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| Author | : Nancy November |
| Publisher | : |
| Total Pages | : 258 |
| Release | : 2017 |
| Genre | : Music |
| ISBN | : 9781783272327 |
The first detailed contextual study of chamber music in Beethoven's Vienna, at a time when the string quartet reigned supreme among the different chamber genres
| Author | : Nancy November |
| Publisher | : Academic Studies PRess |
| Total Pages | : 346 |
| Release | : 2022-04-19 |
| Genre | : Music |
| ISBN | : 1644697890 |
String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.
| Author | : Nancy November |
| Publisher | : |
| Total Pages | : |
| Release | : 2022 |
| Genre | : String quartet |
| ISBN | : 9781644697887 |
"This book is the first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book's chapters deal with compositional responses to Beethoven's string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven's string quartets ca. 1800. They include discussion of quartets composed for the amateur and connoisseur markets in Beethoven's Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven's era; and the cross-pollination of quartet styles in Europe's musical centers such as Vienna, Paris, and St. Petersburg"--
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2021-06-10 |
| Genre | : Music |
| ISBN | : 1108831753 |
Reveals the importance of arrangements of Beethoven's works for nineteenth-century domestic music-making to the history of the classical symphony.
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 297 |
| Release | : 2014-01-09 |
| Genre | : Music |
| ISBN | : 1107512425 |
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character.
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 277 |
| Release | : 2021-06-10 |
| Genre | : Music |
| ISBN | : 1108923879 |
Early nineteenth-century composers, publishers and writers evolved influential ideals of Beethoven's symphonies as untouchable masterpieces. Meanwhile, many and various arrangements of symphonies, principally for amateur performers, supported diverse and 'hands-on' cultivation of the same works. Now mostly forgotten, these arrangements served a vital function in nineteenth-century musical life, extending works' meanings and reach, especially to women in the home. This book places domestic music-making back into the history of the classical symphony. It investigates a largely untapped wealth of early nineteenth-century arrangements of symphonies by Beethoven - for piano, string quartet, mixed quintet and other ensembles. The study focuses on three key agents in the nineteenth-century culture of musical arrangement: arrangers, publishers and performers. It investigates significant functions of those musical arrangements in the era: sociability, reception and canon formation. The volume also explores how conceptions of Beethoven's symphonies, and their arrangement, changed across the era with changing conception of musical works.
| Author | : Erica Buurman |
| Publisher | : Cambridge University Press |
| Total Pages | : 209 |
| Release | : 2021-12-02 |
| Genre | : Music |
| ISBN | : 1108852564 |
The repertoire of the early Viennese ballroom was highly influential in the broader histories of both social dance and music in nineteenth-century Europe. Yet music scholarship has traditionally paid little attention to ballroom dance music before the era of the Strauss dynasty, with the exception of a handful of dances by Haydn, Mozart and Beethoven. This book positions Viennese social dances in their specific performing contexts and investigates the wider repertoire of the Viennese ballroom in the decades around 1800, most of which stems from dozens of non-canonical composers. Close examination of this material yields new insights into the social contexts associated with familiar dance types, and reveals that the ballroom repertoire of this period connected with virtually every aspect of Viennese musical life, from opera and concert music to the emerging category of entertainment music that was later exemplified by the waltzes of Lanner and Strauss.
| Author | : Robert Winter |
| Publisher | : Univ of California Press |
| Total Pages | : 324 |
| Release | : 1994 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520082113 |
"Reading The Beethoven Quartet Companion made me want to listen to the quartets again from a new sociological as well as musical perspective. It is an invaluable guide not only for professional and amateur musicians but also for anyone who is curious about culture and wants to find out more."--Yo-Yo Ma "These essays are the most readable, useful, and well-informed commentary available today on these masterworks. Michael Steinberg's 'program notes' to each quartet, directed at once to the musical beginner and to the expert, are as eloquent and persuasive as popular writing about music can get. . . . His essays are followed by equally expert and accessible contributions by other masters on The Master, providing literate music lovers with the context and equipment for a richer enjoyment and clearer understanding of these sixteen unique conversations among two violins, a viola, and a cello."--David Littlejohn, author of The Ultimate Art: Essays Around and About Opera "A fine collection of essays to assist the music lover in the seemingly endless quest to illuminate the Beethoven string quartets."--Arnold Steinhardt, The Guarneri String Quartet "This book delivers on the implied promise of its title--it provides a lively, readable, and wide-ranging introduction to the quartets. Readers at many levels of experience will find it profitable."--Lewis Lockwood, author of Beethoven: Studies in the Creative Process
| Author | : Nancy November |
| Publisher | : Cambridge University Press |
| Total Pages | : 267 |
| Release | : 2024-01-18 |
| Genre | : Music |
| ISBN | : 1009409808 |
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
| Author | : David Wyn Jones |
| Publisher | : Boydell & Brewer |
| Total Pages | : 289 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 1783271078 |
Focussing on three different epochs (1700, 1800 and 1900), this book explores the history of music in Vienna, allowing the very different relationships between music and society that existed in each of these periods to be distinguished
