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| Author | : Margarita Dikovitskaya |
| Publisher | : MIT Press |
| Total Pages | : 340 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780262042246 |
Drawing on interviews, responses to questionnaires, and oral histories by U.S.
| Author | : Ricardo Campos |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 325 |
| Release | : 2014-10-02 |
| Genre | : Art |
| ISBN | : 1443868310 |
Popular and Visual Culture: Design, Circulation and Consumption is a transnational project that fosters a dialogue with multiple origins, both in geographical and academic terms. From the onset, this book questions the concepts of visual and popular culture, terms which are currently applied both to describe scientific fields, as operative concepts in theoretical discourse, and to characterize specific cultural contexts. The book’s analysis and categorization of visual and popular culture pursues discourses and practices which mark different historical eras and shape social orders. Because popular iconic and written productions are the outcome of a network of political, economic, ideological and social circumstances that are often hardly detectable and too taken for granted to be critically recognized, even by those who draw, paint or write (and live) under their influence. That is why visual figurations of popular culture should be studied as the support of a deeply motivated symbolic discourse on the values shared by a community. This book deals, in a way or another, with how popular and visual artefacts and sceneries are socially built, preserved and/or contested. The volume brings together, not only different disciplinary perspectives, but also diverse empirical phenomena, while approaching the wide subject of visuality and popular culture.
| Author | : Joanne Morra |
| Publisher | : Taylor & Francis |
| Total Pages | : 434 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780415326445 |
These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.
| Author | : Christopher Chávez |
| Publisher | : Rutgers University Press |
| Total Pages | : 128 |
| Release | : 2024-09-13 |
| Genre | : Social Science |
| ISBN | : 1978838859 |
Focusing on Havana Club rum as a case study, Isle of Rum examines the ways in which Western cultural producers, working in collaboration with the Cuban state, have assumed responsibility for representing Cuba to the outside world. Christopher Chávez focuses specifically on the role of advertising practitioners, musicians, filmmakers, and visual artists, who stand to benefit economically by selling an image of Cuba to consumers who desperately crave authentic experiences that exist outside of the purview of the marketplace. Rather than laying claim to authentic Cuban culture, Chávez explores which aspects of Cuban culture are deemed most compelling and, therefore, most profitable by corporate marketers. As a joint venture between the Cuban state and Pernod Ricard, a global spirits marketer based in Paris, Havana Club embodies the larger process of economic reform, which was meant to reintegrate Cuba into global markets during Cuba’s Special Period in a Time of Peace.
| Author | : Francisco José Díaz Marcilla |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 348 |
| Release | : 2020-11-18 |
| Genre | : Art |
| ISBN | : 1527562417 |
National studies have demonstrated their inability to correctly understand global phenomena, and the way in which they affect societies. This chronologically ambitious book investigates methodological and theoretical issues from Roman times to the present, in terms of globalization. In this context, one of the most relevant parameters of change emerges: the itinerancy of culture and knowledge. Therefore, this volume argues that itinerant agents carry with them cultural baggage, transporting and transmitting it to other spaces. In this way, interconnection begins, producing active changes in global history and visual culture. Contributions to this book focus on comparative studies, the evolution of global phenomena, historical processes in their diachrony, regional studies, changing economies, cultural continuities, and methodological questions on globalization, among others. In addition, the book opens with a contribution from Professor Peter Burke.
| Author | : Chris Jenks |
| Publisher | : Routledge |
| Total Pages | : 282 |
| Release | : 2017-07-05 |
| Genre | : Social Science |
| ISBN | : 1351537520 |
In Visual Culture the 'visual' character of contemporary culture is explored in original and lively essays. The contributors look at advertising, film, painting and fine art journalism, photography, television and propaganda. They argue that there is only a social, not a formal relation between vision and truth. A major preoccupation of modernity and central to an understadning of the postmodern, 'vision' and the 'visual' are emergent themes across sociology, cultural studies and critical theory in the visual arts. Visual Culture will prove an indispensable guide to the field.
| Author | : Andrew Darley |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2003-04 |
| Genre | : Business & Economics |
| ISBN | : 9788449313240 |
Las formas de entretenimiento digital, desde los videojuegos hasta los espectaculos virtuales, se han convertido en un elemento fundamental de la cultura popular. Las tecnologias digitales o informaticas estan suplantando a los metodos tradicionales de produccion de la television, del cine y del video, provocando un intenso debate sobre su impacto en la naturaleza del arte. Examinando las tecnicas digitales de produccion de la imagen en un amplio espectro de medios audiovisuales --incluyendo peliculas, videos musicales, juegos de ordenador o parques tematicos--, este libro explora la relacion entre las tecnologias digitales emergentes y los medios audiovisuales actuales, y reflexiona acerca del efecto de estos nuevos generos de la imagen sobre las experiencias propias de la cultura visual.El volumen bosqueja, en primer lugar, el desarrollo de la programacion digital desde la decada de los anos sesenta y su utilizacion en la produccion de articulos de entretenimiento visual digital. A traves del estudio de casos paradigmaticos, de peliculas como Toy Story, de videoclips clave como el Black or White de Michael Jackson y de juegos de ordenador como Quake o Blade Runner, Andrew Darley se pregunta si los generos visuales digitales han supuesto una ruptura en el enfasis que tradicionalmente se ponia en la historia, la representacion, el significado y la interpretacion, en beneficio de la imagen y el ambito de las sensaciones. El autor reflexiona sobre las repercusiones de la cultura digital en las teorias que se ocupan del papel del espectador, sugiriendo que los nuevos generos visuales, dentro del marco de la cultura de masas, estan produciendo nuevos tipos de espectadores.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 370 |
| Release | : 2022-12-12 |
| Genre | : Education |
| ISBN | : 9004529845 |
Visual Pedagogies: Concepts, Cases and Practices takes readers on a journey through practico-theoretical experiments in thought, research and practice. Across disciplines, these authors navigate visuality to enhance pedagogical sensibility to how we observe, analyze, criticize and reflect on through visual processes.
| Author | : Nicholas Mirzoeff |
| Publisher | : Psychology Press |
| Total Pages | : 566 |
| Release | : 1999 |
| Genre | : Art and society |
| ISBN | : 0415158761 |
The author traces the history and theory of visual culture asking how and why visual media have become so central to contemporary everyday life. He explores a wide range of visual forms, including painting, sculpture, photography, television, cinema, virtual reality, and the Internet while addressing the subjects of race, ethnicity, gender, sexuality, the body, and the international media event that followed the death of Princess Diana.
| Author | : Anastasia Veneti |
| Publisher | : Springer Nature |
| Total Pages | : 346 |
| Release | : 2023-04-01 |
| Genre | : Political Science |
| ISBN | : 3031227824 |
The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument). However, scant attention has been paid to theoretical, methodological, and empirically grounded approaches to visual politics produced by scholars working in the Global South. Little is known about the ways in which scholarship in the Global South might challenge and resist western approaches to the study of the visual. Against this background, this project aims to examine visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics (e.g., social movements, activism, grassroots politics, civil society initiatives). This volume examines visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics. It will be of interest to both researchers and students interested in the study of visual politics from various disciplinary lens (media and communication, anthropology, politics, and sociology).
