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| Author | : Simon Baker |
| Publisher | : Tate |
| Total Pages | : 0 |
| Release | : 2015-05-05 |
| Genre | : Photography |
| ISBN | : 9781849763202 |
'Conflict Time Photography' explores the relationship between photography and sites of conflict over time, highlighting the fact that time itself is a fundamental aspect of the photographic medium.
| Author | : Lauren Walsh |
| Publisher | : Bloomsbury Visual Arts |
| Total Pages | : 377 |
| Release | : 2019-10-03 |
| Genre | : Photography |
| ISBN | : 1350049182 |
In today's image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy. Given this tension between the genre's ostensible goals and its effects, what is the purpose behind taking and showing images of war and crisis? Conversations on Conflict Photography invites readers to think through these issues via conversations with award-winning photographers, as well as leading photo editors and key representatives of the major human rights and humanitarian organizations. Framed by critical-historical essays, these dialogues explore the complexities and ethical dilemmas of this line of work. The practitioners relate the struggles of their craft, from brushes with death on the frontlines to the battles for space, resources, and attention in our media-driven culture. Despite these obstacles, they remain true to a purpose, one that is palpable as they celebrate remarkable success stories: from changing the life of a single individual to raising broad awareness about human rights issues. Opening with an insightful foreword by the renowned Sebastian Junger and richly illustrated with challenging, painful, and sometimes beautiful images, Conversations offers a uniquely rounded examination of the value of conflict photography in today's world.
| Author | : Anne Tucker |
| Publisher | : Museum of Fine Arts (Houston) |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Photography, Artistic |
| ISBN | : 9780300177381 |
Contains primary source material.
| Author | : David Shields |
| Publisher | : Simon and Schuster |
| Total Pages | : 112 |
| Release | : 2019-06-11 |
| Genre | : History |
| ISBN | : 1576879496 |
Bestselling author David Shields analyzed over a decade's worth of front-page war photographs fromTheNew York Timesand came to a shocking conclusion: the photo-editing process ofthe "paper of record,"by way of pretty, heroic, and lavishly aesthetic image selection, pullsthe woolover the eyes of its readers; Shields forces us to face not only the the media's complicity in dubious and catastrophic military campaigns but our own as well.This powerful media mouthpiece, the mightyTimes, far from being a check on governmental power, is in reality a massive amplifier for its dark forces by virtue of the way it aestheticizeswarfare. Anyone baffled by the willful American involvement in Iraq and Afghanistan can't help but see in this book how eagerly and invariably theTimesled the way in making the case for these wars through the manipulation of its visuals. Shields forces the reader to weigh the consequences of our own passivity in the face of these images' opiatic numbing. The photographs gathered inWar Is Beautiful, often beautiful and always artful, are filters of reality rather than the documentary journalism they purport to be.
| Author | : Liam Kennedy |
| Publisher | : Routledge |
| Total Pages | : 305 |
| Release | : 2020-09-13 |
| Genre | : Art |
| ISBN | : 1000211746 |
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.
| Author | : Anne-Marie Beckmann |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-09-03 |
| Genre | : Photography |
| ISBN | : 3791358685 |
Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war.
| Author | : Michael Christopher Brown |
| Publisher | : Twin Palms Publishers |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 9781936611096 |
Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries, and written communication with family and colleagues. A record of Michael Christopher Brown's life both inside and outside Libya during that year, the work is about a young man going to war for the first time and his experience of that age-old desire to get as close as possible to a conflict in order to discover something about war and something about himself, perhaps a certain definition of life and death.
| Author | : Jeff L. Rosenheim |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 290 |
| Release | : 2013-05-07 |
| Genre | : History |
| ISBN | : 0300191804 |
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
| Author | : Anthony Feinstein |
| Publisher | : Glitterati Editions |
| Total Pages | : 224 |
| Release | : 2018-11-07 |
| Genre | : History |
| ISBN | : 9781943876570 |
No book exists that has explored how working in the world's most dangerous places can affect the physical and psychological well-being of conflict photographers. Shooting War is a collection of essays and photographs that includes the results of the author's interviews with the world's preeminent wartime photographers, including: Don McCullin, Ron Haviv, Tim Page, Chim Seymour, Alexandra Boulat and Sebastian Salgado. While the text lays bare the traumas endured, the images speak to the resilience and creativity of the photographer in shaping our understanding of war and conflict.
| Author | : David Campany |
| Publisher | : |
| Total Pages | : 236 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
"This reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists."--BOOK JACKET.
