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Concerto in E major, D. 48

Concerto in E major, D. 48
Author: Giuseppe Tartini
Publisher:
Total Pages: 38
Release: 2000
Genre: Concertos (Violin with string orchestra)
ISBN:

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Concerto in E Major

Concerto in E Major
Author: Giuseppe Tartini
Publisher:
Total Pages:
Release: 196?
Genre: Concertos
ISBN:

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Dvořák

Dvořák
Author: Kurt Honolka
Publisher: Haus Publishing
Total Pages: 186
Release: 2004
Genre: Biography & Autobiography
ISBN: 9781904341529

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Accessible and affordable illustrated biography


An Encyclopedia of the Violin

An Encyclopedia of the Violin
Author: Alberto Bachmann
Publisher: Courier Corporation
Total Pages: 498
Release: 2013-07-24
Genre: Music
ISBN: 0486318249

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First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.


Some Notes on Bach's Church-cantatas

Some Notes on Bach's Church-cantatas
Author: Ebenezer Prout
Publisher: London : Breitkopf & Härtel
Total Pages: 64
Release: 1907
Genre: Cantatas 18th century Analysis, appreciation
ISBN:

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Cello Practice, Cello Performance

Cello Practice, Cello Performance
Author: Miranda Wilson
Publisher: Rowman & Littlefield
Total Pages: 155
Release: 2015-05-27
Genre: Music
ISBN: 1442246782

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What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.


Beethoven

Beethoven
Author: William Kinderman
Publisher: Oxford University Press
Total Pages: 445
Release: 2009-04-10
Genre: Music
ISBN: 0199886946

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Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.


Tonality and Transformation

Tonality and Transformation
Author: Steven Rings
Publisher: Oxford University Press
Total Pages: 270
Release: 2011-06-10
Genre: Music
ISBN: 019991320X

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Tonality and Transformation is a groundbreaking study in the analysis of tonal music. Focusing on the listener's experience, author Steven Rings employs transformational music theory to illuminate diverse aspects of tonal hearing - from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction. In the process, Rings introduces a host of new analytical techniques for the study of the tonal repertory, demonstrating their application in vivid interpretive set pieces on music from Bach to Mahler. The analyses place the book's novel techniques in dialogue with existing tonal methodologies, such as Schenkerian theory, avoiding partisan debate in favor of a methodologically careful, pluralistic approach. Rings also engages neo-Riemannian theory-a popular branch of transformational thought focused on chromatic harmony-reanimating its basic operations with tonal dynamism and bringing them into closer rapprochement with traditional tonal concepts. Written in a direct and engaging style, with lively prose and plain-English descriptions of all technical ideas, Tonality and Transformation balances theoretical substance with accessibility: it will appeal to both specialists and non-specialists. It is a particularly attractive volume for those new to transformational theory: in addition to its original theoretical content, the book offers an excellent introduction to transformational thought, including a chapter that outlines the theory's conceptual foundations and formal apparatus, as well as a glossary of common technical terms. A contribution to our understanding of tonal phenomenology and a landmark in the analytical application of transformational techniques, Tonality and Transformation is an indispensible work of music theory.