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Rhythm and Harmony in Poetry and Music, Together with Music As a Representative Art; Two Essays in Comparative Aesthetics

Rhythm and Harmony in Poetry and Music, Together with Music As a Representative Art; Two Essays in Comparative Aesthetics
Author: George Lansing 1839-1929 Raymond
Publisher: Sagwan Press
Total Pages: 392
Release: 2015-08-24
Genre:
ISBN: 9781340168216

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Rhythm and Harmony in Poetry and Music

Rhythm and Harmony in Poetry and Music
Author: George Lansing Raymond
Publisher: Forgotten Books
Total Pages: 386
Release: 2017-12-27
Genre: Music
ISBN: 9780484910996

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Excerpt from Rhythm and Harmony in Poetry and Music: Together With Music as a Representative Art; Two Essays in Comparative AEsthetics First, a philosophic Object. The causes underlying the effects of art are in themselves as interesting as any um derlying the effects of nature - like the rising and falling Of the tides, the coming and going of the storms, the sprouting of the leaves in spring, and their falling in the autumn. And, second, a practical object. If a man be a painter, to let him know precisely what it is that Charms us in a color or an outline may enable him by a few touches to change an unsuccessful product into one fitted to charm all those whose tastes agree with our own. And so with a poet. Those who have ever attempted verses know the constant danger of having the forms metre, alliteration, assonance, rhyme - to which their thought is harnessed, run away with it and wreck it. Yet without the aid of these, what could carry the thought a single step in an artistic direction? The poet must learn to get along, not without them but with them; yet in such a way as to keep them in subjection, as exemplified in what is done by the acknowledged masters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Rhythm and Harmony in Poetry and Music, Together With Music as a Representative Art; Two Essays in Comparative Æsthetics

Rhythm and Harmony in Poetry and Music, Together With Music as a Representative Art; Two Essays in Comparative Æsthetics
Author: George Lansing Raymond
Publisher: Palala Press
Total Pages: 392
Release: 2018-02-19
Genre:
ISBN: 9781378060452

Download Rhythm and Harmony in Poetry and Music, Together With Music as a Representative Art; Two Essays in Comparative Æsthetics Book in PDF, ePub and Kindle

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Rhythm and Harmony in Poetry and Music

Rhythm and Harmony in Poetry and Music
Author: George Lansing Raymond
Publisher: Forgotten Books
Total Pages: 386
Release: 2015-06-12
Genre: Music
ISBN: 9781330053782

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Excerpt from Rhythm and Harmony in Poetry and Music: Together With Music as a Representative Art; Two Essays in Comparative Æsthetics "His tendency is to systematize that which is beyond the reach of systematic exposition," "to formulate ideas and qualities not reducible . . . to formulæ," "full of learning and suggestive as the book is . . . one is lost in its infinite wrinkles," "fills the mind . . . with a tremendous lot of fancies," - such are the comments with which some are now qualifying their acknowledgements - very late in many cases - of the essential differences between the thought presented in this series of essays, and in previous works upon the same subject. Were there proof that a single writer of such comments had made a sincere endeavor to follow the lines of thought which in these essays have been developed in accordance with the simplest principles of logic and common sense, the opinions thus expressed might be entitled to grave consideration. As it is, they are very apparent utterances of superficial impressions, such as naturally occur to any one who has not looked into a subject deeply enough to be fully aware of its complexities, or of the essential importance and possibility of analyzing them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Rhythm and Harmony in Poetry and Music Together With Music as a Representative Art

Rhythm and Harmony in Poetry and Music Together With Music as a Representative Art
Author: George Lansing 1839-1929 Raymond
Publisher: Legare Street Press
Total Pages: 400
Release: 2021-09-10
Genre:
ISBN: 9781015265028

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.