Concerto in D minor (F. XII, 42)
Author | : Antonio Vivaldi |
Publisher | : |
Total Pages | : 32 |
Release | : 1970 |
Genre | : Concertos (Bassoon, flute, violin, continuo) |
ISBN | : |
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Author | : Antonio Vivaldi |
Publisher | : |
Total Pages | : 32 |
Release | : 1970 |
Genre | : Concertos (Bassoon, flute, violin, continuo) |
ISBN | : |
Author | : Antonio Vivaldi |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Author | : Johann Joachim Quantz |
Publisher | : |
Total Pages | : 72 |
Release | : 1972 |
Genre | : Concertos (Flute with string orchestra) |
ISBN | : |
Author | : Claudia Macdonald |
Publisher | : Taylor & Francis |
Total Pages | : 381 |
Release | : 2023-05-09 |
Genre | : Music |
ISBN | : 1000944875 |
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and theDevelopment of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
Author | : Library of Congress |
Publisher | : |
Total Pages | : 520 |
Release | : 1973 |
Genre | : Audio-visual materials |
ISBN | : |
A cumulative list of works represented by Library of Congress printed cards.
Author | : |
Publisher | : |
Total Pages | : 808 |
Release | : 1968 |
Genre | : Music |
ISBN | : |
Author | : David Schulenberg |
Publisher | : U of Nebraska Press |
Total Pages | : 242 |
Release | : 1999-01-01 |
Genre | : Music |
ISBN | : 9780803210516 |
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ø Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Author | : David Clampitt |
Publisher | : University Rochester Press |
Total Pages | : 368 |
Release | : 2009 |
Genre | : Literary Collections |
ISBN | : 1580463223 |
Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900.
Author | : Alberto Bachmann |
Publisher | : Courier Corporation |
Total Pages | : 498 |
Release | : 2013-07-24 |
Genre | : Music |
ISBN | : 0486318249 |
First published in 1925, this renowned reference remains unsurpassed as a source of essential information, from construction and evolution to repertoire and technique. Includes a glossary and 73 illustrations.
Author | : Michael Beckerman |
Publisher | : Princeton University Press |
Total Pages | : 296 |
Release | : 2012-01-16 |
Genre | : Music |
ISBN | : 1400831695 |
Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time.