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| Author | : Brian McHale |
| Publisher | : Routledge |
| Total Pages | : 349 |
| Release | : 2012-11-12 |
| Genre | : Literary Criticism |
| ISBN | : 1135083630 |
Brian McHale provides a series of readings of a wide range of postmodernist fiction, from Eco's Foucault's Pendulum to the works of cyberpunk science-fiction, relating the works to aspects of postmodern popular culture.
| Author | : Brian McHale |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 2015-06-25 |
| Genre | : Literary Criticism |
| ISBN | : 131635184X |
The Cambridge Introduction to Postmodernism surveys the full spectrum of postmodern culture - high and low, avant-garde and popular, famous and obscure - across a range of fields, from architecture and visual art to fiction, poetry, and drama. It deftly maps postmodernism's successive historical phases, from its emergence in the 1960s to its waning in the first decades of the twenty-first century. Weaving together multiple strands of postmodernism - people and places from Andy Warhol, Jefferson Airplane and magical realism, to Jean-François Lyotard, Laurie Anderson and cyberpunk - this book creates a rich picture of a complex cultural phenomenon that continues to exert an influence over our present 'post-postmodern' situation. Comprehensive and accessible, this Introduction is indispensable for scholars, students, and general readers interested in late twentieth-century culture.
| Author | : Brian McHale |
| Publisher | : Routledge |
| Total Pages | : 357 |
| Release | : 2003-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134949162 |
In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking.
| Author | : Stephen R. C. Hicks |
| Publisher | : Scholargy Publishing, Inc. |
| Total Pages | : 250 |
| Release | : 2004 |
| Genre | : Philosophy |
| ISBN | : 9781592476428 |
| Author | : Paul Allen Miller |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 2007 |
| Genre | : France |
| ISBN | : |
"Postmodern Spiritual Practices: The Construction of the Subject and the Reception of Plato in Lacan, Derrida, and Foucault, by Paul Allen Miller, argues that a key element of postmodern French intellectual life has been the reception of Plato. This fact has gone underappreciated in the Anglophone world due to a fundamental division in culture. Until very recently, the concerns of academic philosophy and philology have had little in common. On the one hand, this is due to analytic philosophy's self-confinement to questions of epistemology, speech act theory, and philosophy of science. As such, it has had little to say about the relation between antique and contemporary modes of thought." "On the other hand, blindness to the merits of postmodern thought is also due to Anglo-American philology's own parochial instincts. Ensconced within a nineteenth-century model of Alterumswissenchaft, only a minority of classicists have made forays into philosophical, psychoanalytic, and other speculative modes of inquiry. The result has been that postmodern French thought has largely been the province of scholars of modern languages." "A situation thus emerges in which most classicists do not know theory, and so cannot appreciate the scope of these thinkers' contribution to our understanding of the genealogy of Western thought, while most theorists do not know the Platonic texts and their contexts that ground them. This book bridges this gap, offering detailed and theoretically informed readings of French postmodernism's chief thinkers' debts to Plato and the ancient world."--BOOK JACKET.
| Author | : Kevin J. H. Dettmar |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 300 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780299150648 |
For nearly three quarters of a century, the modernist way of reading has been the only way of reading Joyce - useful, yes, and powerful but, like all frameworks, limited. This book takes a leap across those limits into postmodernism, where the pleasures and possibilities of an unsuspected Joyce are yet to be found. Kevin J. H. Dettmar begins by articulating a stylistics of postmodernism drawn from the key texts of Roland Barthes, Mikhail Bakhtin, and Jean-Francois Lyotard. Read within this framework, Dubliners emerges from behind its modernist facade as the earliest product of Joyce's proto-post-modernist sensibility. Dettmar exposes these stories as tales of mystery, not mastery, despite the modernist earmarks of plentiful symbols, allusions, and epiphanies. Ulysses, too, has been inadequately served by modernist critics. Where they have emphasized the work's ingenious Homeric structure, Dettmar focuses instead upon its seams, those points at which the narrative willfully, joyfully overflows its self-imposed bounds. Finally, he reads A Portrait of the Artist and Finnegans Wake as less playful, less daring texts - the first constrained by the precious, would be poet at its center, the last marking a surprising retreat from the constantly evolving, vertiginous experience of Ulysses.
