Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Computer Musicology PDF full book. Access full book title Computer Musicology.
| Author | : Tapio Lokki |
| Publisher | : MDPI |
| Total Pages | : 621 |
| Release | : 2018-06-26 |
| Genre | : Science |
| ISBN | : 3038429074 |
This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences
| Author | : Eduardo R. Miranda |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 273 |
| Release | : 2007-10-12 |
| Genre | : Computers |
| ISBN | : 184628600X |
This book discusses the applications of evolutionary computation to music and the tools needed to create and study such systems. These tools can be combined to create surrogate artificial worlds populated by interacting simulated organisms in which complex musical experiments can be performed. The book demonstrates that evolutionary systems can be used to create and to study musical compositions and cultures in ways that have never before been achieved.
| Author | : American Musicological Society. Greater New York Chapter |
| Publisher | : New York : City University of New York Press |
| Total Pages | : 290 |
| Release | : 1970 |
| Genre | : Computer music |
| ISBN | : |
| Author | : Nick Collins |
| Publisher | : John Wiley & Sons |
| Total Pages | : 396 |
| Release | : 2010-02-01 |
| Genre | : Music |
| ISBN | : 0470714557 |
A must-have introduction that bridges the gap between music and computing The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit. Defines computer music and offers a solid introduction to representing music on a computer Examines computer music software, the musical instrument digital interface, virtual studios, file formats, and more Shares recording tips and tricks as well as exercises at the end of each section to enhance your learning experience Reviews sound analysis, processing, synthesis, networks, composition, and modeling Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.
| Author | : Marc Leman |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 544 |
| Release | : 1997-09-10 |
| Genre | : Computers |
| ISBN | : 9783540635260 |
This book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music.
| Author | : R. T. Dean |
| Publisher | : OUP USA |
| Total Pages | : 622 |
| Release | : 2009-09-16 |
| Genre | : Music |
| ISBN | : 0195331613 |
This handbook provides a cross-section of the most field-defining topics and debates in the field of computer music today. From music cognition to pedagogy, it situates computer music in the broad context of its creation and performance across the full range of issues that crop up in discourse in the field.
| Author | : Harry B. Lincoln |
| Publisher | : |
| Total Pages | : 36 |
| Release | : 1970 |
| Genre | : Music |
| ISBN | : |
| Author | : Harry B. Lincoln |
| Publisher | : Cornell University Press |
| Total Pages | : 381 |
| Release | : 2019-06-30 |
| Genre | : Music |
| ISBN | : 150174416X |
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.
| Author | : Eduardo Reck Miranda |
| Publisher | : Springer |
| Total Pages | : 290 |
| Release | : 2017-02-20 |
| Genre | : Computers |
| ISBN | : 3319498819 |
This pioneering text/reference explores how innovative new modes of computation may provide exciting new directions for future developments in the music industry, guiding the reader through the latest research in this emerging, interdisciplinary field. This work includes coverage of electronic music compositions and performances that incorporate unconventional interfacing, hacking and circuit bending. Features: presents an introduction to unconventional computing in music; discusses initiatives involving biophysical electronic music, the work of self-styled silicon luthiers, and the intersection of music and quantum computing; introduces the memristor, a new electronic component with the potential to revolutionize how computers are built; reviews experiments and practical applications of biological memristors in music; describes IMUSIC, an unconventional tone-based programming language, which enables the programming of computers using musical phrases; includes review questions at the end of each chapter.
| Author | : David Cope |
| Publisher | : MIT Press |
| Total Pages | : 600 |
| Release | : 2004-01-30 |
| Genre | : Computers |
| ISBN | : 9780262532617 |
Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.
