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Complicity, Censorship and Criticism

Complicity, Censorship and Criticism
Author: Sara Jones
Publisher: Walter de Gruyter
Total Pages: 237
Release: 2011
Genre: Literary Criticism
ISBN: 3110237954

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The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.


"Race to the Bottom"

Author:
Publisher: Human Rights Watch
Total Pages: 149
Release: 2006
Genre: Digital divide
ISBN:

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This report documents the different ways in which companies such as Yahoo!, Microsoft, Google, and Skype are assisting and reinforcing the Chinese government's system of political censorship.


Business Rhetoric in German Novels

Business Rhetoric in German Novels
Author: Ernest Schonfield
Publisher: Boydell & Brewer
Total Pages: 309
Release: 2018
Genre: Business & Economics
ISBN: 1571139834

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Argues on the evidence of nine major German novels that literature and business have in common a reliance on language, understood in a creative, performative, and rhetorical sense.


Censorship and Silencing

Censorship and Silencing
Author: Robert Post
Publisher: Getty Publications
Total Pages: 364
Release: 1998
Genre: Law
ISBN: 9780892364848

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Censorship was once a predictable topic, dividing liberals and conservatives down the middle on issues like obscenity and national security. Today, the debate over the regulation of speech offers no such easy dichotomy, with feminists joining forces with religious fundamentalists to control pornography, and abortion rights advocates seeking to restrict clinic demonstrations while prolife groups defend their freedom to picket. Underlying this trend is a fundamental intellectual shift--exemplified by the work of Michel Foucault--that holds that the state is not the only agent of censorship. The thirteen contributors here explore the topic of censorship from the viewpoint of numerous disciplines and viewpoints.


Censorship in Czech and Hungarian Academic Publishing, 1969-89

Censorship in Czech and Hungarian Academic Publishing, 1969-89
Author: Libora Oates-Indruchová
Publisher: Bloomsbury Publishing
Total Pages: 384
Release: 2020-05-14
Genre: History
ISBN: 1350106658

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How did writers convey ideas under the politically repressive conditions of state socialism? Did the perennial strategies to outwit the censors foster creativity or did unintentional self-censorship lead to the detriment of thought? Drawing on oral history and primary source material from the Editorial Board of the Czechoslovak Academy of Sciences and state science policy documents, Libora Oates-Indruchová explores to what extent scholarly publishing in state-socialist Czechoslovakia and Hungary was affected by censorship and how writers responded to intellectual un-freedom. Divided into four main parts looking at the institutional context of censorship, the full trajectory of a manuscript from idea to publication, the author and their relationship to the text and language, this book provides a fascinating insight into the ambivalent beneficial and detrimental effects of censorship on scholarly work from the Prague Spring of 1968 to the Velvet Revolution of 1989. Censorship in Czech and Hungarian Academic Publishing, 1969-89 also brings the historical censorship of state-socialism into the present, reflecting on the cultural significance of scholarly publishing in the light of current debates on the neoliberal academia and the future of the humanities.


Censorship and the Limits of the Literary

Censorship and the Limits of the Literary
Author: Nicole Moore
Publisher: Bloomsbury Publishing USA
Total Pages: 271
Release: 2017-02-23
Genre: Literary Criticism
ISBN: 150133039X

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"Explores the defining relationship of literature to censorship across the globe"--


The Reinvention of Obscenity

The Reinvention of Obscenity
Author: Joan DeJean
Publisher: University of Chicago Press
Total Pages: 216
Release: 2002-06
Genre: Education
ISBN: 0226141411

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The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France. The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press. Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.


