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Contemporary Mexican Women Writers

Contemporary Mexican Women Writers
Author: Gabriella de Beer
Publisher: University of Texas Press
Total Pages: 566
Release: 2010-06-28
Genre: Literary Criticism
ISBN: 0292789548

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Mexican women writers moved to the forefront of their country's literature in the twentieth century. Among those who began publishing in the 1970s and 1980s are Maria Luisa Puga, Silvia Molina, Brianda Domecq, Carmen Boullosa, and Angeles Mastretta. Sharing a range of affinities while maintaining distinctive voices and outlooks, these are the women whom Gabriella de Beer has chosen to profile in Contemporary Mexican Women Writers. De Beer takes a three-part approach to each writer. She opens with an essay that explores the writer's apprenticeship and discusses her major works. Next, she interviews each writer to learn about her background, writing, and view of herself and others. Finally, de Beer offers selections from the writer's work that have not been previously published in English translation. Each section concludes with a complete bibliographic listing of the writer's works and their English translations. These essays, interviews, and selections vividly recreate the experience of being with the writer and sharing her work, hearing her tell about and evaluate herself, and reading the words she has written. The book will be rewarding reading for everyone who enjoys fine writing.


The Boom Femenino in Mexico

The Boom Femenino in Mexico
Author: Nuala Finnegan
Publisher: Cambridge Scholars Publishing
Total Pages: 370
Release: 2010-04-16
Genre: Social Science
ISBN: 1443821810

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The Boom Femenino in Mexico: Reading Contemporary Women’s Writing is a collection of essays that focuses on literary production by women in Mexico over the last three decades. In its exploration of the boom femenino phenomenon, the book traces the history of the earlier boom in Latin American culture and investigates the implications of the use of the same term in the context of contemporary women’s writing from Mexico. In this way it engages critically with the cultural, historical and literary significance of the term illuminating the concept for a wide range of readers. It is clear that the entry of so many women writers into an arena traditionally reserved for men has prompted discussion around concepts such as ‘women’s writing’ and the very definition of ‘literature’ itself. Many of the contributors grapple with the theoretical tensions that such debates provoke offering an important opportunity to think critically about the texts produced during this period and the ways in which they have impacted on the Mexican and international cultural spheres. The project is comprehensive in its scope and, for the first time, brings together scholars from Mexico, the U.S. and Europe in a transnational forum. The book posits that despite certain aesthetic and thematic commonalities, the increased output by women writers in Mexico cannot be appraised as a unified literary movement. Instead it embraces a wide range of different generic forms and the subjects under study in the essays in the book include the best-selling work of Ángeles Mastretta, Elena Poniatowska and Laura Esquivel as well as the social and political preoccupations of journalists, Rosanna Reguillo and Cristina Pacheco. Contributors offer readings of the aesthetic visions of writers as diverse as Carmen Boullosa, Ana García Bergua, and Eve Gil while other essays examine the nuances of contemporary gender identity in the work of Ana Clavel, Sabina Berman, Brianda Domecq and María Luisa Puga. There are essays devoted to poetry by indigenous Mayan women and an analysis of the complex place of poetry within the broader framework of literary production. The problems that emerge as a result of literary cataloguing based on gender politics are also considered at length in a number of essays that take a panoramic view of literary production over the period. Various critical approaches are employed throughout and the collection as a whole demonstrates that academic interest in Mexican women’s writing of the boom femenio is thriving. Above all, the essays here provide a space in which the location of women within prevailing cultural paradigms in Mexico and their role in the mapping of power in evolving textual canons may be interrogated. It is clear from the collection that interest in such issues is still alive and that the debate is far from over.


Re-presenting the Nation

Re-presenting the Nation
Author: Charlene Merithew
Publisher:
Total Pages: 236
Release: 2001
Genre: Literary Criticism
ISBN:

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The Contemporary Mexican Chronicle

The Contemporary Mexican Chronicle
Author: Ignacio Corona
Publisher: State University of New York Press
Total Pages: 278
Release: 2002-07-18
Genre: Literary Criticism
ISBN: 0791488675

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The crónica, or chronicle, which crosses the boundaries between fiction and nonfiction, literature and journalism, is a highly polemical and widely read form of writing in Mexico and throughout Latin America, where it plays an influential cultural, social, and historical role. For the first time, this book addresses the theory and practice of the chronicle in twentieth-century Mexico. Contributions by Mexican writers such as Carlos Monsiváis and Elena Poniatowska and essays on a wide range of texts and authors provide diverse perspectives on the chronicle as a literary genre and as a cultural and social practice.


Latina Self-portraits

Latina Self-portraits
Author: Bridget A. Kevane
Publisher: UNM Press
Total Pages: 184
Release: 2000
Genre: Literary Collections
ISBN: 9780826319715

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Embracing Chicana, Cuban, Dominican, and Puerto Rican writers and writers descended from a combined U.S. and Latin American heritage, Latina literature is one of the fastest growing and most exciting fields in fiction. This literature is characterized by revisionist views of recent history, a concern with exile and borders, a blending of genres, and a complex understanding of the term feminist. In these ten interviews, Kevane and Heredia give writers the opportunity to talk about how they began to write, the craft of writing, the conjunction of life, art and politics, literary influences, and their goals as artists. Readers will meet Julia Alvarez, Denise Chávez, Sandra Cisneros, Rosario Ferré, Cristina García, Nicholasa Mohr, Cherríe Moraga, Judith Ortiz Cofer, Esmeralda Santiago, and Helena María Viramontes. The writers' personal and literary journeys vividly portrayed in these interviews will enrich and enhance the readers' understanding of this exciting field. The volume also includes bibliographies of the writers' work.


