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| Author | : Lindsey Tucker |
| Publisher | : Twayne Publishers |
| Total Pages | : 278 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : |
This book offers essays on the short stories, novels and general writings of Angela Carter to examine her philosophy and style with a biographical introduction.
| Author | : Angela Carter |
| Publisher | : Random House |
| Total Pages | : 242 |
| Release | : 2016-09-15 |
| Genre | : Fiction |
| ISBN | : 1784871435 |
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
| Author | : Rosemary Hill |
| Publisher | : Profile Books |
| Total Pages | : 108 |
| Release | : 2015-11-05 |
| Genre | : Poetry |
| ISBN | : 1782831126 |
a) The Unicorn As with the night-scented stock, the full splendour of the unicorn manifests itself most potently at twilight. Then the horn sprouts, swells, blooms in all its glory. SEE THE HORN (bend the tab, slit in slot marked 'x') Despite being one of the most influential - and best-loved - of the post-war English writers, Angela Carter remains little-known as a poet. In Unicorn, the critic and historian Rosemary Hill collects together her published verse from 1963-1971, a period in which Carter began to explore the themes that dominated her later work: magic, the reworking of myths and their darker sides, and the overturning of literary and social conventions. With imagery at times startling in its violence and disconcerting in its presentation of sexuality, Unicorn provides compelling insight into the formation of a remarkable imagination. In the essay that accompanies the poems the critic and historian Rosemary Hill considers them in the context of Carter's other work and as an aspect of the 1960s, the decade which as Carter put it 'wasn't like they say in the movies'.
| Author | : Alison Easton |
| Publisher | : MacMillan |
| Total Pages | : 228 |
| Release | : 2000 |
| Genre | : Women and literature |
| ISBN | : 9780333692158 |
Angela Carter's writings have been a source of pleasure, puzzlement and controversy, and explore the subject of gender in difficult and daring ways. This collection provides a selection of the different responses evoked by her work over the years.
| Author | : Edmund Gordon |
| Publisher | : Oxford University Press |
| Total Pages | : 400 |
| Release | : 2017-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 0190626860 |
Widely acknowledged as one of the most important English writers of the last century, Angela Carter's work stands out for its bawdiness and linguistic zest, its hospitality to the fantastical and the absurd, and its extraordinary inventiveness and range. Her life was as vigorously modern and unconventional as anything in her fiction. This is the story of how Angela Carter invented herself - as a new kind of woman and a new kind of writer - and how she came to write such seductive and distinctive masterworks as The Bloody Chamber, Nights at the Circus, and Wise Children. Because its subject so powerfully embodied the spirit of the times, the book also provides a fresh perspective on Britain's social and cultural history in the second half of the twentieth century. It examines such topics as the 1960s counterculture, the social and imaginative conditions of the nuclear age, and the advent of second wave feminism. Author Edmund Gordon has followed in Angela Carter's footsteps - travelling to the places she lived in Britain, Japan, and the USA - to uncover a life rich in adventure and incident. With unrestricted access to her manuscripts, letters, and journals, and informed by interviews with Carter's friends and family, Gordon offers an unrivalled portrait of one of the twentieth century's most dazzlingly original writers. This sharply written narrative will be the definitive biography for years to come.
| Author | : Sonya Andermahr |
| Publisher | : A&C Black |
| Total Pages | : 225 |
| Release | : 2012-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 1441169288 |
Covering her early poetry and journalism as well as her fictional writings, leading international scholars explore new directions in scholarship on Angela Carter.
| Author | : Martine Hennard Dutheil de la Rochère |
| Publisher | : Wayne State University Press |
| Total Pages | : 386 |
| Release | : 2013-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 0814336353 |
In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernize the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber. Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings. While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings.
| Author | : Helen Stoddart |
| Publisher | : Routledge |
| Total Pages | : 149 |
| Release | : 2007-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1134269471 |
A highly original and influential work of modern British literature, Angela Carter’s Nights at the Circus combines a fantastically creative plot with a strong political undertone. The result is an emotive and provocative novel, which has attracted much critical attention from a range of perspectives including poststructuralism, gender studies, postmodernism and psychoanalysis. This guide to Angela Carter’s complex novel, presents: an accessible introduction to the text and contexts of Nights at the Circus a critical history, surveying the many interpretations of the text from publication to the present a selection of new critical essays on the Nights at the Circus, by Heather Johnson, Jeannette Baxter, Sarah Sceats and Helen Stoddart, providing a variety of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Nights at the Circus and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Carter’s text.
| Author | : Louise O'Neill |
| Publisher | : Scholastic UK |
| Total Pages | : 320 |
| Release | : 2018-05-03 |
| Genre | : Juvenile Fiction |
| ISBN | : 1407186272 |
Deep beneath the sea off the cold Irish coast, Gaia is a young mermaid who dreams of being human... but at what terrible price? Hans Christian Andersen's dark original fairy tale is reimagined through a searing feminist lens, with the stunning, scalpel-sharp writing and world building that has won Louise her legions of devoted fans.
| Author | : Angela Carter |
| Publisher | : Penguin |
| Total Pages | : 225 |
| Release | : 1986-03-04 |
| Genre | : Fiction |
| ISBN | : 0140235191 |
The transformation of Desiderio's city into a mysterious kingdom is instantaneous: Hallucination flows with magical speed in every brain; avenues and plazas are suddenly as fertile as fairy-book forests. And the evil comes, too, as imaginary massacres fill the streets with blood, the dead return to question the living, and profound anxiety drives hundreds to suicide. Behind it all stands Doctor Hoffman, whose gigantic generators crack the immutable surfaces of time and space and plunge civilization into a world without the chains – or structures – of reason. Only Desiderio, immune to mirages and fantasy, can defeat him. But Desiderio's battle will take him to the very brink of undeniable, irresistible desire.
