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| Author | : Keith Negus |
| Publisher | : SAGE |
| Total Pages | : 192 |
| Release | : 2004-06-05 |
| Genre | : Social Science |
| ISBN | : 9780761970767 |
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value.
| Author | : Keith Negus |
| Publisher | : SAGE |
| Total Pages | : 192 |
| Release | : 2004-06-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780761970767 |
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value.
| Author | : Kathy Bowrey |
| Publisher | : Routledge |
| Total Pages | : 228 |
| Release | : 2022-04 |
| Genre | : Authorship |
| ISBN | : 9780367631154 |
Copyright, Creativity, Big Media & Cultural Value: Incorporating the Author explains why copyright is much more than a creator's private property right or a mechanism through which corporations control cultural production and influence mass consumption choices.
| Author | : Andreas Reckwitz |
| Publisher | : John Wiley & Sons |
| Total Pages | : 300 |
| Release | : 2017-05-30 |
| Genre | : Social Science |
| ISBN | : 0745697070 |
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
| Author | : Nissim Otmazgin |
| Publisher | : Springer Nature |
| Total Pages | : 180 |
| Release | : 2020-04-23 |
| Genre | : Business & Economics |
| ISBN | : 9811530564 |
The purpose of this volume is to broaden scholars' analytical perspective by placing the creative industries in frameworks that compare and contrast them with other kinds of entities, organizations, and social forms that mix creativity and production. In other words, this volume aims to set out an emerging agenda for the study of creativity in the cultural and media industries. Although this work focuses on the media and cultural industries, they are investigated in the context of other groups and organizations connecting forms of creativity with an explicit emphasis on turning ideas into concrete practices and products. The originality of this book lies in (1) presenting a comparative and interdisciplinary perspective that develops a new framework and analytical concepts to understand the notion of creativity in the media and cultural industries, and (2) providing a series of fresh empirically based studies of the process of creativity in fields such as advertising, fashion, animation, and pop culture. This comparative move is taken in order to generate new insights about the particular features of the creative industries and new questions for future analysis.
| Author | : Carlos Simpson |
| Publisher | : Carlos Simpson Design Studio |
| Total Pages | : 226 |
| Release | : 2021-12-30 |
| Genre | : Art |
| ISBN | : 173990933X |
In the Survivor Guide by Carlos Simpson, the author shares some of his raw ideas and thoughts using a wide variety of techniques ranging from pencil drawings to watercolour, collage to coloured pencils, to pen and ink, handwriting, colours, photography, symbols, and information that we use every day. This sketchbook by Carlos Simpson explores the individual in a social, cultural, and political context. As a specialist communicator and an image-maker, I always start my first idea on a blank page which can be found always in my sketchbook.
| Author | : Hubert Knoblauch |
| Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9783653043747 |
In the last decades the world has witnessed a revolutionary change in the ways people communicate with one another. This transformation is one of the most decisive aspects of the creativity of culture. The full aim of this volume therefore is to explore the resulting transformation in the relations of culture, creativity, and communication.
| Author | : Terry Flew |
| Publisher | : SAGE |
| Total Pages | : 250 |
| Release | : 2011-11-15 |
| Genre | : Social Science |
| ISBN | : 1446273083 |
"Moving from age-old warnings about the influence of the cultural industry to a tentative embrace of a global creative society, Terry Flew′s new book provides an excellent overview of this exciting field. Warmly recommended for students and policymakers alike." - Mark Deuze, Indiana University "A comprehensive text on the state of the art of the creative industries... a running commentary on the ebb and flow of both the academic debates (from cultural studies, cultural economics, organisational studies, economic geography and urban sociology) and the policy initiatives that seek to frame the field for outsiders. An ideal primer." - Andy C Pratt, King′s College London The rise of creative industries requires new thinking in communication, media and cultural studies, media and cultural policy, and the arts and information sectors. The Creative Industries sets the agenda for these debates, providing a richer understanding of the dynamics of cultural markets, creative labour, finance and risk, and how culture is distributed, marketed and creatively re-used through new media technologies. This book: Develops a global perspective on the creative industries and creative economy Draws insights from media and cultural studies, innovation economics, cultural policy studies, and economic and cultural geography Explores what it means for policy-makers when culture and creativity move from the margins to the centre of economic dynamics Makes extensive use of case studies in ways that are relevant not only to researchers and policy-makers, but also to the generation of students who will increasingly be establishing a ′portfolio career′ in the creative industries. International in coverage, The Creative Industries traces the historical and contemporary ideas that make the cultural economy more relevant that it has ever been. It is essential reading for students and academics in media, communication and cultural studies.
| Author | : Fiorenza Belussi |
| Publisher | : Routledge |
| Total Pages | : 132 |
| Release | : 2013-10-31 |
| Genre | : Business & Economics |
| ISBN | : 1317982436 |
Creativity is the emergence of something novel and appropriate, from a person, a group, a society. A creative idea or product must be novel. Yet, novelty is not enough (a novel idea may be ridiculous or nonsensical). In addition to novelty, to be creative an idea or product must also attain some level of social recognition. The individualist approaches to creativity overestimate the role of the individual and of his/her abilities (the myth of the genius). On the contrary, the socio-cultural approach emphasizes the role played by contexts in the creation process: societies, cultures and historical periods. Accordingly, the individual is seen as a member of many overlapping social groups, each of them has its own network, with a specific structure and organization, which influences the creation of networks of—potentially creative—ideas. Each individual is also a member of a culture, which gives him/her the categories used to understand the world. Finally, each individual is representative of a specific historical period. From a managerial perspective it is important to deepen the knowledge of the contexts, both spatial and cognitive, which favor ‘‘situated creativity’’ in the realm of the cultural industries. This special book offers both theoretical and empirical contributions in an attempt to build such knowledge.
| Author | : David Hesmondhalgh |
| Publisher | : SAGE |
| Total Pages | : 361 |
| Release | : 2007-03-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1446237834 |
'The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption.... In the process, Hesmondhalgh provides us with an essential toolkit for making critical sense of the digital media age, and our places within it' - Nick Couldry, Goldsmiths College, University Of London 'This book sets a valuable standard for communication studies. Hesmondhalgh integrates cultural research with political economy, organizational sociology with public communication policy studies, global with comparative analysis, and intellectual property law with technology changes. I've successfully taught graduate and undergraduate courses in the USA and France using the first edition, and this one is better still' - John D.H. Downing, Global Media Research Centre, Southern Illinois University Praise for the first edition: 'This lucid, careful and sophisticated book orders the entire field, for the US as well as Europe, and at one stroke becomes the state of the art, the standard' - Todd Gitlin, Columbia University, USA This book is a powerful antidote to journalistic hype about change in the cultural industries. Significantly expanding, updating and revising an acclaimed first edition published in 2002, it · analyses how, why and in what ways cultural production has changed since the 1980s · guides the reader through existing approaches · scrutinises facts and debates about the role of culture and creativity in modern societies · provides new material on copyright, cultural policy, celebrity power, the digital distribution of music and many other issues Like its predecessor, this exciting new edition of The Cultural Industries places transformation in the cultural industries in long-term political, economic and cultural context. In doing so, Hesmondhalgh offers a distinctive critical approach to cultural production, drawing on political economy perspectives, but also on cultural studies, sociology and social theory.
