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Piano Concerto No. 4 G major

Piano Concerto No. 4 G major
Author: Ludwig van Beethoven
Publisher: Eulenburg
Total Pages: 139
Release: 2017-05-01
Genre: Music
ISBN: 3795714117

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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.


Piano concerto no. 4 in G major, op. 40 (1941, rev. version)

Piano concerto no. 4 in G major, op. 40 (1941, rev. version)
Author: Sergei Rachmaninoff
Publisher: Alfred Music Publishing
Total Pages: 84
Release: 2006
Genre: Music
ISBN: 9780739044667

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This historic reference edition of Sergei Rachmaninoff's Piano Concerto No. 4, in G Minor, Op. 40 is the complete and final revised form, as last played by the composer in 1942. It is composed of three movements: Allegro vivace (Alla breve), Largo and Allegro vivace. Also included is an outstanding CD recording, from the Naxos label, by internationally renowned artist, Idil Biret, with the Polish National Radio Symphony Orchestra, Antoni Wit conducting. Biret has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.


Beethoven

Beethoven
Author: John Suchet
Publisher: Open Road + Grove/Atlantic
Total Pages: 321
Release: 2013-12-02
Genre: Music
ISBN: 0802192912

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“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music


Piano concertos nos. 4 and 5

Piano concertos nos. 4 and 5
Author: Ludwig van Beethoven
Publisher: Courier Corporation
Total Pages: 163
Release: 1995-01-01
Genre: Music
ISBN: 0486284425

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This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score. Concerto No. 4 in G Major, Op. 58, composed in 1805 06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument a true innovation for the concerto concept through the slow movement's literal "conversation" between solo and orchestra, the work broke new ground as it reshaped the form. The powerful Concerto No. 5 in E-flat Major, Op. 73, called the "Emperor" for its grandeur, was Beethoven's last piano concerto. Composed in 1809, when the composer was 39, it is counted among the most popular concertos in the repertoire. "Grove" considers it one of the strongest works conceived by Beethoven, and by far the most "symphonic," from the "thunderous cadential celebration" of the very first bars to the brilliant rondo-finale. Both works are presented here in authoritative two-piano playing editions edited by Franz Kullak, one of the nineteenth century's leading piano editors and teachers of pianists. His classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality, Dover adds the convenience and economy of joining two major concertos within a single volume. "


Piano Concerto

Piano Concerto
Author: Alexander Peskanov
Publisher:
Total Pages:
Release: 2007-10-08
Genre:
ISBN: 9781951458034

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Alexander Peskanov Piano Concerto No. 4, published by Classical Video Concepts, Inc. I. Allegro scherzando is stately but lighthearted, evoking the spirit of Haydn's symphonies. It focuses on broken major, minor, and diminished triads and two- and three-note slurs. (G major, level 3). II. Andante cantabile A beautiful cantabile line modeled after the early operatic works by Christoph Gluck permeates this movement. The use of treble clef throughout allows the student to focus on consistent, balanced tone between the hands. Two-note slurs imitate expressive sighs. (E minor, level 3) III. This spirited rondo features technical and rhythmic patterns used in various combinations. Sixteenth-note scales are divided between the hands, and slurred phrases coincide with the musical gestures throughout. (G major, level 4)


Piano Concerto No. 4 in G Major, Op. 58

Piano Concerto No. 4 in G Major, Op. 58
Author: Ludwig van Beethoven
Publisher: Courier Corporation
Total Pages: 84
Release: 2000-01-01
Genre: Music
ISBN: 9780486413983

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One of Beethoven's most admired and widely performed piano concertos -- perfectly designed and profoundly poetic -- is reprinted here complete with bar-numbered movements.


Beethoven - Piano Concerto No. 4, Op. 58 (Piano Part W/Orchestral Cues)

Beethoven - Piano Concerto No. 4, Op. 58 (Piano Part W/Orchestral Cues)
Author: Ludwig Van Beethoven
Publisher: CreateSpace
Total Pages: 38
Release: 2014-06-26
Genre: Music
ISBN: 9781500322458

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Ludwig van Beethoven's "Piano Concerto Number Four, Opus Fifty-Eight" This version only contains the piano part, with orchestral cues. It does not contain the full score or other instrument's parts.


Beethoven the Pianist

Beethoven the Pianist
Author: Tilman Skowroneck
Publisher: Cambridge University Press
Total Pages: 285
Release: 2010-05-13
Genre: Music
ISBN: 0521119596

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This book offers an insight into Beethoven's career, showing in well-documented detail the rise and decline of his powers as a performer.


Piano Concerto No. 4 "The Bells" In Two Movements

Piano Concerto No. 4
Author: James Nathaniel Holland
Publisher:
Total Pages: 58
Release: 2020-06-25
Genre:
ISBN:

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American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called "The Bells" The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123, Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https: //youtu.be/WbK8Mc7N-sc