Critique of Commodity Aesthetics
Author | : Wolfgang Fritz Haug |
Publisher | : |
Total Pages | : 204 |
Release | : 1986 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Wolfgang Fritz Haug |
Publisher | : |
Total Pages | : 204 |
Release | : 1986 |
Genre | : Aesthetics |
ISBN | : |
Author | : Wolfgang Fritz Haug |
Publisher | : |
Total Pages | : 204 |
Release | : 1987 |
Genre | : History |
ISBN | : |
Author | : Wolfgang Fritz Haug |
Publisher | : |
Total Pages | : 0 |
Release | : 1986 |
Genre | : |
ISBN | : |
Author | : Gernot Böhme |
Publisher | : Mimesis |
Total Pages | : 84 |
Release | : 2017-07-18T00:00:00+02:00 |
Genre | : Political Science |
ISBN | : 8869771164 |
Aesthetic Economy is a theory of the recent development of capitalism in our national economies. Basic needs are easily satisfied and, as a result, most commodities are no longer intended for consumption, but for the staging of our lives. That is, they are used to produce atmospheres. Applications of the theory are found wherever staging is performed: in commodity aesthetics, in marketing, as well as in the sphere of production. As to technology, we find a turn from useful to joyful technology. And the technology of entertainment has become a huge part of the general economy. Similarly, a further horizon of Aesthetic Economy is to be seen in the aestheticization of politics, the staging of sporting events and the management of culture.
Author | : Eduardo de la Fuente |
Publisher | : BRILL |
Total Pages | : 207 |
Release | : 2014-06-26 |
Genre | : Philosophy |
ISBN | : 9004274723 |
Aesthetic Capitalism debates the social aesthetics of contemporary economic processes. The book connects modern cultural dynamics with the workings of contemporary capitalism. It explores art and the new spirit of capitalism; visual culture and the experience economy; aesthetics and organisations; the art of fiscal management; capitalism without myth; and architecture in the age of aesthetic capitalism. Contributors include: Peter Murphy, Eduardo de la Fuente, Antonio Strati, Ken Friedman, Dominique Bouchet, Anders Michelsen, David Roberts, Carlo Tognato
Author | : Arthur Asa Berger |
Publisher | : SAGE |
Total Pages | : 264 |
Release | : 2005 |
Genre | : Education |
ISBN | : 9781412906838 |
Providing concise explanations of four perspectives on media analysis - semiological, psychoanalytical, sociological and Marxist - and demonstrating their application, this second edition will help students to understand crucial concepts.
Author | : Anselm Jappe |
Publisher | : Bloomsbury Publishing |
Total Pages | : 233 |
Release | : 2023-10-19 |
Genre | : Philosophy |
ISBN | : 1350381209 |
The Adventures of the Commodity explores conceptions of a capitalist society that is ordered entirely around the exigencies of the commodity, money and labour. A distinctive introduction to critiques of capitalism and commodity society, this book illuminates the difficult concept of 'abstract' labour. Merging this with the social critique known as the “critique of value”, first developed by Robert Kurz and the German journal, Krisis, in the 1990s, Anselm Jappe highlights in particular a central, and often contested, aspect of this critique: the claim that, for several decades now, capitalism has entered into a crisis that is not cyclical, but terminal. If a society that is founded upon the fetishism of the commodity, on the value created by the abstract side of labour and represented in money, this is the result of the fact that its primary internal contradiction has reached a point of no return: the replacement of living labour, the only source of 'value', by ever-more sophisticated technologies.
Author | : Wolfgang Fritz Haug |
Publisher | : |
Total Pages | : 20 |
Release | : 2000 |
Genre | : Commercial products |
ISBN | : |
Author | : Gernot Böhme |
Publisher | : Taylor & Francis |
Total Pages | : 231 |
Release | : 2016-09-13 |
Genre | : Science |
ISBN | : 1134967918 |
Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.
Author | : Herbert Marcuse |
Publisher | : Beacon Press |
Total Pages | : 110 |
Release | : 2014-11-18 |
Genre | : Political Science |
ISBN | : 0807024007 |
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two-dimensional criticism in a one-dimensional society.