Contemporary Women Writing in the Other Americas
Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : |
ISBN | : |
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Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : 172 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780773490055 |
Author | : Georgiana M. M. Colvile |
Publisher | : Lewiston : E. Mellen Press |
Total Pages | : 200 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
This contemporary collection of Latin American women's writing includes: A Spanish American Scheherezade - On Isabel Allende and Eva Luna, Susana Reisz; An Interview with Magda Portal, Kathleen Weaver; and Ecritutre Feminine in Chile - Invaded Space in Ana Maria del Rio, Antonio Skarmeta.
Author | : Georgiana M. M. Colvile |
Publisher | : Lewiston, N.Y. : E. Mellen Press |
Total Pages | : 196 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Lois Parkinson Zamora |
Publisher | : Routledge |
Total Pages | : 236 |
Release | : 2017-09-29 |
Genre | : Literary Criticism |
ISBN | : 1317893069 |
This collection brings together critical essays that examine questions of identity and community in the fiction of contemporary American women writers among them Alice Walker, Toni Morrison and Sandra Cisnernos. The essays consider how identities and societies are dramatized in particular works of fiction, and how these works reflect cultural communities outside the fictional frame - often the communities in which their authors live and work. The essays included here concern fictional representations of African American, Latino, Asian American, Native American, Anglo and Euro-American communities and their working interactions in the multicultural United States. Each critic asks, in his or her own way, how a particular writer transforms her social grounding into language and literature. The introduction includes an overview of the range of literary criticism devoted to contemporary American women writers, and an extensive bibliography of complementary critical readings is provided to encourage further study. Undergraduate and postgraduate students of contemporary literature will find the text an invaluable guide to contemporary women's writing in America, and the range of criticism that this has given rise to.
Author | : Jeannette King |
Publisher | : Springer Nature |
Total Pages | : 167 |
Release | : 2022-03-10 |
Genre | : Fiction |
ISBN | : 3030941264 |
This book brings together for the first time nine groundbreaking historical novels by women from the United States, Canada and Latin America, united by their focus on female adventurers. These novels introduce the neglected women of history, real and imagined, who accompanied their menfolk to the New World, and enabled its settlement or colonisation. Familiar novelists include Isabel Allende, Audrey Thomas and Jane Smiley, but this book also introduces less familiar writers who have produced richly textured and densely historical novels. In addition to putting women back into history, these writers engage with the literature of the past, including the American canon of male fiction which dominated literary history before the intervention of feminist scholars. The book begins with an introduction to the history of historical fiction and provides a theoretical, historical and geographical context for the novels themselves.
Author | : Kristin J. Jacobson |
Publisher | : Springer |
Total Pages | : 320 |
Release | : 2018-05-04 |
Genre | : Literary Criticism |
ISBN | : 3319738518 |
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.
Author | : Joy Harjo |
Publisher | : W W Norton & Company Incorporated |
Total Pages | : 576 |
Release | : 1998 |
Genre | : Fiction |
ISBN | : 9780393318289 |
Features poetry, fiction, and other writings by Native American women
Author | : Stacey Schlau |
Publisher | : University of Arizona Press |
Total Pages | : 250 |
Release | : 2022-10-18 |
Genre | : Literary Criticism |
ISBN | : 0816551138 |
Women's participation, both formal and informal, in the creation of what we now call Spanish America is reflected in its literary legacy. Stacey Schlau examines what women from a wide spectrum of classes and races have to say about the societies in which they lived and their place in them. Schlau has written the first book to study a historical selection of Spanish American women's writings with an emphasis on social and political themes. Through their words, she offers an alternative vision of the development of narrative genres—critical, fictional, and testimonial—from colonial times to the present. The authors considered here represent the chronological yet nonlinear development of women's narrative. They include Teresa Romero Zapata, accused before the Inquisition of being a false visionary; Inés Suárez, nun and writer of spiritual autobiography; Gertrudis Gómez de Avellaneda, author of an indigenist historical romance; Magda Portal, whose biography of Flora Tristán furthered her own political agenda; Dora Alonso, who wrote revolutionary children's books; Domitila Barrios de Chungara, political leader and organizer; Elvira Orphée, whose novel unpacks the psychology of the torturer; and several others who address social and political struggles that continue to the present day. Although the writers treated here may seem to have little in common, all sought to maneuver through institutions and systems and insert themselves into public life by using the written word, often through the appropriation and modification of mainstream genres. In examining how these authors stretched the boundaries of genre to create a multiplicity of hybrid forms, Schlau reveals points of convergence in the narrative tradition of challenging established political and social structures. Outlining the shape of this literary tradition, she introduces us to a host of neglected voices, as well as examining better-known ones, who demonstrate that for women, simply writing can be a political act.