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Cultural Criticism in Women's Experimental Writing

Cultural Criticism in Women's Experimental Writing
Author: Kornelia Freitag
Publisher: Universitatsverlag Winter
Total Pages: 396
Release: 2006
Genre: Literary Criticism
ISBN:

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Contemporary experimental poetry? By women? But is this women's writing? The type of poetry that is central to this book has long been met with surprise, if not rejection, by both critics and the general public. This volume is an introduction to recent developments in women's poetic experiments, an area that has grown from rather marginalized and isolated beginnings into a thriving and highly visible field. Women's experimental texts can no longer be ignored, but they remain a challenge to readers and critics: this study examines some of the reasons why recognition has been delayed, and it also provides a range of new readings. With particular focus on poetry by Rosmarie Waldrop, Lyn Hejinian, and Susan Howe, women's poetic experiments are shown to be a critique of current practices of cultural representation that relegate women's poetry and experimental writing to separate spheres.


Women's Experimental Writing

Women's Experimental Writing
Author: Ellen E. Berry
Publisher: Bloomsbury Publishing
Total Pages: 185
Release: 2016-05-19
Genre: Literary Criticism
ISBN: 1474226418

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Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be “represented” accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.


Women Writing Culture

Women Writing Culture
Author: Gary A. Olson
Publisher: State University of New York Press
Total Pages: 228
Release: 1995-09-28
Genre: Social Science
ISBN: 1438415060

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Women Writing Culture is a collection of six interviews with internationally prominent scholars about feminism, rhetoric, writing, and multiculturalism. Those interviewed include feminist philosopher of science Sandra Harding; cultural critic and philosopher of science Donna Haraway; noted American theorist of women's epistemology Mary Belenky; African-American cultural critic bell hooks; Luce Irigaray, a major exponent of "French Feminism"; and Jean-Francois Lyotard, a philosopher and cultural critic who has helped to define "the postmodern condition." Together, these interviews afford significant insight into these eminent scholars' perspectives on women, writing, and culture, and explore how women write culture through the various postmodern discourses in which they engage.


Women Writing Culture

Women Writing Culture
Author: Ruth Behar
Publisher: Univ of California Press
Total Pages: 476
Release: 1995
Genre: Social Science
ISBN: 9780520202085

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Extrait de la couverture : ""Here, for the first time, is a book that brings women's writings out of exile to rethink anthropology's purpose at the end of the century. ... As a historical resource, the collection undertakes fresh readings of the work of well-known women anthropologists and also reclaims the writings of women of color for anthropology. As a critical account, it bravely interrogates the politics of authorship. As a creative endeavor, it embraces new Feminist voices of ethnography that challenge prevailing definitions of theory and experimental writing."


Language Unbound

Language Unbound
Author: Nancy Gray
Publisher:
Total Pages: 200
Release: 1992
Genre: Literary Criticism
ISBN:

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Writing otherwise

Writing otherwise
Author: Jackie Stacey
Publisher: Manchester University Press
Total Pages: 340
Release: 2016-05-16
Genre: Literary Criticism
ISBN: 1526112566

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Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.


Cultural Criticism in Egyptian Women's Writing

Cultural Criticism in Egyptian Women's Writing
Author: Caroline Seymour-Jorn
Publisher: Syracuse University Press
Total Pages: 230
Release: 2011-12-23
Genre: Literary Criticism
ISBN: 0815650825

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The five iinfluential women writers discussed in Seymour-Jorn’s timely work—Salwa Bakr, Nemat el-Behairy, Radwa Ashour, Etidal Osman, and Ibtihal Salem—all emerged on the literary scene in the late 1970s and early 1980s. They came of age at a time when women’s writing was attracting critical attention and more venues for publication were opening up. This widening platform enabled these writers to develop and mature as cultural critics, resulting in the creation of a successful blend of politically and socially committed literature with artistically innovative literary techniques. Artfully combining literary analysis with ethnographic research, Seymour-Jorn explores the ways in which these writers generate new patterns of thinking and talking about women, society, and social change. She describes how the writers conceive of their role as authors, particularly as female authors, and how they refigure the Arabic language to express themselves as women. By examining these authors’ works and lives, Seymour-Jorn illuminates the extent to which writing brings women into the public sphere, an arena in which they have traditionally had limited access to positions of power and authority.


Women Writers and Experimental Narratives

Women Writers and Experimental Narratives
Author: Kate Aughterson
Publisher: Springer Nature
Total Pages: 276
Release: 2021-01-23
Genre: Literary Criticism
ISBN: 3030496511

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This book explores the history of women’s engagement with writing experimentally. Women writers have long used different narratives and modes of writing as a way of critiquing worlds and stories that they find themselves at odds with, but at the same time, as a way to participate in such spaces. Experimentation—of style, mode, voice, genre and language—has enabled women writers to be simultaneously creative and critical, engaged in and yet apart from stories and cultures that have so often seen them as ‘other’. This collection shows that women writers in English over the past 400 years have challenged those ideas not only through explicit polemic and alternative representations but through disrupting the very modes of representation and story itself.


Starting Over

Starting Over
Author: Judith Newton
Publisher: University of Michigan Press
Total Pages: 233
Release: 2012-10-16
Genre: Social Science
ISBN: 047202938X

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For more than a decade Judith Newton has been at the forefront of defining and promoting materialist feminist criticism. Starting Over brings together a selection of her essays that chart the establishment of feminist literary criticism in the academy and its relation to other forms of cultural criticism, including Marxist, post-Marxist, new historicist, and cultural materialist approaches, as well as cultural studies. The essays in Starting Over have functioned as exemplars of interdisciplinary thinking, mapping out the ways in which reading strategies and the constructions of history, culture, identity, change, and agency in various materialist theories overlap, and the ways in which feminist-materialist work both draws upon, revises, and complicates the vision of nonfeminist materialist critiques. They are shaped by an awareness that public knowledge is always informed by the so-called private realm of familial and sexual relations and that cultural criticism must bring together investigations of daily behaviors, economic and social relations, and the dynamics of race, class, gender, and sexual struggle. Starting Over is a brilliant synthesis of literature, history, anthropology, the many influential trends in contemporary theory, and the politics of feminism.


Transnationalism and Resistance: Experience and Experiment in Women’s Writing

Transnationalism and Resistance: Experience and Experiment in Women’s Writing
Author: Adele Parker
Publisher: Rodopi
Total Pages: 296
Release: 2013
Genre:
ISBN: 9401208905

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This study presents a unique collection of essays which focus on the relationships among form, aesthetics, and transnational women’s writing produced in recent years. The essays in this volume treat literary works from diverse cultures and geographies, concentrating on the intersections of theory and literature. This results in a wide spectrum of identities and texts – including the work of Swedish poet Aase Berg, the Indian translation market, the Chicana novel, creative non-fiction by Croatian writer Dubravka Ugrešic, and multilingual hybrid texts by Theresa Hak Kyung Cha – in order to provide a framework for an overarching theory of transnationalism as it interacts with newer paradigms of gendered identity and the new forms of literature to which they contribute. Transnationalism and Resistance offers a multifaceted approach to transnational studies and constitutes a cogent analysis of the ways in which women’s writing informs contemporary global literary Production. This volume is of interest for scholars in women’s studies, literature, the social sciences, cultural studies and all other fields that take an interest in writing that addresses contemporary global issues.