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Continuity and Change in Irish Poetry, 1966-2010

Continuity and Change in Irish Poetry, 1966-2010
Author: Eric Falci
Publisher: Cambridge University Press
Total Pages: 245
Release: 2012-07-30
Genre: Literary Criticism
ISBN: 1107018137

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This work reshapes our understanding of contemporary Irish poetry and offers a new account of poetic form.


The Cambridge Companion to British Poetry, 1945-2010

The Cambridge Companion to British Poetry, 1945-2010
Author: Edward Larrissy
Publisher: Cambridge University Press
Total Pages: 311
Release: 2016
Genre: Literary Criticism
ISBN: 1107090660

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This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.


The Cambridge Introduction to British Poetry, 1945-2010

The Cambridge Introduction to British Poetry, 1945-2010
Author: Eric Falci
Publisher: Cambridge University Press
Total Pages: 291
Release: 2015-11-12
Genre: Literary Criticism
ISBN: 1107029635

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This book provides an overview of poetry from England, Scotland, Wales, and Northern Ireland from the postwar period through to the twenty-first century.


The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry
Author: Fran Brearton
Publisher: OUP Oxford
Total Pages: 743
Release: 2012-10-25
Genre: Literary Criticism
ISBN: 0191636754

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Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.


Limits and Languages in Contemporary Irish Women's Poetry

Limits and Languages in Contemporary Irish Women's Poetry
Author: Daniela Theinová
Publisher: Springer Nature
Total Pages: 284
Release: 2020-10-18
Genre: Literary Criticism
ISBN: 3030559548

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Limits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.


Reading Postwar British and Irish Poetry

Reading Postwar British and Irish Poetry
Author: Michael Thurston
Publisher: John Wiley & Sons
Total Pages: 368
Release: 2013-11-05
Genre: Literary Criticism
ISBN: 1118619811

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Combining detailed explorations of both mainstream and experimental poets with a clear historical and literary overview, Reading Postwar British and Irish Poetry offers readers at all levels an ideal guide to the rich body of poetic works published in Britain and Ireland over the last half-century. Features detailed discussions of individual poems that are widely available in anthologies and selected poems volumes Pays explicit attention to how to read the poems, focusing on language and form and the institutional conditions of literary possibility in which poets worked Includes poets of all types and styles from throughout the post-war period, including canonical and mainstream poets alongside experimental poets, women, and poets of color


Paul Muldoon and the Language of Poetry

Paul Muldoon and the Language of Poetry
Author: Ruben Moi
Publisher: BRILL
Total Pages: 429
Release: 2020-01-13
Genre: Literary Criticism
ISBN: 9004355111

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Paul Muldoon and the Language of Poetry is the first book in years that attends to the entire oeuvre of the Irish-American poet, critic, lyricist, dramatist and Princeton professor from his debut with New Weather in 1973 up to his very recent publications. Ruben Moi’s book explores, in correspondence with language philosophy and critical debate, how Muldoon’s ingenious language and inventive form give shape and significance to his poetry, and how his linguistic panache and technical verve keep language forever surprising, new and alive.


Constitutions of Self in Contemporary Irish Poetry

Constitutions of Self in Contemporary Irish Poetry
Author: Wit Pietrzak
Publisher: Springer Nature
Total Pages: 152
Release: 2022-11-22
Genre: Literary Criticism
ISBN: 3030989461

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Constitutions of Self in Contemporary Irish Poetry explores the figure of the lyrical self in the work of six contemporary Irish poets: Paul Muldoon, Vona Groarke, Sinéad Morrissey, Caitríona O’Reilly, Alan Gillis and Nick Laird. By focusing on the self, this study offers the first sustained exploration of what is arguably one of the most distinctive features of Irish poetry. Readings utilise the latest theories of the lyric filtered through the work of such philosophers as Jacques Derrida, Umberto Eco, Slavoj Žižek, Giorgio Agamben and Zygmunt Bauman, and connect an interdisciplinary approach with attention to the operations of the poetic text to bring out aspects of the self in Irish writing that have been given only cursory critical attention so far.


Modernist Afterlives in Irish Literature and Culture

Modernist Afterlives in Irish Literature and Culture
Author: Paige Reynolds
Publisher: Anthem Press
Total Pages: 214
Release: 2016-09-22
Genre: History
ISBN: 1783085746

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Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement. The interdisciplinary collection reveals how Irish artists grapple with modernist legacies and forge new modes of expression for modern and contemporary culture.


Irish Literature in Transition, 1940–1980: Volume 5

Irish Literature in Transition, 1940–1980: Volume 5
Author: Eve Patten
Publisher: Cambridge University Press
Total Pages: 702
Release: 2020-03-12
Genre: Literary Criticism
ISBN: 1108570747

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This volume explores the history of Irish writing between the Second World War (or the 'Emergency') in 1939 and the re-emergence of violence in Northern Ireland in the 1970s. It situates modern Irish writing within the contexts of cultural transition and transnational connection, often challenging pre-existing perceptions of Irish literature in this period as stagnant and mundane. While taking into account the grip of Irish censorship and cultural nationalism during the mid-twentieth century, these essays identify an Irish literary culture stimulated by international political horizons and fully responsive to changes in publishing, readership, and education. The book combines valuable cultural surveys with focussed discussions of key literary moments, and of individual authors such as Seán O'Faoláin, Samuel Beckett, Edna O'Brien, and John McGahern.