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| Author | : Stephen Fishman |
| Publisher | : NOLO |
| Total Pages | : 558 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780873374330 |
Explains how to find and use creative works without permission or fees, describing how to recognize whether or not a work is in the public domain.
| Author | : Jessica Litman |
| Publisher | : Prometheus Books |
| Total Pages | : 216 |
| Release | : |
| Genre | : Law |
| ISBN | : 161592051X |
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
| Author | : William Patry |
| Publisher | : Oxford University Press |
| Total Pages | : 336 |
| Release | : 2012-01-02 |
| Genre | : Law |
| ISBN | : 0199912912 |
Do copyright laws directly cause people to create works they otherwise wouldn't create? Do those laws directly put substantial amounts of money into authors' pockets? Does culture depend on copyright? Are copyright laws a key driver of competitiveness and of the knowledge economy? These are the key questions William Patry addresses in How to Fix Copyright. We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.
| Author | : United States |
| Publisher | : |
| Total Pages | : 1506 |
| Release | : 2013 |
| Genre | : Law |
| ISBN | : |
"The United States Code is the official codification of the general and permanent laws of the United States of America. The Code was first published in 1926, and a new edition of the code has been published every six years since 1934. The 2012 edition of the Code incorporates laws enacted through the One Hundred Twelfth Congress, Second Session, the last of which was signed by the President on January 15, 2013. It does not include laws of the One Hundred Thirteenth Congress, First Session, enacted between January 2, 2013, the date it convened, and January 15, 2013. By statutory authority this edition may be cited "U.S.C. 2012 ed." As adopted in 1926, the Code established prima facie the general and permanent laws of the United States. The underlying statutes reprinted in the Code remained in effect and controlled over the Code in case of any discrepancy. In 1947, Congress began enacting individual titles of the Code into positive law. When a title is enacted into positive law, the underlying statutes are repealed and the title then becomes legal evidence of the law. Currently, 26 of the 51 titles in the Code have been so enacted. These are identified in the table of titles near the beginning of each volume. The Law Revision Counsel of the House of Representatives continues to prepare legislation pursuant to 2 U.S.C. 285b to enact the remainder of the Code, on a title-by-title basis, into positive law. The 2012 edition of the Code was prepared and published under the supervision of Ralph V. Seep, Law Revision Counsel. Grateful acknowledgment is made of the contributions by all who helped in this work, particularly the staffs of the Office of the Law Revision Counsel and the Government Printing Office"--Preface.
| Author | : Denise Troll Covey |
| Publisher | : Digital Library Federation |
| Total Pages | : 74 |
| Release | : 2005 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 193364530X |
"What are the stumbling blocks to digitization? Is copyright law a major barrier? Is it easier to negotiate with some types of publishers than with others? To what extent does the age of the material influence permission decisions? This report, by Denise Troll Covey, principal librarian for special projects at Carnegie Mellon University, responds to many of these questions. It begins with a brief, cogent overview of U.S. copyright laws, licensing practices, and technological developments in publishing that serve as the backdrop for the current environment. It then recounts in detail three efforts undertaken at Carnegie-Mellon University to secure copyright permission to digitize and provide open access to books with scholarly content."--CLIR Web site.
| Author | : Lloyd J. Jassin |
| Publisher | : Wiley |
| Total Pages | : 228 |
| Release | : 1998-02-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780471146544 |
"A thoughtful, comprehensive, and invaluable guide for writers."--Bernard Lefkowitz, Professor, Columbia University Graduate School of Journalism "Easy to read and understand . . . should be on every publisher's reference shelf."--Jan Nathan, Executive Director, Publishers Marketing Association For anyone who has ever faced the confusing web of copyright and libel laws, this practical, problem-solving guide is a godsend. In clear, jargon-free language, legal experts provide the information and techniques you need to prepare a manuscript or multimedia work for publication. You'll learn how to: * Clear rights for all types of copyrighted materials, including quotations, photographs, fine art, motion picture stills, song lyrics, and more * Protect yourself against libel suits * Determine if a work is in the public domain * Assess if quoting without permission qualifies as fair use * Locate rights holders * Negotiate clearances Includes library of sample forms: * permission letter * interview release * model release * work-made-for-hire agreement * copyright assignment * photograph license
| Author | : Robert A. Gorman |
| Publisher | : |
| Total Pages | : 334 |
| Release | : 2002 |
| Genre | : Law |
| ISBN | : |
With stimulating questions, comprehensive notes, and teachable cases as its hallmarks, Gorman and Ginsburg's Copyright serves as the authoritative law school casebook for the study of copyright law. The book's many well-chosen recent decisions cover issues such as the Napster case, the MP3.com fair use case, secondary liability, circumvention of technological protections, interpretation of pre-digital licenses, Internet transmission of music, distance education, and international issues. Traditional issues include protection for government-authored and incorporated works, joint ownership and community property, and the duration of copyright and the constitutionality of its extensions. Other topics include the World Trade Organization ruling on the Fairness in Music Licensing Act and developing theories about preemption of state law.
