pieces to contextualise each of the eight chapters. The articles in this Review speak to the turbulent year that was 2020 as it unfolded across cultural China. Thematically, they range from celebrity culture, fashion and beauty, to religion and spirituality, via language politics, heritage, and music. Pieces on representations of China in Britain and the Westminster Chinese Visual Arts Project reflect our particular location and home. Many of the articles in this book focus on the People’s Republic of China, but they also draw attention to the multiple Chinese and Sinophone cultural practices that exist within, across, and beyond national borders. The Review is distinctive in its cultural studies-based approach and contributes a much-needed critical perspective from the Humanities to the study of cultural China. It aims to promote interdisciplinary dialogue and debate about the social, cultural, political, and historical dynamics that inform life in cultural China today, offering academics, activists, practitioners, and politicians a key reference with which to situate current events in and relating to cultural China in a wider context.


Chinese Film Classics, 1922–1949

Chinese Film Classics, 1922–1949
Author: Christopher G. Rea
Publisher: Columbia University Press
Total Pages: 454
Release: 2021-06-01
Genre: Performing Arts
ISBN: 0231547676

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Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.


Translingual Practice

Translingual Practice
Author: Lydia He Liu
Publisher: Stanford University Press
Total Pages: 506
Release: 1995
Genre: Literary Criticism
ISBN: 9780804725354

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After the first chapter, which deals with the theoretical issues, ensuing chapters treat particular instances of translingual practice such as national character, individualism, stylistic innovations, first-person narration, and canon formation


A Cultural History of Modern Science in China

A Cultural History of Modern Science in China
Author: Benjamin A. Elman
Publisher: Harvard University Press
Total Pages: 0
Release: 2009-04-20
Genre: Science
ISBN: 9780674030428

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Historians of science and Sinologists have long needed a unified narrative to describe the Chinese development of modern science, medicine, and technology since 1600. They welcomed the appearance in 2005 of Benjamin Elman's masterwork, On Their Own Terms. Now Elman has retold the story of the Jesuit impact on late imperial China, circa 1600-1800, and the Protestant era in early modern China from the 1840s to 1900 in a concise and accessible form ideal for the classroom. This coherent account of the emergence of modern science in China places that emergence in historical context for both general students of modern science and specialists of China.


Cross-cultural Studies: China and the World

Cross-cultural Studies: China and the World
Author: Suoqiao QIAN
Publisher: BRILL
Total Pages: 375
Release: 2015-02-04
Genre: Literary Criticism
ISBN: 9004284958

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Cross-cultural Studies: China and the World, A Festschrift in Honor of Professor Zhang Longxi collects twelve essays by eminent scholars across several disciplines in Chinese and cross-cultural studies to celebrate Zhang Longxi’s scholarly achievements. As a leading scholar from post-Cultural Revolution China, Zhang Longxi’s academic career has set a milestone in cross-cultural studies between China and the world. With an introduction by Qian Suoqiao, and a prologue by Zhang Longxi himself, the volume features masterly essays by Ronald Egan, Torbjörn Lodén, Haun Saussy, Lothar von Falkenhausen, and Hwa Yol Jung among others, which will make significant contributions to Sinological and cross-cultural studies of themselves on the one hand, and demonstrate Zhang Longxi’s friendships and scholarly impact on the other.


Being Modern in China

Being Modern in China
Author: Paul Willis
Publisher: John Wiley & Sons
Total Pages: 181
Release: 2019-11-11
Genre: Social Science
ISBN: 1509538321

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This book analyses modernity and tradition in China today and how they combine in striking ways in the Chinese school. Paul Willis – the leading ethnographer and author of Learning to Labour – shows how China has undergone an internal migration not only of masses of workers but also of a mental and ideological kind to new cultural landscapes of meaning, which include worship of the glorified city, devotion to consumerism, and fixation upon the smartphone and the internet. Massive educational expansion has been a precondition for explosive economic growth and technical development, but at the same time the school provides a cultural stage for personal and collective experience. In its closed walls and the inescapability of its ‘scores’, an astonishing drama plays out between the new and the old, with a tapestry of intricate human meanings woven of small tragedies and triumphs, secret promises and felt betrayals, helping to produce not only exam results but cultural orientations and occupational destinies. By exploring the cultural dimension of everyday experience as it is lived out in the school, this book sheds new light on the enormous transformations that have swept through China and created the kind of society that it is today: a society that is obsessed with the future and at the same time structured by and in continuous dialogue with its past.