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| Author | : Matthew L. Potts |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 235 |
| Release | : 2017-03-23 |
| Genre | : Literary Criticism |
| ISBN | : 150133073X |
"Reconceives the moral significance of Cormac McCarthy's novels through a constructive engagement with postmodern theory and Christian theology"--
| Author | : Matthew L. Potts |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 235 |
| Release | : 2015-09-24 |
| Genre | : Literary Criticism |
| ISBN | : 1501306561 |
Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance coheres with the Christian theological tradition in difficult, demanding ways. Potts develops this account through an argument that integrates McCarthy's fiction with both postmodern theory and contemporary fundamental and sacramental theology. In McCarthy's novels, the human self is always dispossessed of itself, given over to harm, fate, and narrative. But this fundamental dispossession, this vulnerability to violence and signs, is also one uniquely expressed in and articulated by the Christian sacramental tradition. By reading McCarthy and this theology alongside postmodern accounts of action, identity, subjectivity, and narration, Potts demonstrates how McCarthy exploits Christian theology in order to locate the value of human acts and relations in a way that mimics the dispossessing movement of sacramental signs. This is not to claim McCarthy for theology, necessarily, but it is to assert that McCarthy generates his account of what human goodness might look like in the wake of metaphysical collapse through the explicit use of Christian theology.
| Author | : Matthew L. Potts |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : Christianity in literature |
| ISBN | : 9781501306587 |
| Author | : Russell M. Hillier |
| Publisher | : Springer |
| Total Pages | : 317 |
| Release | : 2017-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 3319469576 |
This book argues that McCarthy’s works convey a profound moral vision, and use intertextuality, moral philosophy, and questions of genre to advance that vision. It focuses upon the ways in which McCarthy’s fiction is in ceaseless conversation with literary and philosophical tradition, examining McCarthy’s investment in influential thinkers from Marcus Aurelius to Hannah Arendt, and poets, playwrights, and novelists from Dante and Shakespeare to Fyodor Dostoevsky and Antonio Machado. The book shows how McCarthy’s fiction grapples with abiding moral and metaphysical issues: the nature and problem of evil; the idea of God or the transcendent; the credibility of heroism in the modern age; the question of moral choice and action; the possibility of faith, hope, love, and goodness; the meaning and limits of civilization; and the definition of what it is to be human. This study will appeal alike to readers, teachers, and scholars of Cormac McCarthy.
| Author | : Brian C. Nixon |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 252 |
| Release | : 2020-05-19 |
| Genre | : Religion |
| ISBN | : 1532691416 |
In Tilt: Finding Christ in Culture, Brian Nixon takes the reader on a voyage of discovery, traveling the currents of God’s presence in culture, summed up in four streams that define a noun: people, places, things, and ideas. In his journey, Nixon touches upon people as diverse as Andy Warhol, Cormac McCarthy, Robert Redford, and Georgia O’Keeffe; places such as Canterbury, England, and Las Vegas, Nevada; things as unique as typewriters, trains, and abstract art; and ideas as fascinating as mathematics and beauty. In these short impressionistic pieces, Nixon, with the curiosity of a journalist, elicits intelligent discussion and poetic articulations, prompting a head tilt from those who join him on a theo-cultural expedition.
| Author | : Stacey Peebles |
| Publisher | : Modern Language Association |
| Total Pages | : 230 |
| Release | : 2021-11-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 160329483X |
In the decades since his 1992 breakout novel, All the Pretty Horses, Cormac McCarthy has gained a reputation as one of the greatest contemporary American authors. Experimenting with genres such as the crime thriller, the post-apocalyptic novel, and the western, his work also engages with the aesthetics of cinema, and several of his novels have been adapted for the screen. While timely and relevant, his works use idiosyncratic language and contain intense, troubling portrayals of racism, sexism, and violence that can pose challenges for students. This volume offers strategies for guiding students through McCarthy's oeuvre, addressing all his novels as well as his published plays and screenplays. Part 1, "Materials," provides sources of biographical information and key scholarship on McCarthy. Essays in part 2, "Approaches," discuss subjects such as landscape and ecology, mythologies of the American West, film adaptations, and literary contexts and describe assignments that encourage students to write creatively and to examine their personal values.