| Author | : Herbert W Simons |
| Publisher | : SAGE Publications Limited |
| Total Pages | : 284 |
| Release | : 1994-11-11 |
| Genre | : Psychology |
| ISBN | : |
On how to rebuild theory and criticism in the wake of postmodernism
| Author | : Brian McHale |
| Publisher | : Taylor & Francis |
| Total Pages | : 264 |
| Release | : 1987 |
| Genre | : Literary Criticism |
| ISBN | : 9780416363906 |
Postmodernism is not a found object, but a manufactured artifact. Beginning from this constructivist premise Brian McHale develops a series of readings of problematically postmodernist novels - Joyce's Ulysses, Pynchon's Gravity's Rainbow and Vineland, Eco's The Name of the Rose and Foucault's Pendulum, the novels of Joseph McElroy and Christine Brooke-Rose, avant-garde works such as Kathy Acker's Empire of the Senseless, and the works of cyberpunk science-fiction by William Gibson, Bruce Sterling, Lewis Shiner, Rudy Rucker and others. Although mainly focused on 'high' or 'elite' cultural products - 'art' novels - Constructing Postmodernism relates these products to such phenomena of postmodern popular culture as television and the cinema, paranoia and nuclear apocalypse, angelology and the cybernetic interface, and death, now as always (in spite of what Captain Kirk says) the true Final Frontier. McHale's previous book, Postmodernist Fiction, had seemed to propose a single, all-inclusive inventory of postmodernist poetics. This book, by contrast, proposes multiple, overlapping and interesting inventories - not a construction of postmodernism, but a plurality of constructions. - Publisher.
| Author | : Catherine Constable |
| Publisher | : Columbia University Press |
| Total Pages | : 207 |
| Release | : 2015-06-30 |
| Genre | : Performing Arts |
| ISBN | : 0231850832 |
This volume focuses on postmodern film aesthetics and contemporary challenges to the aesthetic paradigms dominating analyses of Hollywood cinema. It explores conceptions of the classical, modernist, post-classical/new Hollywood, and their construction as linear history of style in which postmodernism forms a debatable final act. This history is challenged by using Jean-François Lyotard's non-linear conception of postmodernism in order to view postmodern aesthetics as a paradigm that can occur across the history of Hollywood. This study also explores 'nihilistic' theorists of the postmodern, Jean Baudrillard and Frederic Jameson, and 'affirmative' theorists, notably Linda Hutcheon, charting the ways in which the latter provide the means to conceptualize nuanced and positive variants of postmodern aesthetics and deploying them in the analysis of Hollywood films, including Bombshell, Sherlock Junior, and Kill Bill.
| Author | : Jeffrey Nealon |
| Publisher | : Stanford University Press |
| Total Pages | : 243 |
| Release | : 2012-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0804783217 |
Post-Postmodernism begins with a simple premise: we no longer live in the world of "postmodernism," famously dubbed "the cultural logic of late capitalism" by Fredric Jameson in 1984. Far from charting any simple move "beyond" postmodernism since the 1980s, though, this book argues that we've experienced an intensification of postmodern capitalism over the past decades, an increasing saturation of the economic sphere into formerly independent segments of everyday cultural life. If "fragmentation" was the preferred watchword of postmodern America, "intensification" is the dominant cultural logic of our contemporary era. Post-Postmodernism surveys a wide variety of cultural texts in pursuing its analyses—everything from the classic rock of Black Sabbath to the post-Marxism of Antonio Negri, from considerations of the corporate university to the fare at the cineplex, from reading experimental literature to gambling in Las Vegas, from Badiou to the undergraduate classroom. Insofar as cultural realms of all kinds have increasingly been overcoded by the languages and practices of economics, Nealon aims to construct a genealogy of the American present, and to build a vocabulary for understanding the relations between economic production and cultural production today—when American-style capitalism, despite its recent battering, seems nowhere near the point of obsolescence. Post-postmodern capitalism is seldom late but always just in time. As such, it requires an updated conceptual vocabulary for diagnosing and responding to our changed situation.
