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Critiquing the Postcolonial Construct in Chinua Achebe’s Novels

Critiquing the Postcolonial Construct in Chinua Achebe’s Novels
Author: Ranjana Das Sarkhel
Publisher: Cambridge Scholars Publishing
Total Pages: 151
Release: 2018-11-21
Genre: Literary Criticism
ISBN: 1527522016

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Chinua Achebe’s novels have always been read as texts from an erstwhile colonised African nation, interpreted within the parameters suggested by postcolonial theorists. The confines of postcolonial readings have raised questions about when the ‘postcolonial’ period would end, so that writers would no longer need to ‘write back’ to the empire or ‘rewrite’ their histories. This work explores how Achebe’s novels articulate his knowledge of his own people and the manner in which he participates in the politics of representation. He critiques the postcolonial methodology, and seeks out, recovers and provides an alternative narrative of the postcolonial experience and its aftermath, even as he seems to be moving beyond it. Achebe’s narratives do not conform to the postcolonial constructs of history as telling (rather than recalling) and of nations in terms of states (rather than people). Achebe combines the techniques available to historians (documentation) with those of novelists (the imaginative re-creation of events) for his fictional evocation of the past. He emphasises both the African artists’ role in helping to create a more egalitarian society and that of the act of storytelling as a shaping force in people’s lives. As he negotiates between his narrative form and realistic subject matter, Achebe puts forward a powerful critique of colonisation and its aftermath. Achebe represents a canonical voice in the emerging discourse of writers struggling to break free from the clichéd world of anti-imperialism and decolonisation.


Critiquing the Postcolonial Construct in Chinua Achebe's Novels

Critiquing the Postcolonial Construct in Chinua Achebe's Novels
Author: Ranjana Das Sarkhel
Publisher:
Total Pages: 141
Release: 2018
Genre: Colonization in literature
ISBN: 9781527506695

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Chinua Achebe's novels have always been read as texts from an erstwhile colonised African nation, interpreted within the parameters suggested by postcolonial theorists. The confines of postcolonial readings have raised questions about when the 'postcolonial' period would end, so that writers would no longer need to 'write back' to the empire or 'rewrite' their histories.This work explores how Achebe's novels articulate his knowledge of his own people and the manner in which he participates in the politics of representation. He critiques the postcolonial methodology, and seeks out, recovers and provides an alternative narrative of the postcolonial experience and its aftermath, even as he seems to be moving beyond it. Achebe's narratives do not conform to the postcolonial constructs of history as telling (rather than recalling) and of nations in terms of states (rather than people). Achebe combines the techniques available to historians (documentation) with those of novelists (the imaginative re-creation of events) for his fictional evocation of the past. He emphasises both the African artists' role in helping to create a more egalitarian society and that of the act of storytelling as a shaping force in people's lives. As he negotiates between his narrative form and realistic subject matter, Achebe puts forward a powerful critique of colonisation and its aftermath. Achebe represents a canonical voice in the emerging discourse of writers struggling to break free from the clich�d world of anti-imperialism and decolonisation.


The Education of a British-Protected Child

The Education of a British-Protected Child
Author: Chinua Achebe
Publisher: Penguin Group
Total Pages: 193
Release: 2009-10-06
Genre: Biography & Autobiography
ISBN: 0307272907

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From one of the greatest writers of the modern era, an intimate and essential collection of personal essays on home, identity, and colonialism Chinua Achebe’s characteristically eloquent and nuanced voice is everywhere present in these seventeen beautifully written pieces. From a vivid portrait of growing up in colonial Nigeria to considerations on the African-American Diaspora, from a glimpse into his extraordinary family life and his thoughts on the potent symbolism of President Obama’s elections—this charmingly personal, intellectually disciplined, and steadfastly wise collection is an indispensable addition to the remarkable Achebe oeuvre.


Things Fall Apart

Things Fall Apart
Author: Chinua Achebe
Publisher: Penguin
Total Pages: 226
Release: 1994-09-01
Genre: Fiction
ISBN: 0385474547

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“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.


Satire and the Postcolonial Novel

Satire and the Postcolonial Novel
Author: John Clement Ball
Publisher: Psychology Press
Total Pages: 234
Release: 2003
Genre: Biography & Autobiography
ISBN: 9780415965934

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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.


