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Creativity in American Philosophy

Creativity in American Philosophy
Author: Charles Hartshorne
Publisher: State University of New York Press
Total Pages: 328
Release: 1985-06-30
Genre: Philosophy
ISBN: 1438405995

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"The reader will find that I combine hearty enthusiasm for the philosophical traditions of my country with sharp partial disagreement with nearly all their representatives. My effort throughout my career has been to think about philosophical, that is, essentially a priori or metaphysical, issues, using the history of ideas as a primary resource. "This is the second of two volumes dealing with the history of philosophy, especially of metaphysics. The first, Insights and Oversights of Great Thinkers, discusses some thirty European philosophers, from Democritus to Wittgenstein and Merleau-Ponty. In both volumes I try to learn and teach truth about reality by arguing, in a fashion, with those who in the past have sought such truth." — Charles Hartshorne In a remarkable tour de force, Charles Hartshorne presents a lively and illuminating study of what major American philosophers have said about creativity. With a special talent for perceiving and elegantly expressing the essence of a position, Dr. Hartshorne details his reactions to friend and foe, demonstrating that philosophy at its best is dialogue. Noting that metaphysics is a major theme in the American philosophical tradition, he states that "nowhere has the topic been more persistently and searchingly investigated than in this country."


The Philosophy of Creativity

The Philosophy of Creativity
Author: Elliot Samuel Paul
Publisher: Oxford University Press
Total Pages: 337
Release: 2014-05
Genre: Philosophy
ISBN: 0199836965

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Creativity pervades human life. It is the mark of individuality, the vehicle of self-expression, and the engine of progress in every human endeavor. It also raises a wealth of neglected and yet evocative philosophical questions. The Philosophy of Creativity takes up these questions and, in doing so, illustrates the value of interdisciplinary exchange.


Creativity and the Philosophy of C.S. Peirce

Creativity and the Philosophy of C.S. Peirce
Author: D.R. Anderson
Publisher: Springer Science & Business Media
Total Pages: 185
Release: 2013-03-09
Genre: Philosophy
ISBN: 9401577609

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Charles Sanders Peirce is quickly becoming the dominant figure in the history of American philosophy. The breadth and depth of his work has begun to obscure even the brightest of his contemporaries. Concerning the interpretation of his work, however, there are two distinct schools. The first holds that Peirce's work is an aggregate of important but disconnected insights. The second school argues that his work is a systematic philosophy with many pieces of the overall picture still obscure or missing. It is this second view which seems to me the most reasonable, in part because it has been convincingly defended by other scholars, but most importantly because Peirce himself described his philosophy as systematic: What I would recommend is that every person who wishes to form an opinion concerning fundamental problems should first of all make a complete survey of human knowledge, should take note of all the valuable ideas in each branch of science, should observe in just what respect each has been successful and where it has failed, in order that, in the light of the thorough acquaintance so attained of the available materials for a philosophical theory and of the nature and strength of each, he may proceed to the study of what the problem of philosophy consists in, and of the proper way of solving it (6. 9) [1].


Philosophy of Creativity

Philosophy of Creativity
Author: David Lee Miller
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 220
Release: 1989
Genre: Philosophy
ISBN:

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Philosophy of Creativity is a prolegomenon in the field of philosophical studies of creativity. The book sets forth a cross and multi-cultural point of view, emphasizing points of agreement between seminal thinkers and living traditions over the whole earth. The seven chapters turn about the philosophical and spiritual notion of creativity. Creativity is presented as metaparadigm, or the philosophical way that critiques and transcends paradigms, while intrepreting them in light of this novel meta-paradigmatic perspective. This work draws important insights from major philosophical traditions in both the Orient and the Western world such as Buddhism, Taoism, Confucianism, Pragmatism, Existentialism, Phenomenology, and Process Philosophy.


Creative Experiencing

Creative Experiencing
Author: Charles Hartshorne
Publisher: SUNY Press
Total Pages: 179
Release: 2011-09-01
Genre: Philosophy
ISBN: 1438436653

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A vigorous and wide-ranging defense of Hartshorne’s “neoclassical metaphysics” of creative freedom.


The Concept of Creativity in Science and Art

The Concept of Creativity in Science and Art
Author: Denis Dutton
Publisher: Springer
Total Pages: 216
Release: 2014-11-14
Genre: Philosophy
ISBN: 9400982305

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This third volume of American University Publications in Philos ophy continues the tradition of presenting books in the series shaping current frontiers and new directions in phi. osophical reflection. In a period emerging from the neglect of creativity by positivism, Professors Dutton and Krausz and their eminent colleagues included in the collection challenge modern philosophy to explore the concept of creativity in both scientific inquiry and artistic production. In view of the fact that Professor Krausz served at one time as Visiting Professor of Philosophy at The American University we are especially pleased to include this volume in the series. HAROLD A. DURFEE, for the editors of American University Publications in Philosophy EDITORS' PREFACE While the literature on the psychology of creativity is substantial, surprisingly little attention has been paid to the subject by philos ophers in recent years. This fact is no doubt owed in 'part to the legacy of positivism, whose tenets have included a sharp distinction between what Hans Reichenbach called the context of discovery and the context of justification. Philosophy in this view must address itself to the logic of justifying hypotheses; little of philo sophical importance can be said about the more creative business of discovering them. That, positivism has held, is no more than a merely psychological question: since there is no logic of discovery or creation, there can be no philosophical reconstruction of it.


