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Studies in Comparative Aesthetics

Studies in Comparative Aesthetics
Author: Eliot Deutsch
Publisher: University of Hawaii Press
Total Pages: 120
Release: 1975-01-01
Genre: Philosophy
ISBN: 9780824803650

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Comparative Aesthetics, Eastern and Western

Comparative Aesthetics, Eastern and Western
Author: G. Hanumantha Rao
Publisher: Mysore : D.V.K. Murthy
Total Pages: 270
Release: 1974
Genre: Aesthetics, Comparative
ISBN:

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Comparative Aesthetics: Indian and Western

Comparative Aesthetics: Indian and Western
Author: Ramaranjan Mukherji
Publisher:
Total Pages: 184
Release: 1991
Genre: Aesthetics, Comparative
ISBN:

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Study with special reference to Sanskrit literature.


The Pursuit of Comparative Aesthetics

The Pursuit of Comparative Aesthetics
Author: Mazhar Hussain
Publisher: Routledge
Total Pages: 429
Release: 2017-03-02
Genre: Philosophy
ISBN: 1351883364

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Comparative aesthetics is the branch of philosophy which compares the aesthetic concepts and practices of different cultures. The way in which cultures conceive of the aesthetic dimension of life in general and art in particular is revelatory of profound attitudes and beliefs which themselves make up an important part of the culture in question. This anthology of essays by internationally recognised scholars in this field brings into one volume some of the most important research in comparative aesthetics, from classic early essays to previously unpublished contemporary pieces. Ranging across cultures and time periods as diverse as ancient Greece, India and China and the modern West and Japan, the essays reveal both similarities and deep differences between the aesthetic traditions concerned. In the course of these expositions and comparisons there emerges the general conclusion that no culture can be fully grasped if its aesthetic ideas are not understood.


The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art

The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art
Author: Arindam Chakrabarti
Publisher: Bloomsbury Publishing
Total Pages: 445
Release: 2016-02-25
Genre: Philosophy
ISBN: 1472524306

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The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.


The Language of Literature and its Meaning

The Language of Literature and its Meaning
Author: Ashima Shrawan
Publisher: Cambridge Scholars Publishing
Total Pages: 184
Release: 2019-04-23
Genre: Literary Criticism
ISBN: 1527533565

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There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.


Comparative Aesthetics

Comparative Aesthetics
Author: Kanti Chandra Pandey
Publisher:
Total Pages:
Release: 1959
Genre: Aesthetics, Indic
ISBN:

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New Essays in Comparative Aesthetics

New Essays in Comparative Aesthetics
Author: Robert Wilkinson
Publisher: Cambridge Scholars Publishing
Total Pages: 225
Release: 2009-03-26
Genre: Philosophy
ISBN: 1443809527

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Comparative aesthetics is the branch of philosophy which compares the aesthetic concepts and practices of different cultures. The way in which the various cultures of the world conceive of the aesthetic dimension of life in general and art in particular is revelatory of profound attitudes and beliefs which themselves make up an important part of the culture in question. This anthology consists of entirely new essays by some of the leading, internationally recognised scholars in the field. The subjects addressed include the influence of Upanişadic thought on the classic Indian tradition in aesthetics and the way in which that tradition continues to have relevance to issues discussed today; how Buddhist thought in general and Zen in particular shape aesthetic attitudes in Japanese culture; how Confucianism affected not only the morality but also the classical aesthetics of China; how different ideas of the self and of human nature affect artistic training and practice in different cultures; how feminism can draw inspiration from classic non-European lines of thought in the area of aesthetics, and how different attitudes to nature underpin a whole range of aesthetic beliefs and attitudes in western and eastern thought. These ideas reveal both deep differences and deep similarities between east and west. No-one seeking to understand the cultures discussed in these essays can ignore their aesthetic dimension, which often holds the key to understanding the deepest motives which have formed them.