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| Author | : Liliane Karnouk |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
Liliane Karnouk analyzes and assesses the development of the visual arts in Egypt since the 1960s
| Author | : Jessica Winegar |
| Publisher | : Stanford University Press |
| Total Pages | : 420 |
| Release | : 2006 |
| Genre | : Social Science |
| ISBN | : 9780804754774 |
Ethnographic study of cultural politics in the contemporary Egyptian art world, examining how art-making is a crucial aspect of the transformation from socialism to neoliberalism in postcolonial countries.
| Author | : Alex Dika Seggerman |
| Publisher | : UNC Press Books |
| Total Pages | : 292 |
| Release | : 2019-08-13 |
| Genre | : Art |
| ISBN | : 1469653052 |
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.
| Author | : Fatenn Mostafa Kanafani |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 329 |
| Release | : 2020-06-25 |
| Genre | : Art |
| ISBN | : 1838601104 |
Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.
| Author | : Liliane Karnouk |
| Publisher | : |
| Total Pages | : 310 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : |
From the early years of the twentieth century, with the rejection of European political and cultural domination in Europe, modern artistic expression in Egypt was influenced by and often reflected the country's growing national consciousness. In the years following the 1952 revolution, wealthy patrons of the arts disappeared from Egypt's cosmopolitan art world and were replaced by the state, which by the 1960s exercised full control over all cultural activities, including the arts. In the 1990s, as elsewhere throughout the world, Egyptian art was affected by general shifts in culture brought about by globalization. The disruption of a sense of place and feelings of belonging were a response to the influx of the challenging, and at times, disquieting information available to whole cultures and communities through new media. Examining the work of over 70 artists from 1910 until the present day, Liliane Karnouk traces the parallel steps of modern Egyptian art and the social and political environment in which that art was and continues to be created. Fully illustrated with over 280 color and black-and-white illustrations, this comprehensive volume is both a feast for the eyes and a mine of information for artists and non-specialists alike.
| Author | : Farouk Hosny |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 66 |
| Release | : 1999 |
| Genre | : |
| ISBN | : 0870999222 |
This catalogue accompanied the exhibition that was organized to coincide with the September 1999 exhibition "Egyptian Art in the Age of the Pyramids" at The Metropolitan Museum of Art. An introductory essay and critical commentary by noted art historians accompany the color reproductions of works by Hosny and Henien. Oversize: 11x11". Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Patrick M. Kane (College teacher) |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780755611232 |
"Art and cultural production in Egypt during much of the last hundred years has operated against a backdrop of political crisis and confrontation. Patrick Kane focuses on the turbulent changes of the 1920s to 1960s, when polemical discourse and artistic practice developed against the entrenched and co-opted conservatism of elite and state culture. Radical forms of cultural criticism and dissonance emerged, and this legacy continues to resonate through contemporary activism and dissent. Kane charts the rise of key art movements, like the Egyptian Surrealists and the Contemporary Art Group, and explores their resistance to the Nahda paradigm of elite culture, as well as Nasser's state authoritarianism and nationalist agenda. Through the work of artists and critics like Abd al-Hadi al-Gazzar and Gamal al-Sagini, Kane provides rare insight into the Egyptian cultural and aesthetic experience, and how it has been shaped within a context of political and social conflict."--Bloomsbury Publishing.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : |
| Genre | : |
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| Author | : David Hockney |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780500280850 |
A republication of a classic work by the popular modern artist follows his exploration of numerous artistic mediums, from painting and computer art to photography and printmaking, explaining his experimentation with ways of seeing as well as his philosophies about how art can alter one's perception of the world. Reprint.
| Author | : Gillian McIver |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 256 |
| Release | : 2017-03-23 |
| Genre | : Art |
| ISBN | : 1474246206 |
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
