Concerto In E Flat Major For Piano And Orchestra Kv 482 PDF Download

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Concerto in E♭ Major for Piano

Concerto in E♭ Major for Piano
Author: Wolfgang Amadeus Mozart
Publisher:
Total Pages: 76
Release: 1929
Genre: Concertos (Piano)
ISBN:

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Piano Concerto 22 K. 482 E Flat

Piano Concerto 22 K. 482 E Flat
Author: Friedrich Blume
Publisher: Schott & Company Limited
Total Pages: 106
Release: 1983-10
Genre: Music
ISBN: 9783795768645

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A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.


Piano Concerto in E-flat Major, WoO 4

Piano Concerto in E-flat Major, WoO 4
Author: Ludwig van Beethoven
Publisher: A-R Editions, Inc.
Total Pages: 120
Release: 2010-01-01
Genre: Music
ISBN: 0895796651

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The Piano Concerto in E-flat Major, WoO 4, is Beethoven¿s earliest concerto and probably his first work to use any sort of an orchestra. Probably composed in 1785, the work is a substantial one, with three fully-developed movements spread fairly evenly over its thirty-five minute length. A manuscript copy of the solo piano part (no full score has been found) contains all tutti sections as well as instrumental cues indicating an orchestra of two flutes, two horns, and strings. In 1943 a workable version for piano and orchestra assembled by Swiss musicologist Willi Hess was published, but it was a product of its time, and some liberties were taken (for instance, the endings of the second and third movements were changed). The present edition retains Beethoven¿s scoring and also features parts for bassoons, which would normally have played along on the bass line. The original endings of the Larghetto and Rondo have been restored, original dynamics are closely adhered to, thematic material is introduced at logical places, and interplay between the soloist and various instruments is featured at a number of locations. Beethoven tightened up this concerto by crossing out measures in all three movements, and these have been included in appendices.