| Author | : Mandi Lynn |
| Publisher | : |
| Total Pages | : 375 |
| Release | : 2018-12-11 |
| Genre | : |
| ISBN | : 9781732555761 |
In 14th century France, Aida is accused of being a witch when the Black Death wipes through her village. Abandoned by her family, she is surrounded by death and disease, but when a woman who may actually be a witch tells her how to cure the plague, it may mean uncovering a dark magic.
| Author | : Edward Samuels |
| Publisher | : St. Martin's Griffin |
| Total Pages | : 304 |
| Release | : 2002-03-22 |
| Genre | : Law |
| ISBN | : 9780312289010 |
The story of copyright is the history of the entertainment industry, including books, music, movies, television, computers, and the internet. Since its inception in America 210 years ago, copyright law has been the primary protector of the right of authors. Over the course of its history, however, myriad technology developments have produced constant pressure on the law, forcing copyright to adapt or expand to accommodate our creations. In The Illustrated Story of Copyright, Professor Edward Samuels explains in a straightforward and colorful style the history and intricacies of copyright. From the printing press to the photocopying machine, the phonograph to MP3, this comprehensive guide explains the basic principles of copyright law and brings to life the relevant copyright technologies. Samuels takes copyright, commonly perceived to be difficult subject, and gives it a fresh and engaging edge. The Illustrated Story of Copyright is an essential tool to navigate the complex partnership of creativity and property rights.
| Author | : LIBRARY OF CONGRESS. |
| Publisher | : Government Printing Office |
| Total Pages | : 372 |
| Release | : 2012-02-21 |
| Genre | : |
| ISBN | : 9780160898914 |
NOTE: NO FUTHER DISCOUNT FOR THIS PRINT PRODUCT --OVERSTOCK SALE -- Significantly reduced list price This volume contains the text of the title 17 of the United States Code, including all amendments enacted through December 9, 2010, in the second session of the 111th Congress. This publication includes the Copyright Act of 1976 and all subsequent amendments to copyright law; the Semiconductor Chip Protection Act of 1984, as amended; and the Vessel Hull Design Protection Act, as amended. The Copyright Office is responsible for registering intellectual property claims under all three. The United States copyright law is contained in chapters 1 through 8 and 10 through 12 of title 17 of the Untied States Code. The Copyright Act of 1976, which provides the basic framework for the current copyright law, was enacted on October 19. 1976, as Pub. L. No. 94-553, 90Stat, 2541. The 1976 Act was a comprehensive revision of the copyright law in title 17. Chapters 9 and 13 of title 17 contain two types of design protection that are independent of copyright protection. Chapter 9 of title 17 is the Semiconductor Chip Protection Act of 1984 (SCPA), as amended. On November 8, 1984, the SCPAwas eneacted as title III of Pub. L. No. 98-620, 98 Stat. 3335, 3347. Chapter 13 of title 17 is the Vessel Hull Design Protection Act (VHDPA). It was enacted on October 28, 1998, as title V of the Digital Millennium Copyright Act (DMCA), Pub. L. No. 105-304, 112 Stat. 2860, 2905. Significant copyright legislation enacted since the last printed edition of this circular in October 2007 includes the Satellite Television Extension and Localism Act of 2010. Contains the codified compilation of the United States Copyright Law and related laws contained in Title 17 of the United States Code as of December 2011. This is a must-have for those involved in protecting or challenging intellectual property rights. Other related print products: Code of Federal Regulations, Title 37, Patents, Trademarks, and Copyrights, Revised as of July 1, 2015 can be found here: https: //bookstore.gpo.gov/products/sku/869-082-00144-5 United States Code, 2012 Edition, V. 11, Title 16, Conservation, Sections 901-End to Title 17, Copyrights can be found here: https: //bookstore.gpo.gov/products/sku/052-001-00628-3 Other products produced by the U.S. Library of Congress (LOC) can be found here: https: //bookstore.gpo.gov/agency/242 "
