Comptes Rendus Interface Graphique '84
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Total Pages | : 294 |
Release | : 1984 |
Genre | : Computer graphics |
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Author | : |
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Total Pages | : 294 |
Release | : 1984 |
Genre | : Computer graphics |
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Total Pages | : 254 |
Release | : 2013 |
Genre | : Computer graphics |
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Total Pages | : 740 |
Release | : 1986 |
Genre | : Canada |
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Author | : New York Public Library. Research Libraries |
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Total Pages | : 618 |
Release | : 1986 |
Genre | : Congresses and conventions |
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Vols. for 1975- include publications cataloged by the Research Libraries of the New York Public Library with additional entries from the Library of Congress MARC tapes.
Author | : Riva Castleman |
Publisher | : ABRAMS |
Total Pages | : 0 |
Release | : 1997-09 |
Genre | : |
ISBN | : 9780810961814 |
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
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Total Pages | : 1740 |
Release | : 2000 |
Genre | : Canadian periodicals |
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Total Pages | : 1352 |
Release | : 1995 |
Genre | : Microcards |
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Author | : Cynthia J. Brown |
Publisher | : Cornell University Press |
Total Pages | : 519 |
Release | : 2019-03-15 |
Genre | : Literary Criticism |
ISBN | : 150174254X |
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
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Total Pages | : 1146 |
Release | : 199? |
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Author | : F Porzia |
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Total Pages | : 0 |
Release | : 2023-09-14 |
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ISBN | : 9789042951617 |
English summary: Names, images, and narratives are intimately related and frequently polysemous. As pieces of information on the gods, they convey fragments of knowledge and attempts to interpret the multifaceted complexity of the divine world. In what Robert Parker describes as an "archipelago", images and narratives are like compasses used to approach the mapping of the gods. The different contributions collected in this volume, dealing with the Greek and the Semitic worlds (the two main areas of the "Mapping Ancient Polytheisms" project), explore connections but also discrepancies between these different semantics, in order to highlight specificities and commonalities in the onomastic and iconographic languages. French description: Les noms, les images et les recits sont intimement lies et volontiers polysemiques. En tant qu'elements d'information sur les dieux, ils vehiculent des fragments de connaissance et constituent autant de tentatives d'interpretation de la complexite multiforme du monde divin. Dans ce que Robert Parker decrit comme un archipel, les images et les recits sont comme des boussoles qui facilitent la cartographie des dieux. Les differentes contributions rassemblees dans ce volume, traitant des mondes grec et semitique (les deux principaux domaines abordes dans le projet Mapping Ancient Polytheisms), explorent les connexions mais aussi les divergences existant entre ces differentes semantiques, afin de mettre en evidence les specificites et les points communs entre langage onomastique et langage iconographique.