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| Author | : Joseph Campbell |
| Publisher | : New York : Penguin Books |
| Total Pages | : 764 |
| Release | : 1968 |
| Genre | : Mythology |
| ISBN | : |
Spans the philosophical, spiritual, and artistic history since the Middle Ages.
| Author | : Joseph Campbell |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-11-12 |
| Genre | : Literary Criticism |
| ISBN | : 9781608689170 |
An updated edition of a beloved classic, Creative Mythology tells the inner story of humanity's entire philosophical, spiritual, and artistic history since the Dark Ages, ultimately positioning each of us as the creator of our own mythology In this fourth and final volume in The Masks of God series -- Joseph Campbell's major work of comparative mythology -- the preeminent mythologist looks at the birth of the modern, individualistic mythology as it developed in Europe beginning in the twelfth century. Tracing the disintegration of orthodox tradition up through the radical art and philosophies of the late twentieth century, Campbell arrives at an astonishing insight: modern humans are the first to witness the creation of myth and position themselves as the center of their own mythology. Presaging our current era of personal brands, curated feeds, and celebrity influence, he wrote upon completion of this final volume, "[The unity of humanity] has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irresistibly advancing to some kind of mighty climax, out of which the next great movement will emerge." Updated with recent findings from archeology, anthropology, and psychology that support his perceptive analysis of human cultural evolution, this new edition of Creative Mythology remains as vital, revelatory, and urgent as the original did upon publication more than half a century ago.
| Author | : Joseph Campbell |
| Publisher | : Penguin |
| Total Pages | : 753 |
| Release | : 1991-11-01 |
| Genre | : Social Science |
| ISBN | : 0140194401 |
This volume explores the whole inner story of modern culture since the Dark Ages, treating modern man's unique position as the creator of his own mythology.
| Author | : David Burkus |
| Publisher | : John Wiley & Sons |
| Total Pages | : 225 |
| Release | : 2013-10-07 |
| Genre | : Business & Economics |
| ISBN | : 1118611144 |
How to get past the most common myths about creativity to design truly innovative strategies We tend to think of creativity in terms reminiscent of the ancient muses: divinely-inspired, unpredictable, and bestowed upon a lucky few. But when our jobs challenge us to be creative on demand, we must develop novel, useful ideas that will keep our organizations competitive. The Myths of Creativity demystifies the processes that drive innovation. Based on the latest research into how creative individuals and firms succeed, David Burkus highlights the mistaken ideas that hold us back and shows us how anyone can embrace a practical approach, grounded in reality, to finding the best new ideas, projects, processes, and programs. Answers questions such as: What causes us to be creative in one moment and void in the next? What makes someone more or less creative than his or her peers? Where do our flashes of creative insight come from, and how can we generate more of them? Debunks 10 common myths, including: the Eureka Myth; the Lone Creator Myth; the Incentive Myth; and The Brainstorming Myth Written by David Burkus, founder of popular leadership blog LDRLB For anyone who struggles with creativity, or who makes excuses for delaying the work of innovation, The Myths of Creativity will help you overcome your obstacles to finding new ideas.
| Author | : Jacob E. Nyenhuis |
| Publisher | : Wayne State University Press |
| Total Pages | : 432 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780814330029 |
An original inquiry into how the artistic psyche interacts with myth; includes a catalogue of the works of British artist Michael Ayrton.
| Author | : Scott Berkun |
| Publisher | : "O'Reilly Media, Inc." |
| Total Pages | : 250 |
| Release | : 2010-08-13 |
| Genre | : Business & Economics |
| ISBN | : 1449399614 |
In this new paperback edition of the classic bestseller, you'll be taken on a hilarious, fast-paced ride through the history of ideas. Author Scott Berkun will show you how to transcend the false stories that many business experts, scientists, and much of pop culture foolishly use to guide their thinking about how ideas change the world. With four new chapters on putting the ideas in the book to work, updated references and over 50 corrections and improvements, now is the time to get past the myths, and change the world. You'll have fun while you learn: Where ideas come from The true history of history Why most people don't like ideas How great managers make ideas thrive The importance of problem finding The simple plan (new for paperback) Since its initial publication, this classic bestseller has been discussed on NPR, MSNBC, CNBC, and at Yale University, MIT, Carnegie Mellon University, Microsoft, Apple, Intel, Google, Amazon.com, and other major media, corporations, and universities around the world. It has changed the way thousands of leaders and creators understand the world. Now in an updated and expanded paperback edition, it's a fantastic time to explore or rediscover this powerful view of the world of ideas. "Sets us free to try and change the world."--Guy Kawasaki, Author of Art of The Start "Small, simple, powerful: an innovative book about innovation."--Don Norman, author of Design of Everyday Things "Insightful, inspiring, evocative, and just plain fun to read. It's totally great."--John Seely Brown, Former Director, Xerox Palo Alto Research Center (PARC) "Methodically and entertainingly dismantling the cliches that surround the process of innovation."--Scott Rosenberg, author of Dreaming in Code; cofounder of Salon.com "Will inspire you to come up with breakthrough ideas of your own."--Alan Cooper, Father of Visual Basic and author of The Inmates are Running the Asylum "Brimming with insights and historical examples, Berkun's book not only debunks widely held myths about innovation, it also points the ways toward making your new ideas stick."--Tom Kelley, GM, IDEO; author of The Ten Faces of Innovation
| Author | : Paul Avis |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2013-01-11 |
| Genre | : Religion |
| ISBN | : 1134609388 |
'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.
| Author | : Joseph Campbell |
| Publisher | : |
| Total Pages | : 756 |
| Release | : 1976 |
| Genre | : Mythology |
| ISBN | : |
| Author | : Joseph Campbell |
| Publisher | : |
| Total Pages | : 752 |
| Release | : 1976 |
| Genre | : Mythology |
| ISBN | : |
| Author | : Adrian May |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2013-11-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 131786302X |
Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It: Gives a historical perspective on the storyteller's art Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. Considers all aspects of the creative process, from conception to completion Provides tips on seeking inspiration from classical and mythic sources Shows how myths can be linked to contemporary concerns Enables beginning writers to tap into the deeper resonances of myth Guides students to further critical and creative resources A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.