American Philosophy: An Encyclopedia

American Philosophy: An Encyclopedia
Author: John Lachs
Publisher: Routledge
Total Pages: 870
Release: 2008-03-31
Genre: Philosophy
ISBN: 1135948879

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The Encyclopedia of American Philosophy provides coverage of the major figures, concepts, historical periods and traditions in American philosophical thought. Containing over 600 entries written by scholars who are experts in the field, this Encyclopedia is the first of its kind. It is a scholarly reference work that is accessible to the ordinary reader by explaining complex ideas in simple terms and providing ample cross-references to facilitate further study. The Encyclopedia of American Philosophy contains a thorough analytical index and will serve as a standard, comprehensive reference work for universities and colleges. Topics covered include: Great philosophers: Emerson, Dewey, James, Royce, Peirce, Santayana Subjects: Pragmatism, Progress, the Future, Knowledge, Democracy, Growth, Truth Influences on American Philosophy: Hegel, Aristotle, Plato, British Enlightenment, Reformation Self-Assessments: Joe Margolis, Donald Davidson, Susan Haack, Peter Hare, John McDermott, Stanley Cavell Ethics: Value, Pleasure, Happiness, Duty, Judgment, Growth Political Philosophy: Declaration of Independence, Democracy, Freedom, Liberalism, Community, Identity


The Idea of Creativity (paperback)

The Idea of Creativity (paperback)
Author: Karen Bardsley
Publisher: BRILL
Total Pages: 370
Release: 2009-03-25
Genre: Philosophy
ISBN: 9047427904

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Seventeen philosophers, scientists and artists consider questions about the intriguing idea of creativity: Is creativity essentially mysterious? Is creativity essentially inspirational or rationalistic? What role does skill play in creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, creative processes, or creative products? How do forms of creativity relate to different domains of human activity? How does creativity relate to self-transformation? How does our knowledge of the circumstances of creativity effect our appreciation of its products? Can a recipient of a creative work also be a creator of it? Contributors include: Margaret Boden, Larry Briskman, John M. Carvalho, David Davies, Berys Gaut,Rom Harré, Carl R. Hausman, Albert Hofstadter, Arthur Koestler, Michael Krausz, Peter Lamarque, Thomas Leddy, Paisley Livingston, Michael Polany, Dean Keith Simonton, and Francis Sparshott.


Philosophy Americana

Philosophy Americana
Author: Douglas R. Anderson
Publisher: Fordham Univ Press
Total Pages: 308
Release: 2006
Genre: Philosophy
ISBN: 082322550X

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This book offers an alternative way of taking up the American Philosophical tradition as a way of doing philosophy and a way of life. Douglas Anderson explores the relationship between American philosophy and other features of American culture, including where in that culture thinking that could be called philosophicalis to be found.


American Philosophy

American Philosophy
Author: Barbara MacKinnon
Publisher: SUNY Press
Total Pages: 710
Release: 1985-01-01
Genre: Philosophy
ISBN: 9780873959223

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This anthology demonstrates the richness and diversity of the American intellectual heritage. In it we see how Jonathan Edwards grapples with the problem of how to reconcile freedom and responsibility with Calvinist religious beliefs; how Franklin and Jefferson exemplified American enlightenment thought; and how the Transcendentalists, Ralph Waldo Emerson and Henry David Thoreau, formulated their particular romantic idealist beliefs. A second and significant portion of the anthology is devoted to Pragmatism. Substantive excerpts from Peirce, James and Dewey, as well as Royce, are collected here. A third part is devoted to other Twentieth-Century American philosophies. No other collection of writings in this field includes the breadth of coverage that this one does. Among the chapters in this third part of the book are those on early Process Philosophy, Phenomenology, Positivism, and Language Philosophies. Selections from such philosophers as Whitehead, Weiss, Buchler, Gurwitsch, Sellars, Quine, Davidson, and Rawls, along with many others are included in this part. A final chapter is devoted to twentieth-century American Moral Philosophy. The book is specifically designed to be used as a text for courses in American philosophy. A substantive introduction that emphasizes the historical setting as well as major interests and ideas of the philosophers accompanies each chapter. Extensive bibliographies and study guide questions follow each chapter. The selections include more than any one course will cover, but in their completeness also allow individual teachers and readers to select what they want.