Colonial/Post-colonial Paradigms in Chinua Achebe's Novels (TFA & AOG)

Colonial/Post-colonial Paradigms in Chinua Achebe's Novels (TFA & AOG)
Author: Amna Shamim
Publisher: LAP Lambert Academic Publishing
Total Pages: 88
Release: 2013
Genre:
ISBN: 9783659350986

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This book is a critical analysis of Chinua Achebe's magnum opus, Things Fall Apart and his third novel, Arrow of God. Both these texts have been read from the perspective of colonialism and post-colonialism. The novels portray the life of the Igbo people through their culture and traditions which were considered as barbaric by the colonizers. There had been inner conflicts in the Igbo society which resulted in the differences of opinion among the younger and the older generation of Africa; leading to the incursion of the colonizers. With the advent of the colonizers, this chasm between the old and the young increased drastically and slowly the natives fell prey to the craftiness of the outsiders.


Satire and the Postcolonial Novel

Satire and the Postcolonial Novel
Author: John Clement Ball
Publisher: Routledge
Total Pages: 234
Release: 2003-06-12
Genre: Literary Criticism
ISBN: 1135451559

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Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."


The Four Novels of Chinua Achebe

The Four Novels of Chinua Achebe
Author: Benedict Chiaka Njoku
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Total Pages: 208
Release: 1984
Genre: Achebe, Chinua
ISBN:

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"The Four Novels of Chinua Achebe" is a critical study of Africa's foremost novelist by one of Africa's foremost critics. Offering a fresh, useful and unified collection of essays, the book contains exquisite prose analysis, distinctive in its sub- ject-matter and rhetoric. Analytically and philosophically, Dr. Njoku probes Achebe's fictional world with its realistic and naturalistic trends. Dr. Njoku follows Achebe as he examines the traditional life and cultures of the Igbo people in the nineteenth century, examines the village life of the people in their early years of contact with the Europeans, and carries us to the life and traditions of the people in the 1920s. To him "No Longer At Ease" is a novel of realism heightened by serious, social and psychological analysis, and it outlines the conflict between the idealism of a European-educated African and his attempt to re-integrate himself into the life of his people. The tragic consequences of Africa's encounter with Europe are evaluated. In "A Man of The People, " Dr. Njoku shows that intellectual sophistication is not everything as he contrasts Odili's intellectual brilliance with the pragmatic, naive, political wisdom of his foil, Chief Nanga.


Obi Okonkwo as a 'postcolonial subject' in Chinua Achebe's 'No Longer At Ease'

Obi Okonkwo as a 'postcolonial subject' in Chinua Achebe's 'No Longer At Ease'
Author:
Publisher: GRIN Verlag
Total Pages: 19
Release: 2004-04-06
Genre: Literary Criticism
ISBN: 363826596X

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Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: A (USA = 1), Southern Connecticut State University (English Department), course: The Contemporary African Novel, language: English, abstract: Chinua Achebe’s novel No Longer At Ease describes the twilight zone between the British rule of Nigeria and the country’s independence. It is a transitional period during which the Whites are leaving the country and the natives are getting responsible for their own lives; colonialism is giving way to a post-colonial situation. Nigerians are now forced to negotiate the claims of both colonial modernity and their previously degraded African mode of life. The period of transition is one in which binary oppositions (colonial vs. African, modernity vs. tradition) seem to be collapsing, unveiling what Mudimbe calls “the strong tension between a modernity that often is an illusion of development, and a tradition that sometimes reflects a poor image of a mythical past” (5). No Longer At Ease was first published in 1960, the year of Nigeria's independence from England. This is significant because it is a novel that pertains to a trend of literature called postcolonial literature that still survives. There are many issues that arise out of post-colonialism, issues that authors and writers around the world have had to deal with. Africa, India, and the West Indies all have come out of the colonial era with a new literature that must address the problems that colonialism left behind. Some of the problems in post-colonial regions concern language, education, the conflict between traditional ways and Western or European ways, the presence of the English, and corruption. Those who later moved into the land of the colonizer (for instance, Obi, while studying in England) experience an entire set of new problems such as nostalgia for home, memory, and the desire for the homeland. When Obi returns from his studies in England, he is an honest idealistic young man. He takes a high paying job in the civil service but soon finds that his salary is not sufficient to meet the financial demands made upon him. He also gets involved with a woman his parents and the clan despise. In the end he is caught taking bribes and is sent to prison. [...]