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| Author | : Charlotte Cotton |
| Publisher | : |
| Total Pages | : 252 |
| Release | : 2009 |
| Genre | : Photography |
| ISBN | : |
"An essential guide."--Seattle Post-Intelligencer
| Author | : Charlotte Cotton |
| Publisher | : Thames & Hudson |
| Total Pages | : 448 |
| Release | : 2020-09-08 |
| Genre | : Photography |
| ISBN | : 050077594X |
A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
| Author | : Shirley Read |
| Publisher | : Taylor & Francis |
| Total Pages | : 289 |
| Release | : 2016-12-19 |
| Genre | : Photography |
| ISBN | : 1317549066 |
This ground-breaking book situates research at the heart of photographic practice, asking the key question: What does research mean for photographers? Illuminating the nature and scope of research and its practical application to photography, the book explores how research provides a critical framework to help develop awareness, extend subject knowledge, and inform the development of photographic work. The authors consider research as integral to the creative process and, through interviews with leading photographers, explore how photographers have embedded research strategies into their creative practice.
| Author | : Daniel C. Blight |
| Publisher | : Spbh Editions |
| Total Pages | : 204 |
| Release | : 2022-07-05 |
| Genre | : Photography |
| ISBN | : 9781916041295 |
How contemporary photographers from Hank Willis Thomas to Libita Clayton have subverted the constructions and complicities of whiteness From the advent of early colonial photography in the 19th century to contemporary "white savior" social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the "white race" is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? The Image of Whitenessseeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image. The Image of Whitenessincludes the work of artists Abdul Abdullah, Agata Madejska, Broomberg & Chanarin, Buck Ellison, John Lucas & Claudia Rankine, David Birkin, Hank Willis Thomas, Kajal Nisha Patel, Michelle Dizon & Viet Le, Nancy Burson, Nate Lewis, Libita Clayton, Paul Mpagi Sepuya, Richard Misrach, Sophie Gabrielle, Stacy Kranitz and Stanley Wolukau-Wanambwa.
| Author | : Sally Miller |
| Publisher | : Routledge |
| Total Pages | : 237 |
| Release | : 2020-05-26 |
| Genre | : Photography |
| ISBN | : 1000181995 |
Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.
| Author | : Claire Raymond |
| Publisher | : Routledge |
| Total Pages | : 344 |
| Release | : 2021-05-09 |
| Genre | : Art |
| ISBN | : 100037999X |
This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.
| Author | : Andy Grundberg |
| Publisher | : Yale University Press |
| Total Pages | : 554 |
| Release | : 2021-02-23 |
| Genre | : Photography |
| ISBN | : 0300259891 |
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
| Author | : John G. Hanhardt |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : |
Enabling power: European Communities Act 1972, s. 2 (2), sch. 2, para. 1A & Export Control Act 2002, ss. 1, 2, 3, 4, 5, 7. Issued: 15.03.2012. Made: 08.03.2012. Laid: 14.03.2012. Coming into force: 05.04.2012. Effect: S.I. 2011/1304, 2010 partially revoked & S.I. 2009/1174 revoked. Territorial extent & classification: E/W/S/NI. General. EC note: This Order makes provision for the enforcement of certain restrictive measures specified in Council Regulation 36/2012 (as last amended by Council Regulation 168/2012 concerning restrictive measures in view of the situation in Syria and repealing Council Regulation 442/2011 (the Syria Regulation). Revoked by SI 2013/2012 (ISBN 9780111102930)
| Author | : Adrianne Marcus |
| Publisher | : |
| Total Pages | : 94 |
| Release | : 1974 |
| Genre | : Photojournalism |
| ISBN | : 9780822700692 |
| Author | : Anne Leighton Massoni |
| Publisher | : Focal Press |
| Total Pages | : 273 |
| Release | : 2019 |
| Genre | : Photographers |
| ISBN | : 9781138125025 |
"The University of the Arts; Lamar Dodd School of Art, University of Georgia."
