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| Author | : Charles H. Harris |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 166 |
| Release | : 1972-07 |
| Genre | : Literary Criticism |
| ISBN | : 9780808400431 |
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
| Author | : David D. Galloway |
| Publisher | : University of Texas Press |
| Total Pages | : 282 |
| Release | : 1981-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 0292703554 |
When The Absurd Hero in American Fiction was first released in 1966, Granville Hicks praised it in a lead article for the Saturday Review as a sensitive and definitive study of a new trend in postwar American literature. In the years that followed, David Galloway’s analysis of the writings of John Updike, William Styron, Saul Bellow, and J. D. Salinger became a standard critical work, an indispensable tool for readers concerned with contemporary American literature. The New York Times described the book as “a seminal study of the modern literary imagination." David Galloway, himself an established novelist, later extensively revised The Absurd Hero to include authoritative discussions of more than a dozen novels which had appeared since the first revised edition was released in 1970. Among them are John Updike’s Couples, Rabbit Redux, and The Coup; William Styron’s The Confessions of Nat Turner and Sophie’s Choice; and Saul Bellow’s Mr. Sammler’s Planet and Humboldt’s Gift. Through detailed analyses of these works, Galloway demonstrates the continuing relevance of his own provocative concept of the absurd hero and provides important insights into the literary achievements of four of America’s most influential postwar novelists.
| Author | : Charles B. Harris |
| Publisher | : New Haven, Conn. : College & University Press |
| Total Pages | : 168 |
| Release | : 1971 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Jim Krusoe |
| Publisher | : Tin House Books |
| Total Pages | : 202 |
| Release | : 2008-04-28 |
| Genre | : Fiction |
| ISBN | : 0979419824 |
There’s a disturbing secret in the basement of a strip mall yogurt parlor. Jonathan, the mostly clueless clerk who works there, just wants to fix things once and for all, but beginning with an encounter at an animal shelter that leaves three dead, things don’t work out quite the way Jonathan intends . . . or do they? Beneath its picaresque surface,Girl Factoryraises unsettling questions about storytelling, the nature of freedom, and the ubiquitous objectification of women.
| Author | : Douwe W. Fokkema |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 314 |
| Release | : 1986-01-01 |
| Genre | : Philosophy |
| ISBN | : 9027286329 |
Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
| Author | : Richard Gray |
| Publisher | : John Wiley & Sons |
| Total Pages | : 933 |
| Release | : 2011-09-23 |
| Genre | : Literary Criticism |
| ISBN | : 1444345680 |
Updated throughout and with much new material, A History of American Literature, Second Edition, is the most up-to-date and comprehensive survey available of the myriad forms of American Literature from pre-Columbian times to the present. The most comprehensive and up-to-date history of American literature available today Covers fiction, poetry, drama, and non-fiction, as well as other forms of literature including folktale, spirituals, the detective story, the thriller, and science fiction Explores the plural character of American literature, including the contributions made by African American, Native American, Hispanic and Asian American writers Considers how our understanding of American literature has changed over the past?thirty years Situates American literature in the contexts of American history, politics and society Offers an invaluable introduction to American literature for students at all levels, academic and general readers
| Author | : Tony Hilfer |
| Publisher | : Routledge |
| Total Pages | : 287 |
| Release | : 2014-09-25 |
| Genre | : Literary Criticism |
| ISBN | : 1317871243 |
In this remarkable book, Tony Hilfer provides a major survey of the wealth of post-war American fiction. He analyses the major modes and genres of writing, from realist to postmodernist metafiction and black humour, the fiction of social protest, women's writing, and the traditions of African-American, Southern and Jewish-American fiction. Key writers discussed include William Faulkner, Norman Mailer, Ralph Ellison, Saul Bellow, Joseph Heller, Vladimir Nabokov and Joyce Carol Oates. The book concludes by exploring contemporary trends through detailed case-studies of Donald Barthelme and Toni Morrison.
| Author | : Carl Darryl Malmgren |
| Publisher | : Bucknell University Press |
| Total Pages | : 248 |
| Release | : 1985 |
| Genre | : Fiction |
| ISBN | : 9780838750674 |
Fictional space is the imaginal expanse of field created by fictional discourse; a space which, through ultimately self-referential and self-validating, necessarily exists in ascertainable relation to the real world outside the text. After defining his theoretical framework the author applies it to American fiction of the twentieth century.
| Author | : Susan Farrell |
| Publisher | : Infobase Publishing |
| Total Pages | : 545 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : 143810023X |
Kurt Vonnegut is one of the most popular and admired authors of post-war American literaturefamous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war. Criti.
| Author | : Tracy Daugherty |
| Publisher | : St. Martin's Press |
| Total Pages | : 561 |
| Release | : 2011-08-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 1429987847 |
The New York Times bestselling writer Tracy Daugherty illuminates his most vital subject yet in this first biography of the Catch-22 author Joseph Heller Joseph Heller was a Coney Island kid, the son of Russian immigrants, who went on to great fame and fortune. His most memorable novel took its inspiration from a mission he flew over France in WWII (his plane was filled with so much shrapnel it was a wonder it stayed in the air). Heller wrote seven novels, all of which remain in print. Something Happened and Good as Gold, to name two, are still considered the epitome of satire. His life was filled with women and romantic indiscretions, but he was perhaps more famous for his friendships—he counted Mel Brooks, Zero Mostel, Carl Reiner, Kurt Vonnegut, Norman Mailer, Mario Puzo, Dustin Hoffman, Woody Allen, and many others among his confidantes. In 1981 Heller was diagnosed with Guillain-Barré Syndrome, a debilitating syndrome that could have cost him his life. Miraculously, he recovered. When he passed away in 1999 from natural causes, he left behind a body of work that continues to sell hundreds of thousands of copies a year. Just One Catch is the first biography of Yossarian's creator.