| Author | : David Luy |
| Publisher | : Lexham Press |
| Total Pages | : 184 |
| Release | : 2020-12-02 |
| Genre | : Religion |
| ISBN | : 1683594355 |
"My help comes from the Lord, maker of heaven and earth." Evil is an intruder upon a world created by God and declared good. Scripture emphasizes this: laments are regularly juxtaposed with declarations of God as creator. But evil is not merely a problem for the doctrine of creation. Rather, the doctrine of creation provides a hopeful response to evil. In Evil and Creation, David J. Luy, Matthew Levering, and George Kalantzis collect essays investigating how the doctrine of creation relates to moral and physical evil. Essayists pursue philosophical and theological analyses of evil rather than neatly solving the problem of evil itself. Including contributions from Constantine Campbell, Paul Blowers, and Paul Gavrilyuk, this volume draws upon biblical and patristic voices to produce constructive theology, considering topics ranging from vanity in Ecclesiastes and its patristic interpreters to animal suffering. Readers will gain a broader appreciation of evil and how to faithfully respond to it as well as a renewed hope in God as creator and judge.
| Author | : Petra Mundik |
| Publisher | : University of New Mexico Press |
| Total Pages | : 434 |
| Release | : 2016-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 0826356710 |
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
| Author | : D. Marcel DeCoste |
| Publisher | : LSU Press |
| Total Pages | : 279 |
| Release | : 2024-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 0807182311 |
Professing Darkness confirms the centrality of Catholic thought, imagery, and sacrament to the spiritual and ethical outlook of the work of Cormac McCarthy and, more specifically, its consistent assessment of Enlightenment values and their often-catastrophic realization in American history. D. Marcel DeCoste surveys McCarthy’s fiction from both his Tennessee and Southwest periods, with chapters devoted to eight of his published novels—from Outer Dark to The Road—and a conclusion that examines the writer’s screenplay for The Counselor and the duology of The Passenger and Stella Maris. DeCoste’s attentive, wide-ranging interpretations demonstrate that McCarthy’s work mounts a sustained critique of core Enlightenment ideals and their devastating results in the American context, especially for Indigenous peoples, the environment, the viability of community, and the integrity of a self irreducible to the status of a commodity. Professing Darkness shows that Roman Catholic understandings of Penance and Eucharist, along with specific Catholic teachings—such as those regarding the goodness of Creation, the nature of evil, the insufficiency of the self, and the radical invitation to conversion—enable McCarthy’s revelatory engagement with American Enlightenment. An important contribution to the ever-expanding critical literature on a towering contemporary author, Professing Darkness offers an innovative reading of both the spiritual and political valences of McCarthy’s writing.
| Author | : George B. Handley |
| Publisher | : Taylor & Francis |
| Total Pages | : 224 |
| Release | : 2024-07-22 |
| Genre | : Nature |
| ISBN | : 1040102794 |
Literature and Ecotheology: From Chaos to Cosmos challenges us in a time of climate crisis to find more common ground between the dual projects of ecocriticism and ecotheology. This book argues that in our postsecular age, literature has become an important repository of theological wisdom that can, like formal work in ecotheology, provide the moral grounds for environmental care. However, for any cosmological understanding to be adequate to the challenges before us, it must be responsive to the often-painful contingencies and uncertainties that inhere in the cosmos, something that both ecocriticism and ecotheology have often neglected. After a treatment of the ecocritical and ecotheological questions that pertain to the religious/secular divide, the study then turns to four contemporary American writers—Annie Dillard, Cormac McCarthy, Marilynne Robinson, and David James Duncan—as examples. Each uses the contingency of literary form and its promise of wholeness in order to imagine reasons for hope in light of the unpredictability and untold human and more-than-human suffering that lie at the heart of nature. The book will be of interest to students, scholars and researchers interested in ecotheology, religious studies, environmental literature, the environmental humanities, and environmental studies more broadly. It offers a needed paradigm shift in how Western societies have tended to misuse both secularity and religion.