Emergence of the Modern Mexican Woman

Emergence of the Modern Mexican Woman
Author: Shirlene Ann Soto
Publisher: Arden Press Incorporated
Total Pages: 240
Release: 1990
Genre: History
ISBN:

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Soto (Chicano studies, Cal. State U., Northridge) examines women's participation in the Mexican Revolution (1910-1940) and the Mexican women's rights movement during the same period. Paper edition (unseen), $16.95. Published by Arden Press, PO Box 418, Denver CO 80201. Annotation copyrighted by Book News, Inc., Portland, OR


New Latina Narrative

New Latina Narrative
Author: Ellen Marie McCracken
Publisher: University of Arizona Press
Total Pages: 252
Release: 1999-02
Genre: Literary Criticism
ISBN: 9780816519415

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During the last two decades of the twentieth century, U.S. Latina writers have made a profound impact on American letters with fiction in both mainstream and regional venues. Following on the heels of this vibrant and growing body of work, New Latina Narrative offers the first in-depth synthesis and literary analysis of this transethnic genre. Focusing on the dynamic writing published in the 1980s and 1990s by Mexican American, Puerto Rican, Cuban American, and Domincan American women, New Latina Narrative illustrates how these writers have redefined the concepts of multiculturalism and diversity in American society. As participants in both mainstream and grassroots forms of multiculturalism, these new Latina narrativists have created a feminine space within postmodern ethnicity, disrupting the idealistic veneer of diversity with which publishers often market this fiction. In this groundbreaking study, author Ellen McCracken opens the conventional boundaries of Latino/a literary criticism, incorporating elements of cultural studies theory and contemporary feminism. Emphasizing the diversity within new Latina narrative, McCracken discusses the works of more than two dozen writers, including Julia Alvarez, Denise Ch‡vez, Sandra Cisneros, Cristina Garcia, Graciela Lim—n, Demetria Mart’nez, Pat Mora, Cherr’e Moraga, Mary Helen Ponce, and Helena Mar’a Viramontes. She stresses such themes as the resignification of master narrative, the autobiographical self and collective identity, popular religiosity, subculture and transgression, and narrative harmony and dissonance. New Latina Narrative provides readers an enriched basis for reconceiving the overall Latino/a literary field and its relation to other contemporary literary and cultural trends. McCracken's original approach extends the Latina literary canonÑboth the works to be studied and the issues to be examinedÑresulting in a valuable work for all readers of women's studies, contemporary American literature, ethnic studies, communications, and sociology.


Broken Bars

Broken Bars
Author: Kay S. García
Publisher:
Total Pages: 256
Release: 1994
Genre: Literary Criticism
ISBN:

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Elena Poniatowska, Angeles Mastretta, Silvia Molina, and Brianda Domecq are Mexican writers whose works are beginning to attract substantial critical attention. To date, their work is not well known in the United States nor can readers obtain much information about the writers themselves. By combining in-depth interviews with critical essays, Kay Garcia provides an invaluable service to those who would like to have a better understanding of contemporary Mexican writing. Using a feminist literary critical approach, Garcia explores the connections between the writers' lives and their works. Both the writers and their protagonists have attempted to shape realities for themselves that contradict official discourses and boundaries. Unlike many writers of fiction today, these women give voice to the marginalized elements of Mexican society. The interviews, critical essays, and bibliography of Broken Bars will serve to make their works more accessible to readers in the United States.


Gender Violence in Twenty-first-century Latin American Women's Writing

Gender Violence in Twenty-first-century Latin American Women's Writing
Author: María Encarnación López
Publisher: Boydell & Brewer
Total Pages: 247
Release: 2022
Genre: Literary Criticism
ISBN: 1855663163

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How do contemporary female authors in Latin America tackle gender violence in their writings?This book analyses the portrayal of violence against women in the works of ten contemporary Latin American female authors: Alejandra Jaramillo Morales, Laura Restrepo, Ena Lucia Portela, Wendy Guerra, Selva Almada, Claudia Pineiro, Diamela Eltit, Carla Guelfenbein, Lydia Cacho and Fernanda Melchor. Governments in Latin America have routinely failed to protect women from abuse, threats, censorship, repressive policies on reproduction rights, forced displacement, sex trafficking, disappearances and femicides, and this book beats a new path through these burning issues by drawing on the knowledges encapsulated by sociology as much as the visions articulated by literature. Through an exploration of works published in the twenty-first century by women writers from Argentina, Chile, Colombia, Cuba and Mexico, this volume reconceptualises positions of privilege and power in the region and provides new readings about the meaning of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.ing of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.ing of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.ing of gender, sexuality, violence and the female body in contemporary Latin America. The aim of this book is to raise awareness of the daily threat of violence against women in Latin America, underline the importance of the voice of Latin American women within that daily struggle, and encourage governments, organisations and institutions in Latin America and the Caribbean to take gender violence seriously and fight to secure peace and social equality for all women in the modern world.


Three Messages and a Warning

Three Messages and a Warning
Author: Eduardo Mayo
Publisher: Small Beer Press
Total Pages: 290
Release: 2012-02-14
Genre: Fiction
ISBN: 1931520372

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A radical combination of emerging and established Mexican authors of original tales of the fantastic.