Concerto a cinque op. 10/6
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1997 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Download Concerto a cinque op. 10/6 Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Concerto A Cinque Op 10 6 PDF full book. Access full book title Concerto A Cinque Op 10 6.
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1997 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 28 |
Release | : 1997 |
Genre | : Concertos (Violin with string orchestra) |
ISBN | : |
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 38 |
Release | : 1999 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : C. R. F. Maunder |
Publisher | : Boydell Press |
Total Pages | : 304 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781843830719 |
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author | : Tomaso Albinoni |
Publisher | : |
Total Pages | : 36 |
Release | : 1997 |
Genre | : Concertos (String orchestra) |
ISBN | : |
Author | : Michael Talbot |
Publisher | : Oxford Monographs on Music |
Total Pages | : 272 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780198166955 |
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author | : Simon P. Keefe |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 2005-10-27 |
Genre | : Music |
ISBN | : 9780521834834 |
A rare volume dedicated entirely to scholarship on the genre of the concerto.
Author | : Simon McVeigh |
Publisher | : Boydell Press |
Total Pages | : 390 |
Release | : 2004 |
Genre | : History |
ISBN | : 9781843830924 |
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
Author | : Gale Group |
Publisher | : Macmillan Reference USA |
Total Pages | : 932 |
Release | : 2001-07 |
Genre | : Music |
ISBN | : 9780783892139 |
Author | : Bella Brover-Lubovsky |
Publisher | : Indiana University Press |
Total Pages | : 386 |
Release | : 2008-06-25 |
Genre | : Music |
ISBN | : 0253351294 |
"The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.