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Contemporary Art Music in Texas

Contemporary Art Music in Texas
Author: Stephen Lias
Publisher: Stephen F. Austin University Press
Total Pages: 64
Release: 2011
Genre: Art
ISBN:
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With a population of close to 25 million and a size greater than many independent countries, Texas is home to an incredible variety of vibrant musical communities. Contemporary art music flourishes in disciplines ranging from experimentalism to concert music to film-scoring. While cataloguing the full extent of composing and performing in this diverse landscape would be a near-impossible task, it is our hope that this volume (and others that will follow) will begin to fill the conspicuous gap in the materials currently available. Our decision to focus this first edition on thirty representative composers, along with some organizations and academic degree programs, was simply a result of needing a practical and achievable place to start. Texas is home to world-class symphonies, opera and ballet companies, performing venues, and countless other performers and ensembles that regularly feature new works. We hope that future editions will allow us to expand to include these things, as well as additional information such as recordings available and competitions within the state. Featured in this book: Karin Al-Zand, Mary Jeanne van Appledorn, Larry Austin David Bithell Martin Blessinger Anthony K. Brandt BJ Brooks Peter Fischer Arthur Gottschalk Donald Grantham David Heuser Michael Horbit Pierre Jalbert Richard Lavenda Stephen Lias Peter Lieuwen John Mackey Marcus Karl Maroney Robert Nelson William Owens Russell Pinkston Wieslaw Rentowski Robert Xavier Rodriguez Yevgeniy Sharlat Rob Smith Kurt Stallmann Dan Welcher David Ashley White Steve Wiest Stephen Yip Contents on CD Cadence - Fantasy on Rhythms on Nick Angelis (2009) by BJ Brooks. Performed by West Texas A&M University Symphonic Band, Don LeFevre, conductor. Available from Octatone. 8:54*Whack! (1994) by Arthur Gottschalk. Performed by The Shepherd Percussion Ensemble, Richard Brown, director. 4:50Symphony for Winds and Percussion: Movement III, "Stomp" (2009) by Donald Grantham. Performed by the University of Texas Wind Ensemble, Jerry F. Junkin, conductor. Available from Piquant Press. 7:14Turbulent Blue (2009) by Jon Christopher Nelson. 9:27Four Observations for Saxophone Quartet: Movement 2, "Learning" (2008) by Walter Nichols. Performed by Walter Nichols. 3:26Concerto for Orchestra (2006) by Rob Smith. Performed by the Texas Music Festival Orchestra, Giuliano Silveri, conductor. 21:43Take This Hammer (2008) by Steven Snowden. Performed by Travis Pruitt and Kyle Rightly (euphoniums), and Mike Musick and Tony Rossi (tubas). Available from Talking Rocks Press. 5:47Ice-Nine (2009) by Steve Wiest. Performed by the North Texas One O'Clock Lab Band, Steve Wiest, director. Available from Walrus Music. 6:01* * Works selected to be presented at the 2011 ISCM World New Music Days in Zagreb, Croatia.

Texas Blues

Texas Blues
Author: Alan B. Govenar
Publisher: Texas A&M University Press
Total Pages: 622
Release: 2008-10-09
Genre: History
ISBN: 158544605X
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Texas Blues allows artists to speak in their own words, revealing the dynamics of blues, from its beginnings in cotton fields and shotgun shacks to its migration across boundaries of age and race to seize the musical imagination of the entire world. Fully illustrated with 495 dramatic, high-quality color and black-and-white photographs—many never before published—Texas Blues provides comprehensive and authoritative documentation of a musical tradition that has changed contemporary music. Award-winning documentary filmmaker and author Alan Govenar here builds on his previous groundbreaking work documenting these musicians and their style with the stories of 110 of the most influential artists and their times. From Blind Lemon Jefferson and Aaron “T-Bone” Walker of Dallas, to Delbert McClinton in Fort Worth, Sam “Lightnin’” Hopkins in East Texas, Baldemar (Freddie Fender) Huerta in South Texas, and Stevie Ray Vaughan in Austin, Texas Blues shows the who, what, where, and how of blues in the Lone Star State.

