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| Author | : Ekaterina Degotʹ |
| Publisher | : Fine Art Publishing |
| Total Pages | : 252 |
| Release | : 1995 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Describes the new directions in Russian painting since the demise of the Communist regime.
| Author | : Ilia Dorontchenkov |
| Publisher | : Univ of California Press |
| Total Pages | : 364 |
| Release | : 2009-06-10 |
| Genre | : Art |
| ISBN | : 0520253728 |
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
| Author | : Ilya Kabakov |
| Publisher | : Zed Books Ltd. |
| Total Pages | : 542 |
| Release | : 2017-10-05 |
| Genre | : Art |
| ISBN | : 1786993279 |
A TLS Book of the Year 2017 In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s contemporary art, culture and and theory. With contributions from Ilya and Emilia Kabakov, Boris Groys, Dmitri Prigov, Anton Vidokle, Keti Chukhrov, Oxana Timofeeva, Pavel Pepperstein, Arseny Zhilyaev and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vibrant and complex culture: one built on a contradicting dialectic between the material and the ideal, and battling its own histories and ideologies.
| Author | : Matthew Cullerne Bown |
| Publisher | : Phaidon Press |
| Total Pages | : 136 |
| Release | : 1989 |
| Genre | : Art, Modern |
| ISBN | : |
The author discusses how Russian art has evolved from icon painting through to Socialist Realism. He examines the work of approximately 50 contemporary artists, all of whom are living and working in the Soviet Union and conveys a general view of life in the USSR.
| Author | : Ilʹi︠a︡ Iosifovich Kabakov |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2005 |
| Genre | : Architecture |
| ISBN | : |
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
| Author | : Amtorg Trading Corporation |
| Publisher | : |
| Total Pages | : 88 |
| Release | : 1929 |
| Genre | : Art |
| ISBN | : |
| Author | : Ekaterina A. Bobrinskai︠a︡ |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 2011 |
| Genre | : Art, Russian |
| ISBN | : 9780500977064 |
This book is the first comprehensive survey of contemporary art from Russia. It presents a selection of more than eighty Russian artists working from the 1970's into the early 2000's. It features more than 580 colour illustrations, interviews with collectors, in-depth profiles of artists and three essays by leading scholars.
| Author | : Elise Herrala |
| Publisher | : Routledge |
| Total Pages | : 204 |
| Release | : 2021-12-31 |
| Genre | : Art |
| ISBN | : 0429659601 |
The dissolution of the Soviet Union brought a massive change in every domain of life, particularly in the cultural sector, where artists were suddenly "free" from party-mandated modes of representation and now could promote and sell their work globally. But in Russia, the encounter with Western art markets was fraught. The Russian field of art still remains on the periphery of the international art world, struggling for legitimacy in the eyes of foreign experts and collectors. This book examines the challenges Russian art world actors faced in building a field of art in a society undergoing rapid and significant economic, political, and social transformation and traces those challenges into the twenty-first century. Drawing on historical and ethnographic research, Art of Transition traces the ways the field of art has developed, evolved, and been sustained in Russia after socialism. It shows how Russia’s art world has grappled with its Soviet past and negotiated its standing in an unequal, globalized present. By attending to the historical legacy of Russian art throughout the twentieth century, this book constructs a genealogy of the contemporary field of postsocialist art that illuminates how Russians have come to understand themselves and their place in the world.
| Author | : Victor Tupitsyn |
| Publisher | : MIT Press |
| Total Pages | : 353 |
| Release | : 2009 |
| Genre | : Art and state |
| ISBN | : 0262201739 |
The history of contemporary art in Russia, from socialist realism to the post-Soviet alternative art scene. In The Museological Unconscious, Victor Tupitsyn views the history of Russian contemporary art through a distinctly Russian lens, a "communal optic" that registers the influence of such characteristically Russian phenomena as communal living, communal perception, and communal speech practices. This way of looking at the subject allows him to gather together a range of artists and art movements--from socialist realism to its "dangerous supplement," sots art, and from alternative photography to feminism--as if they were tenants in a large Moscow apartment. Describing the notion of "communal optics," Tupitsyn argues that socialist realism does not work without communal perception--which, as he notes, does not easily fit into crates when paintings travel out of Russia for exhibition in Kassel or New York. Russian artists, critics, and art historians, having lived for decades in a society that ignored or suppressed avant-garde art, have compensated, Tupitsyn claims, by developing a "museological unconscious"--the "museification" of the inner world and the collective psyche.
| Author | : Arseny Zhilyaev |
| Publisher | : U of Minnesota Press |
| Total Pages | : 679 |
| Release | : 2015-12-15 |
| Genre | : Art |
| ISBN | : 1452952280 |
The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.
