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Convent Music and Politics in Eighteenth-Century Vienna

Convent Music and Politics in Eighteenth-Century Vienna
Author: Janet K. Page
Publisher: Cambridge University Press
Total Pages: 321
Release: 2014-04-24
Genre: Music
ISBN: 1107039088

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Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.


Convent Music and Politics in Eighteenth-Century Vienna

Convent Music and Politics in Eighteenth-Century Vienna
Author: Janet K. Page
Publisher: Cambridge University Press
Total Pages: 420
Release: 2014-04-24
Genre: Music
ISBN: 1139916599

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Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.


Music in Vienna 1700, 1800, 1900

Music in Vienna 1700, 1800, 1900
Author: David Wyn Jones
Publisher: Boydell & Brewer
Total Pages: 289
Release: 2016
Genre: Music
ISBN: 1783271078

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The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.


The Solfeggio Tradition

The Solfeggio Tradition
Author: Nicholas Baragwanath
Publisher: Oxford University Press
Total Pages: 288
Release: 2020-10-02
Genre: Music
ISBN: 019751409X

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How did castrati manage to amaze their eighteenth-century audiences by singing the same aria several times in completely different ways? And how could composers of the time write operas in a matter of days? The secret lies in the solfeggio tradition, a music education method that was fundamental to the training of European musicians between 1680 and 1830 a time during which professional musicians belonged to the working class. As disadvantaged children in orphanages learned the musical craft through solfeggio lessons, many were lifted from poverty, and the most successful were propelled to extraordinary heights of fame and fortune. In this first book on the solfeggio tradition, author Nicholas Baragwanath draws on over a thousand manuscript sources to reconstruct how professionals became skilled performers and composers who could invent and modify melodies at will. By introducing some of the simplest exercises in scales, leaps, and cadences that apprentices would have encountered, this book allows readers to retrace the steps of solfeggio training and learn to generate melody by 'speaking' it like an eighteenth-century musician. As it takes readers on a fascinating journey through the fundamentals of music education in the eighteenth century, this book uncovers a forgotten art of melody that revolutionizes our understanding of the history of music pedagogy.


Grief, Identity, and the Arts

Grief, Identity, and the Arts
Author: Bram Lambrecht
Publisher: BRILL
Total Pages: 289
Release: 2022-11-28
Genre: Art
ISBN: 9004158715

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Grief, Identity and the Arts addresses the interplay between grief and identity in a broad range of artistic disciplines, historical periods, and geographical areas.


Mozart and the Mediation of Childhood

Mozart and the Mediation of Childhood
Author: Adeline Mueller
Publisher: University of Chicago Press
Total Pages: 303
Release: 2021-07-16
Genre: History
ISBN: 022662966X

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Introduction -- Precocious in print -- Acting like children -- Kinderlieder and the work of play -- Cadences of the childlike -- Toying with Mozart.


The Cambridge Companion to Women Composers

The Cambridge Companion to Women Composers
Author: Matthew Head
Publisher: Cambridge University Press
Total Pages: 375
Release: 2024-05-30
Genre: Music
ISBN: 110880439X

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Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.


Music and Identity in Twenty-First-Century Monasticism

Music and Identity in Twenty-First-Century Monasticism
Author: Amanda J. Haste
Publisher: Taylor & Francis
Total Pages: 145
Release: 2023-10-20
Genre: Music
ISBN: 1000985946

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Twenty-first-century monastic communities represent unique social environments in which music plays an integral part. This book examines the role of music in Catholic, Anglican/Episcopalian and neo-monastic communities in Britain and North America, engaging closely with communities of practice to provide a penetrating insight into the role of music in self-care and as a vector for identity construction on both individual and community levels. The author explores the essential role of music in community dynamics, the rationale for using instruments, the implications of both chant-based and freestyle composition, gender-related differences in musical activity, the role of dance (‘music made visible’) in community life, the commodification of monastic music, the ‘Singing Nun’ phenomenon and the role of music in established and emerging neo-monastic communities. The result is a comprehensive and compelling study of the agency of music in the construction and expression of personal and community identity.


Listening to Early Modern Catholicism

Listening to Early Modern Catholicism
Author: Daniele Filippi
Publisher: BRILL
Total Pages: 350
Release: 2017-09-18
Genre: History
ISBN: 9004349235

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A vivid and multifaceted discussion of the sonic cultures developed within the diverse and dynamic matrix of Early Modern Catholicism (c.1450–1750), and of the role played by sound and music in defining Catholic experience.


Mater dolorum

Mater dolorum
Author: Georg Reutter the Younger
Publisher: A-R Editions, Inc.
Total Pages: 195
Release:
Genre: Music
ISBN: 1987208927

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Mater dolorum (1726) by Georg Reutter the Younger (1708–72) is a German-language oratorio for instruments, soloists, and chorus, intended for performance on Good Friday “at the Holy Sepulcher”—that is, before a before a model of the Holy Sepulcher exhibited in a church for Holy Week observances. One of this influential Viennese musician’s earliest known works, Mater dolorum was performed at the Augustinian convent of St. Agnes zur Himmelpforte in Vienna on Good Friday (19 April) 1726, when Reutter was only eighteen years old. It was repeated at least twice, in 1729 and in 1731 or 1732, and is known to have been performed elsewhere as well. Its libretto, written by playwright Heinrich Rademin (1674–1731), was during its time one of the best-known texts for oratorios to be performed “at the Holy Sepulcher” and is notable for its strong emotional characterizations. The present edition is based on a set of parts preserved at Kremsmünster Abbey in Upper Austria, which also include cuts and alterations marked in later by Georg von Pasterwiz (1730–1803), regens chori at the abbey, giving evidence of a shorter version of the oratorio performed during his tenure there.