Concerto a cinque op. 10/8
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 24 |
Release | : 1998 |
Genre | : Concertos (Violin with string orchestra) |
ISBN | : |
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Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 24 |
Release | : 1998 |
Genre | : Concertos (Violin with string orchestra) |
ISBN | : |
Author | : C. R. F. Maunder |
Publisher | : Boydell Press |
Total Pages | : 304 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781843830719 |
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1997 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1997 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 38 |
Release | : 1999 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : |
Publisher | : |
Total Pages | : 116 |
Release | : 1985-01-21 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : |
Publisher | : |
Total Pages | : 144 |
Release | : 1985-04-22 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author | : Michael Thomas Roeder |
Publisher | : Hal Leonard Corporation |
Total Pages | : 487 |
Release | : 1994 |
Genre | : Concerto |
ISBN | : 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 66 |
Release | : 1975 |
Genre | : Concertos (Oboes (2) with string orchestra) |
ISBN | : |