Of Texas Rivers and Texas Art

Of Texas Rivers and Texas Art
Author: Andrew Sansom
Publisher: Texas A&M University Press
Total Pages: 167
Release: 2017-02-13
Genre: Art
ISBN: 1623495342
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In Of Texas Rivers and Texas Art, Andrew Sansom, a leading Texas conservationist, and William E. Reaves, an influential Texas art collector and historian, have teamed up to showcase some of the finest contemporary river art detailing the gorgeous traits of Texas landscapes. The featured artwork comes from Randy Bacon, Mary Baxter, David Caton, Margie Crisp, Keith Davis, Fidencio Duran, Jon Flaming, Charles Ford, Pat Gabriel, Hunter George, Billy Hassell, Lee Jamison, Robb Kendrick, Laura Lewis, William Montgomery, Noe Perez, Jeri Salter, Erik Sprohge, Debbie Stevens, and William Young. Art in service of conservation is nothing new, as Sansom and Reaves note in their introductions. And rivers have figured prominently in the artistic imagination for all of recorded history and probably before that, as evidenced by flood stories and myths preserved in almost all the religious and folk traditions of the world. The collection of work included in this book is exemplary of the strong inspiration that rivers have provided for a vast current of literature, music, and art, in turn shaping their place in life and culture and bringing about a greater appreciation of the stunning beauty of our natural world. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.

Midcentury Modern Art in Texas

Midcentury Modern Art in Texas
Author: Katie Robinson Edwards
Publisher: University of Texas Press
Total Pages: 393
Release: 2014-07-01
Genre: Art
ISBN: 0292756658
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Winner, Award of Merit for Non-Fiction, The Philosophical Society of Texas, 2015 Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state’s dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era’s most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art’s “Americans” exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.

The Roots of Texas Music

The Roots of Texas Music
Author: Lawrence Clayton
Publisher: Texas A&M University Press
Total Pages: 252
Release: 2005-09-09
Genre: History
ISBN: 9781585444922
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The music of Texas and the American Southwest is as diverse and distinctive as the many different groups who have lived in the region over the past several centuries,” writes Gary Hartman in his introduction to this refreshingly different look at various genres of Texas music. Roots of Texas Music celebrates the diverse sources of the music of the Lone Star State by gathering chapters by specialists on each of them—specialists whose views may not have dominated the perception of Texas music to date. Editor Lawrence Clayton conceived this project as one that would not simply repeat the common wisdom about Texas music traditions, but rather would offer new perspectives. He therefore called on contributors whose work had been well-grounded but not necessarily widely published. The result is a lively, captivating, and original look at the musical traditions of Texas Germans and Czechs, black Creoles and Chicanos, and blues and gospel singers. Hartman’s introduction places these repertoires within the larger picture of one of the most fertile musical seedbeds the nation knows. The diverse genres included in the anthology also provide an introduction to the classes, cultures, races, and ethnic groups of Texas and highlight the ways in which the state’s musical wealth has influenced the listening habits of the nation.

Making Houston Modern

Making Houston Modern
Author: Barrie Scardino Bradley
Publisher: University of Texas Press
Total Pages: 401
Release: 2023-11-15
Genre: Architecture
ISBN: 1477329978
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Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

Living Texas Blues

Living Texas Blues
Author: Alan B. Govenar
Publisher: University of Washington Press
Total Pages: 100
Release: 1985
Genre: Music
ISBN:
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Presents the art and life of the people of Texas.

Collision

Collision
Author: Pete Gershon
Publisher: Texas A&M University Press
Total Pages: 482
Release: 2018-09-13
Genre: Art
ISBN: 1623496322
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Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.