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Conserving Contemporary Art

Conserving Contemporary Art
Author: . Chiantore
Publisher: Getty Publications - (Yale)
Total Pages: 0
Release: 2012
Genre: Art, Modern
ISBN: 9781606061046

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This is a thorough investigation of the material and philosophical aspects of conserving contemporary art. Since the advent of the avant-garde in the early 20th century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of these materials but also a greater awareness of the artist's intellectual universe. Conserving Contemporary Art is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.


The Artist Interview

The Artist Interview
Author: Lydia Beerkens
Publisher:
Total Pages: 160
Release: 2012
Genre: Art
ISBN: 9789490322328

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In order to preserve and maintain contemporary artworks, we need authentic, content-related and technical information which we can obtain by interviewing the artists who produced them. The SBMK (Foundation for the Conservation of Contemporary Art) and RCE (Cultural Heritage Agency of the Netherlands) worked together for years to develop guidelines and good practices. In 2012 a book will be published: "The Artist Interview". For conservation and presentation of contemporary art. Guidelines and practice. This handbook provides a scenario including tips and checklists for conducting artist interviews, as well as ten sample interviews that give an insight in the (im)possibilities of an artist interview as a tool.


Ephemeral Monuments

Ephemeral Monuments
Author: Marina Pugliese
Publisher: Getty Publications
Total Pages: 294
Release: 2013
Genre: Art
ISBN: 1606061348

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This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.


Conserving Outdoor Sculpture

Conserving Outdoor Sculpture
Author: Brian B. Considine
Publisher: Getty Publications
Total Pages: 297
Release: 2010
Genre: Art
ISBN: 1606060104

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When the J. Paul Getty Museum received 28 sculptures from the collection of Ray & Fran Stark, it found itself suddenly in the forefront of the evolving field of outdoor sculpture conservation. This volume charts presents an account of the challenges & how the J. Paul Getty Museum staff met them.


Conserving Outdoor Painted Sculpture

Conserving Outdoor Painted Sculpture
Author: Lydia Gertruda Maria Beerkens
Publisher:
Total Pages: 145
Release: 2014-10-15
Genre: Outdoor sculpture
ISBN: 9781937433222

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Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kroller-Muller Museu, Ooterlo, the Netherlands, June 4-5, 2013.


Keep It Moving?

Keep It Moving?
Author: Rachel Rivenc
Publisher: Getty Publications
Total Pages: 378
Release: 2018-03-13
Genre: Art
ISBN: 1606065378

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Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.


Modern Paints Uncovered

Modern Paints Uncovered
Author:
Publisher: Getty Publications
Total Pages: 332
Release: 2007
Genre: Museum conservation methods
ISBN: 089236906X

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Paint formulations and historyAnalysis and characterizationTreatmentsCleaning issuesBehavior and propertiesPosters.


Collecting and Conserving Net Art

Collecting and Conserving Net Art
Author: Annet Dekker
Publisher: Routledge
Total Pages: 304
Release: 2018-05-08
Genre: Art
ISBN: 1351208616

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Collecting and Conserving Net Art explores the qualities and characteristics of net art and its influence on conservation practices. By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies. Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hard and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analysing or working with net art, particularly software-based processes. Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. The book should also be interesting to professionals who are involved in the conservation and curation of digital arts, performance, media and software.


Living Matter

Living Matter
Author:
Publisher:
Total Pages: 0
Release: 2022
Genre: Art, Modern
ISBN: 9781606069127

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"This is the first book to provide a comprehensive overview of the conservation of biological materials used in contemporary art"--


The Renaissance Restored

The Renaissance Restored
Author: Matthew Hayes
Publisher: Getty Publications
Total Pages: 210
Release: 2021-07-13
Genre: Art
ISBN: 160606696X

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This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.