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| Author | : Amiri Baraka |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 296 |
| Release | : 1994 |
| Genre | : African American authors |
| ISBN | : 9780878056873 |
Interviews from over the course of the author's career document his views on writing, poetry, drama, and the social role of the writer
| Author | : Amiri Baraka |
| Publisher | : |
| Total Pages | : 182 |
| Release | : 1970 |
| Genre | : African American |
| ISBN | : |
| Author | : Amiri Baraka |
| Publisher | : Open Road + Grove/Atlantic |
| Total Pages | : 448 |
| Release | : 2015-03-03 |
| Genre | : Poetry |
| ISBN | : 0802191584 |
“S O S provides readers with rich, vital views of the African American experience and of Baraka’s own evolution as a poet-activist” (The Washington Post). Fusing the personal and the political in high-voltage verse, Amiri Baraka whose long illumination of the black experience in America was called incandescent in some quarters and incendiary in others was one of the preeminent literary innovators of the past century (The New York Times). Selected by Paul Vangelisti, this volume comprises the fullest spectrum of Baraka’s rousing, revolutionary poems, from his first collection to previously unpublished pieces composed during his final years. Throughout Baraka’s career as a prolific writer (also published as LeRoi Jones), he was vehemently outspoken against oppression of African American citizens, and he radically altered the discourse surrounding racial inequality. The environments and social values that inspired his poetics changed during the course of his life, a trajectory that can be traced in this retrospective spanning more than five decades of profoundly evolving subjects and techniques. Praised for its lyricism and introspection, his early poetry emerged from the Beat generation, while his later writing is marked by intensely rebellious fervor and subversive ideology. All along, his primary focus was on how to live and love in the present moment despite the enduring difficulties of human history. A New York Times Editors’ Choice “A big handsome book of Amiri Baraka’s poetry [that gives] us word magic, wit, wild thoughts, discomfort, and pleasure.” —William J. Harris, Boston Review “The most complete representation of over a half-century of revolutionary and breathtaking work.” —Claudia Rankine, The New York Times Book Review
| Author | : James Smethurst |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Social Science |
| ISBN | : 9781625345158 |
Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological develophorroment of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis.
| Author | : Andrew Epstein |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 376 |
| Release | : 2006-09-21 |
| Genre | : Literary Criticism |
| ISBN | : 019518100X |
By focusing on the work and interrelations of some of the most important and influential postmodernist American poets, this work offers a new interpretation of the peculiar dynamics of American avant-garde poetic communities as it tells the story of a vibrant intellectual community where friendship and writing intersect in fascinating ways.
| Author | : Jean-Philippe Marcoux |
| Publisher | : |
| Total Pages | : 286 |
| Release | : 2021-02-11 |
| Genre | : |
| ISBN | : 9780814257845 |
Drawing from both scholars and friends of Amiri Baraka, this collection reassesses Baraka's multilayered creative output.
| Author | : Fred Moten |
| Publisher | : U of Minnesota Press |
| Total Pages | : 383 |
| Release | : 2003-04-09 |
| Genre | : Music |
| ISBN | : 1452906084 |
Investigates the connections between jazz, sexual identity, and radical black politics In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition
| Author | : Kellie Jones |
| Publisher | : Prestel Publishing |
| Total Pages | : 362 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : |
This comprehensive, lavishly illustrated catalogue offers an in-depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never-before-seen works.
| Author | : Kellie Jones |
| Publisher | : Duke University Press |
| Total Pages | : 530 |
| Release | : 2011-05-27 |
| Genre | : Art |
| ISBN | : 082234873X |
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
| Author | : John Cusatis |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 149 |
| Release | : 2022-07-27 |
| Genre | : Literary Collections |
| ISBN | : 1496840682 |
Billy Collins “puts the ‘fun’ back in profundity,” says poet Alice Fulton. Known for what he has called “hospitable” poems, which deftly blend wit and erudition, Collins (b. 1941) is a poet of nearly unprecedented popularity. His work is also critically esteemed and well represented in The Norton Anthology of American Literature. An English professor for five decades, Collins was fifty-seven when his poetry began gathering considerable international attention. Conversations with Billy Collins chronicles the poet’s career beginning with his 1998 interview with Terry Gross on Fresh Air, which exponentially expanded his readership, three years prior to his being named United States Poet Laureate. Other interviewers range from George Plimpton, founder of the Paris Review, to Pulitzer Prize–winning poet Henry Taylor to a Presbyterian pastor, a physics professor, and a class of AP English Literature students. Over the course of the twenty-one interviews included in the volume, Collins discusses such topics as discovering his persona, that consistently affable voice that narrates his often wildly imaginative poems; why poetry is so loved by children but often met with anxiety by high school students; and his experience composing a poem to be recited during a joint session of Congress on the first anniversary of 9/11, a tragedy that occurred during his tenure as poet laureate. He also explores his love of jazz, his distaste for gratuitously difficult poetry and autobiographical poems, and his beguiling invention of a mock poetic form: the paradelle. Irreverent, incisive, and deeply life-affirming—like his twelve volumes of poetry—these interviews, gathered for the first time in one volume, will edify and entertain readers in the way his sold-out readings have done for the past quarter century.
