Concerto a cinque, op. 5/12
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1987 |
Genre | : Concertos (String orchestra) |
ISBN | : |
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Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1987 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 66 |
Release | : 1975 |
Genre | : Concertos (Oboes (2) with string orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 24 |
Release | : 1975 |
Genre | : |
ISBN | : |
Author | : Stephan D. Lindeman |
Publisher | : Taylor & Francis |
Total Pages | : 666 |
Release | : 2006 |
Genre | : Music |
ISBN | : 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 38 |
Release | : 1999 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 48 |
Release | : 1996 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : C. R. F. Maunder |
Publisher | : Boydell Press |
Total Pages | : 304 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781843830719 |
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author | : |
Publisher | : |
Total Pages | : 126 |
Release | : 1956-02-16 |
Genre | : |
ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author | : Bella Brover-Lubovsky |
Publisher | : Indiana University Press |
Total Pages | : 384 |
Release | : 2008-06-25 |
Genre | : Music |
ISBN | : 0253028035 |
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Author | : |
Publisher | : |
Total Pages | : 1270 |
Release | : 1958 |
Genre | : Music |
ISBN | : |