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Conducting Music Today

Conducting Music Today
Author: Bruce Hangen
Publisher: Berklee Press
Total Pages: 204
Release: 2020-02-03
Genre:
ISBN: 9781495097911

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(Berklee Guide). Learn the essential practices of contemporary conducting. This book will teach you to use the motions, cues, patterns and practices used to lead ensembles, whether for orchestra, band, musical theater, opera, film orchestra, or other type of ensemble. You will learn techniques for keeping time, signaling musicians, and crafting your unique interpretation of the score, as well as how to command the stage presence necessary to lead a large ensemble whether for concert performances or synching live performers to other media, such as film, recordings, musical theater and dance. Video demonstrations and annotated scores of orchestral excerpts from Beethoven, Mozart, Tchaikovsky, and others illustrate and let you practice various conducting challenges, such as cadenzas, rubato and quickly changing time signatures. Also included are interviews with some of the most accomplished conductors of your time, such as John Wiliams, Lalo Schifrin, JoAnn Falletta, John Morris Russell and others, providing perspective from the concert hall podium to the Broadway pit to the Hollywood sound stage.


The Complete Idiot's Guide to Conducting Music

The Complete Idiot's Guide to Conducting Music
Author: Michael Miller
Publisher: Penguin
Total Pages: 277
Release: 2012-06-05
Genre: Music
ISBN: 1101588756

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The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.


Conducting Technique

Conducting Technique
Author: Brock McElheran
Publisher:
Total Pages: 164
Release: 1989
Genre: Music
ISBN:

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Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.


Conducting with Feeling

Conducting with Feeling
Author:
Publisher: Hal Leonard Corporation
Total Pages: 112
Release: 2001
Genre: Music
ISBN: 9780634030291

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(Meredith Music Resource). A thought provoking collection of ideas by today's leading conductors on how a conductor develops feelings for a piece of music and communicates those feelings to an ensemble.


Conducting and Rehearsing the Instrumental Music Ensemble

Conducting and Rehearsing the Instrumental Music Ensemble
Author: John F. Colson
Publisher: Scarecrow Press
Total Pages: 521
Release: 2012
Genre: Music
ISBN: 0810882604

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"The most comprehensive guide on the rehearsal process for conducting instrumental music ensembles. This work breaks the multidimensional activity of working with an ensemble, orchestra, or band into its constituent components"--from publisher description.


The Cambridge Companion to Conducting

The Cambridge Companion to Conducting
Author: José Antonio Bowen
Publisher: Cambridge University Press
Total Pages: 585
Release: 2003-11-20
Genre: Music
ISBN: 1107494788

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In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.


Essentials in Conducting

Essentials in Conducting
Author: Karl Wilson Gehrkens
Publisher:
Total Pages: 200
Release: 1919
Genre: Conducting
ISBN:

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Teaching Music with Purpose

Teaching Music with Purpose
Author: Peter Loel Boonshaft
Publisher: Hal Leonard Corporation
Total Pages: 260
Release: 2006
Genre: Music
ISBN: 9781574630763

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(Meredith Music Resource). Like his first critically acclaimed international bestseller Teaching Music with Passion , this new book from Peter Boonshaft is even more poignant and powerful. Called one of the most exciting and exhilarating voices in music education today, Boonshaft's latest work is both inspirational and instructional and will definitely warm your heart and transform your teaching. (a href="http://youtu.be/bHQ21-tjgEU" target="_blank")Click here for a YouTube video on Teaching Music with Purpose(/a)


Conducting Business

Conducting Business
Author: Leonard Slatkin
Publisher: Amadeus Press
Total Pages: 375
Release: 2012-07-01
Genre: Biography & Autobiography
ISBN: 1476821321

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(Amadeus). Conducting an orchestra is something that is seen as well as heard, but it is quite misunderstood when it comes to knowing what this person actually does for a living. This most mysterious of jobs is brought to life for the music lover as well as for the aspiring maestro in a book by Leonard Slatkin. Drawing on his own experiences on and off the podium, Slatkin brings us into the world of the baton. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe. Mr. Slatkin recounts his controversial appearance at the Metropolitan Opera, his creation and direction of summer music festivals, and a shattering concert experience that took place four days following 9/11. Life in the recording studio and on the road as well as health issues confronting the conductor provide an insider's glimpse into the private world of public figures. Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession.


The Silent Musician

The Silent Musician
Author: Mark Wigglesworth
Publisher: University of Chicago Press
Total Pages: 261
Release: 2019-03-21
Genre: Music
ISBN: 022662255X

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The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear. The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.