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Cubism and the Trompe l’Oeil Tradition

Cubism and the Trompe l’Oeil Tradition
Author: Emily Braun
Publisher: Metropolitan Museum of Art
Total Pages: 291
Release: 2022-10-17
Genre: Art
ISBN: 1588396762

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The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.


Cubism and the Trompe L'oeil Tradition

Cubism and the Trompe L'oeil Tradition
Author: Metropolitan Museum of Art (New York, N.Y.). Department of Communications
Publisher:
Total Pages: 0
Release: 2022
Genre: Cubism
ISBN:

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Cubism

Cubism
Author: Emily Braun
Publisher: Metropolitan Museum of Art
Total Pages: 394
Release: 2014-10-09
Genre: Art
ISBN: 0300208073

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This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -


Cubism and 20th Century Art

Cubism and 20th Century Art
Author: Robert Rosenblum
Publisher:
Total Pages: 360
Release: 2001-03
Genre: Art
ISBN:

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Brilliantly clarifies the language of Cubism & offers a penetrating analysis of its role in the creation of the major pictorial & sculptural styles of our time.


In Defiance of Painting

In Defiance of Painting
Author: Christine Poggi
Publisher: Yale University Press
Total Pages: 318
Release: 1992-01-01
Genre: Art
ISBN: 9780300051094

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The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.


Radical Picasso

Radical Picasso
Author: C. F. B. Miller
Publisher: Univ of California Press
Total Pages: 315
Release: 2021
Genre: Art
ISBN: 0520290143

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Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.


Cubist Picasso

Cubist Picasso
Author:
Publisher:
Total Pages: 0
Release: 2007
Genre:
ISBN:

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The Metropolitan Museum of Art: Publications 2020

The Metropolitan Museum of Art: Publications 2020
Author: The Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
Total Pages: 24
Release: 2020-06-05
Genre: Antiques & Collectibles
ISBN:

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This catalogue, published annually by The Metropolitan Museum of Art, announces its publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.


Picasso's Drawings, 1890-1921

Picasso's Drawings, 1890-1921
Author: Susan Grace Galassi
Publisher: Yale University Press
Total Pages: 299
Release: 2011
Genre: Art
ISBN: 9780300170733

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A fresh perspective on the importance of Picasso's drawing practice and how he used his materials and graphic techniques to reinterpret past traditions and invigorate his art


Cubism and Its Histories

Cubism and Its Histories
Author: David Cottington
Publisher: Manchester University Press
Total Pages: 350
Release: 2004
Genre: Art
ISBN: 9780719050046

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Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.