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Concerto No. 1, in D Major, for Violin and Orchestra, Op. 19

Concerto No. 1, in D Major, for Violin and Orchestra, Op. 19
Author: Sergey Prokofiev
Publisher:
Total Pages: 2
Release:
Genre: Concertos (Violin)
ISBN:

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Prokofiev: Violin Concertos -- No.1 in D Major, Op.19, No.2 in G Minor, Op.63 / Isaac Stern, violin / Eugene Ormandy, conductor -- The Philadelphia Orchestra.


Concerto no. 1 in D major

Concerto no. 1 in D major
Author: Sergey Prokofiev
Publisher:
Total Pages: 128
Release: 1958
Genre: Concertos (Violin)
ISBN:

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Violin concerto no. 1 in D major, op. 19

Violin concerto no. 1 in D major, op. 19
Author: Sergey Prokofiev
Publisher: Courier Dover Publications
Total Pages: 140
Release: 2005
Genre: Music
ISBN:

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Developed from a single movement into a three-part concerto for violin and orchestra, this longtime audience favorite begins and ends in meditative, lyrical moods with a lively scherzo in between.


Violin Concerto No. 1, Op. 19

Violin Concerto No. 1, Op. 19
Author:
Publisher:
Total Pages: 0
Release: 2022-11-07
Genre:
ISBN: 9781638874966

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Sergei Prokofiev (1891-1953) began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera, The Gambler. He returned to the concerto in the summer of 1917. It premiered on October 18, 1923 at the Paris Opera with Marcel Darrieux playing the violin part and the Paris Opera Orchestra conducted by Serge Koussevitzky. Igor Stravinsky made his debut as conductor at the same concert, conducting the first performance of his own Octet for Wind Instruments. Despite the events leading to the abdication of Tsar Nicholas II of Russia and eventually the October Revolution, 1917 became Prokofiev's most productive year compositionally. Along with this concerto he completed the Classical" Symphony, the Third and Fourth Piano Sonatas, and the Visions Fugitives for piano. He also began the cantata Seven, They Are Seven, based on Chaldean texts, and worked on the Third Piano Concerto. Nevertheless, Prokofiev continued his habit of incorporating previously composed sections in the violin concerto (something he would also do in the Third Piano Concerto). He composed the concerto's opening melody in 1915, during his love affair with Nina Mescherskaya. The remaining movements were partly inspired by a 1916 Saint Petersburg performance of Karol Szymanowski's Myths by Polish violinist Paul Kochanski. Movements: 1. Andantino, 2. Scherzo: Vivacissimo, 3. Moderato - Allegro moderato. Detailed instrumentation: Violin Solo: 2(2dPicc).2.2.2: 4.2.0.1. Timp.Perc(2).Hp: Str (9-8-7-6-5 in set)."


Concerto no. 1, op. 19, violin and piano

Concerto no. 1, op. 19, violin and piano
Author: F. H. Schneider
Publisher: Boosey & Hawkes Incorporated
Total Pages: 0
Release: 2004-12
Genre: Music
ISBN: 9780634092831

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