Complicity in Fin-de-si?cle Literature

Complicity in Fin-de-si?cle Literature
Author: Helen Craske
Publisher: Oxford University Press
Total Pages: 241
Release: 2024-07-09
Genre: Literary Criticism
ISBN: 0198910215

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Complicity in Fin-de-si?cle Literature examines late-nineteenth century French understandings of literature as a morally collusive medium, which implicates readers, writers, and critics in risqu? or illicit ideas and behaviour. It considers definitions of complicity from the period's evolving legal statutes, critical debates about literary 'bad influence', and modern theories of reader response, in order to achieve a deeper understanding of how cultural production of the period forged relationships of implication and collusion. While focusing on fin-de-si?cle French culture, the book's theoretical discussions provide a new terminology and conceptual framework through which to analyse literary influence and reception, applicable to different historical periods and national settings. Interdisciplinary in nature, the study draws on methods associated with close reading, literary history, law and literature studies, cultural studies, and sociology of literature. Each of the book's chapters highlights how particular literary themes or techniques encouraged readers' identification with transgression and facilitated alternative forms of solidarity. The analysis draws on a range of case studies from different media forms, including: Naturalist, Decadent, and psychological novels, biographically revealing fiction ('romans ? clefs'), little magazines ('petites revues'), and saucy magazines ('revues l?g?res'). Texts written by well-known literary figures--such as ?mile Zola, Octave Mirbeau, and Rachilde--appear alongside previously overlooked periodical and archival sources. The book's varied corpus reveals the widespread appeal of risqu? topics and illicit solidarity across the literary spectrum.


Writing in Red

Writing in Red
Author: Thomas W. Goldstein
Publisher: Boydell & Brewer
Total Pages: 368
Release: 2017
Genre: History
ISBN: 1571139206

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In the German Democratic Republic words and ideas mattered, both for legitimizing and criticizing the regime. No wonder, then, that the ruling SED party created a Writers Union to mold what writers publicly wrote and said. Its chief task was ideological: creating a socialist and antifascist culture. But it was also supposed to advance its members' professional interests and enable them to act as public intellectuals with a say in the direction of socialism. Many writers demanded that it pursue this second function as well, which brought it into conflict with the SED. This book explores how the union became a site for the contestation of writers' roles in GDR society with consequences well beyond the literary community. Union leaders, pressured by the SED or the secret police, usually acquiesced in enforcing regime demands, but by the 1980s many authors had adapted to the rules of the game, exploiting their union membership to insulate themselves from reprisal for their carefully worded critiques and in so doing beginning to break down limitations on public speech. The book explores how and why in the 1970s the Writers Union helped normalize relations between writers and state, yet over the course of the 1980s inadvertently aided the expansion of permissible speech, ultimately helping destabilize the East German system. Thomas W. Goldstein is Assistant Professor of History at the University of Central Missouri.


Authors and the World

Authors and the World
Author: Rebecca Braun
Publisher: Bloomsbury Publishing USA
Total Pages: 368
Release: 2022-07-14
Genre: Literary Criticism
ISBN: 1501391046

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Authors and the World traces how four core 'modes of authorship' have developed and inflect one another in modern Germany through a series of twenty different case studies, including the work of Thomas Mann, Günter Grass, Anna Seghers, Walter Höllerer, Felicitas Hoppe and Katja Petrowskaja, and original interview material with contemporary writers Ulrike Draesner, Olga Martynova and Ulrike Almut Sandig. 'Modes of authorship' are attitudes taken towards being an author that can be seen both in what an individual author does and in how a particular literary tradition or trend is perceived and mediated by others both within and beyond Pierre Bourdieu's literary field. Consequently, they deliberately straddle questions of literary production and reception. Rebecca Braun sets out how the commemorative, celebratory, utopian and satirical modes interact with one another to produce a number of models of authorship that carry either foundational or otherwise normative force for society. In varying combinations and with deep roots in 19th- and early 20th-century practices, the four modes of authorship create a remarkably (and at times troublingly) stable German literature network that to a large degree still determines the way contemporary German-speaking authors enact their cultural significance in their writing, engage with their local circumstances, and are more broadly received around the world. Authors and the World provides not just a radically new approach to German literary history but a thoroughly new paradigm for thinking about literary authorship.