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| Author | : Gee Vaucher |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art, Modern |
| ISBN | : 9780946381050 |
| Author | : Rebecca Binns |
| Publisher | : Manchester University Press |
| Total Pages | : 191 |
| Release | : 2022-11-29 |
| Genre | : Art |
| ISBN | : 1526147904 |
As one of the people who defined punk’s protest art in the 1970s and 1980s, Gee Vaucher (b. 1945) deserves to be much better-known. She produced confrontational album covers for the legendary anarchist band Crass and later went on to do the same for Northern indie legends the Charlatans, among others. More recently, her work was recognised the day after Donald Trump's 2016 election victory, when the front page of the Daily Mirror ran her 1989 painting Oh America, which shows the Statue of Liberty, head in hands. This is the first book to critically assess an extensive range of Vaucher’s work. It examines her unique position connecting avant-garde art movements, counterculture, punk and even contemporary street art. While Vaucher rejects all ‘isms’, her work offers a unique take on the history of feminist art.
| Author | : |
| Publisher | : |
| Total Pages | : 1230 |
| Release | : 2001 |
| Genre | : Electronic journals |
| ISBN | : |
| Author | : Cynthia Freeland |
| Publisher | : OUP Oxford |
| Total Pages | : 254 |
| Release | : 2002-02-07 |
| Genre | : Art |
| ISBN | : 0191504254 |
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
| Author | : Roy Ascott |
| Publisher | : Univ of California Press |
| Total Pages | : 462 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780520218031 |
Annotation Telematic Embrace combines a provocative collection of writings from 1964 to the present by the preeminent artist and art theoretician Roy Ascott, with a critical essay by Edward Shanken that situates Ascott's work within a history of ideas in art, technology, and philosophy.
| Author | : Ray Linn |
| Publisher | : |
| Total Pages | : 186 |
| Release | : 1996 |
| Genre | : Philosophy |
| ISBN | : |
In this overview of intellectual and artistic trends from the seventeenth century to the present, Linn unpacks the logic, assumptions, and philosophical implications wrapped up in what has become the founding statement of modern rationalism: Descartes's "I think, therefore I am." --from publisher description.
| Author | : Terry Eagleton |
| Publisher | : John Wiley & Sons |
| Total Pages | : 248 |
| Release | : 2011-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1118306295 |
A quarter of a century on from its original publication,Literary Theory: An Introduction still conjures thesubversion, excitement and exoticism that characterized theorythrough the 1960s and 70s, when it posed an unprecedented challengeto the literary establishment. Eagleton has added a new preface tothis anniversary edition to address more recent developments inliterary studies, including what he describes as “the growthof a kind of anti-theory”, and the idea that literary theoryhas been institutionalized. Insightful and enlightening,Literary Theory: An Introduction remains the essential guideto the field. 25th Anniversary Edition of Terry Eagleton’s classicintroduction to literary theory First published in 1983, and revised in 1996 to includematerial on developments in feminist and cultural theory Has served as an inspiration to generations of students andteachers Continues to function as arguably the definitive undergraduatetextbook on literary theory Reissue includes a new foreword by Eagleton himself, reflectingon the impact and enduring success of the book, and on developmentsin literary theory since it was first published
| Author | : Hendrik Petrus Berlage |
| Publisher | : Getty Publications |
| Total Pages | : 350 |
| Release | : 1996-01-01 |
| Genre | : Architecture |
| ISBN | : 0892363339 |
Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.
| Author | : Fredric Jameson |
| Publisher | : Duke University Press |
| Total Pages | : 474 |
| Release | : 1992-01-06 |
| Genre | : Literary Criticism |
| ISBN | : 9780822310907 |
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
| Author | : Edward W. Said |
| Publisher | : Vintage |
| Total Pages | : 416 |
| Release | : 2012-10-24 |
| Genre | : Political Science |
| ISBN | : 0307829650 |
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
