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Comedy and Culture

Comedy and Culture
Author: Roger B. Henkle
Publisher: Princeton University Press
Total Pages: 385
Release: 2014-07-14
Genre: Literary Criticism
ISBN: 1400857929

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Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Culture Clash

Culture Clash
Author: Culture Clash
Publisher: Theatre Communications Group
Total Pages: 193
Release: 1997-02-01
Genre: Drama
ISBN: 1559366842

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This three-person troupe is unique not only for its imaginative explorations of contemporary Latin/Chicano culture but also for its vision of a society in transition.


Ethics in Comedy

Ethics in Comedy
Author: Steven A. Benko
Publisher: McFarland
Total Pages: 261
Release: 2020-10-02
Genre: Performing Arts
ISBN: 1476676410

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All humans laugh. However, there is little agreement about what is appropriate to laugh at. While laughter can unite people by showing how they share values and perspectives, it also has the power to separate and divide. Humor that "crosses the line" can make people feel excluded and humiliated. This collection of new essays addresses possible ways that moral and ethical lines can be drawn around humor and laughter. What would a Kantian approach to humor look like? Do games create a safe space for profanity and offense? Contributors to this volume work to establish and explain guidelines for thinking about the moral questions that arise when humor and laughter intersect with medicine, gender, race, and politics. Drawing from the work of stand-up comedians, television shows, and ethicists, this volume asserts that we are never just joking.


Planet Funny

Planet Funny
Author: Ken Jennings
Publisher: Scribner
Total Pages: 336
Release: 2019-07-09
Genre: Social Science
ISBN: 1501100602

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A Kirkus Reviews Best Book of the Year The witty and exuberant New York Times bestselling author and record-setting Jeopardy! champion Ken Jennings relays the history of humor in “lively, insightful, and crawling with goofy factlings,” (Maria Semple, author of Where’d You Go Bernadette)—from fart jokes on clay Sumerian tablets to the latest Twitter gags and Facebook memes. Where once society’s most coveted trait might have been strength or intelligence or honor, today, in a clear sign of evolution sliding off the trails, it is being funny. Yes, funniness. Consider: Super Bowl commercials don’t try to sell you anymore; they try to make you laugh. Airline safety tutorials—those terrifying laminated cards about the possibilities of fire, explosion, depressurization, and drowning—have been replaced by joke-filled videos with multimillion-dollar budgets and dance routines. Thanks to social media, we now have a whole Twitterverse of amateur comedians riffing around the world at all hours of the day—and many of them even get popular enough online to go pro and take over TV. In his “smartly structured, soundly argued, and yes—pretty darn funny” (Booklist, starred review) Planet Funny, Ken Jennings explores this brave new comedic world and what it means—or doesn’t—to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected President of the United States purely on showmanship. “Fascinating, entertaining and—I’m being dead serious here—important” (A.J. Jacobs, author of The Year of Living Biblically), Planet Funny is a full taxonomy of what spawned and defines the modern sense of humor.


Comedy and Distinction

Comedy and Distinction
Author: Sam Friedman
Publisher: Routledge
Total Pages: 241
Release: 2014-04-24
Genre: Social Science
ISBN: 1135009015

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This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.


A Comedian and an Activist Walk into a Bar

A Comedian and an Activist Walk into a Bar
Author: Caty Borum Chattoo
Publisher: University of California Press
Total Pages: 295
Release: 2020-03-24
Genre: Social Science
ISBN: 0520299760

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Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.


The Cultural Set Up of Comedy

The Cultural Set Up of Comedy
Author: Julie Webber
Publisher:
Total Pages: 0
Release: 2013
Genre:
ISBN:

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How do various forms of comedy - including stand-up, satire, and film and television - transform contemporary invocations of nationalism and citizenship in youth cultures? And how are attitudes about gender, race, and sexuality transformed through comedic performances on social media? This book seeks to answer these questions by examining comedic performances by Chris Rock and Louis C.K., news parodies like the 'The Daily Show' and 'The Colbert Report', the role of satire in the Arab Spring, and the groundbreaking performances by women in 'Bridesmaids'. Breaking with the usual cultural studies debates over how to conceptualize youth, the book instead focuses on the comedic cultural and political scripts that frame affective strategies post-9/11.


What's So Funny?

What's So Funny?
Author: Murray S. Davis
Publisher:
Total Pages: 408
Release: 1993
Genre: Wir and humor
ISBN:

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Jokes, puns, stories, tales, sketches, and shticks saturate our culture. And today the stuff of comedy is almost inescapable, with all-comedy cable channels and stand-up comics acting as a kind of electronic oracle. We're laughing more often, but "what" are we laughing at? Murray Davis knows. In this inventive book, he uses jokes (good, bad, offensive, and classic) to reveal the truths that comedians deliver. "What's So Funny?" is not about the psychology of humor but about the objects of our laughter the world that comics turn upside down and inside out. It also explores the logic of comedy as a serious, critical assault on just about everything we take for granted. Drawing on a vast array of jokes and the work of dozens of comedians from Jay Leno and Lenny Bruce to Steve Allen and Billy Crystal, Davis reminds us of the extraordinarily subversive power of comedy. When we laugh, we accept the truth of the comic moment: that this is the way life "really" is. The book is in two parts. In the first, Davis explores the cultural conventions that even simple jokes take apart the rules of logic, language, rationality, and meaning. In the second, he looks at the social systems that have been at the root of jokes for centuries: authority figures, power relations, and institutions. Whatever their style, comedians use the tools of the trade ambiguous meanings, missed signals, incongruous characters, unlikely events to violate our expectations about the world. Setting comedy within a rich intellectual tradition from Plato to Freud, Hobbes to Kant, in philosophy as well as sociology Davis makes a convincing case for comedy as a subtle, complex, and articulated theory of culture and society. He reveals the unsuspected ways in which comedy, with its spotlight on the gap between appearance and reality, the ideal and the actual, can be a powerful mode for understanding the world we have made."


What's So Funny?

What's So Funny?
Author: Nancy A. Walker
Publisher: Rowman & Littlefield
Total Pages: 302
Release: 1998
Genre: History
ISBN: 9780842026888

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Critical studies attempting to define and dissect American humor have been published steadily for nearly one hundred years. However, until now, key documents from that history have never been brought together in a single volume for students and scholars. What's So Funny? Humor in American Culture, a collection of 15 essays, examines the meaning of humor and attempts to pinpoint its impact on American culture and society, while providing a historical overview of its progres-sion. Essays from Nancy Walker and Zita Dresner, Joseph Boskin and Joseph Dorinson, William Keough, Roy Blount, Jr., and others trace the development of American humor from the colonial period to the present, focusing on its relationship with ethnicity, gender, violence, and geography. An excellent reader for courses in American studies and American social and cultural history, What's So Funny? explores the traits of the American experience that have given rise to its humor.


Hybrid Humour

Hybrid Humour
Author: R. Graeme Dunphy
Publisher: Rodopi
Total Pages: 193
Release: 2010
Genre: History
ISBN: 9042028238

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Graeme Dunphy is lecturer in English at Regensburg University, Germany. His interests include Scotland, Germany, the Netherlands, Literature, Medieval Studies, Historical Linguistics, and Migration Studies. He has published widely on Medieval and Baroque Literature as well as on migrant literature. Rainer Emig is professor of English Literature and Culture at Leibniz University Hanover, Germany. His main interests are English Literature and Culture of the 19th and 20th century, contemporary culture, and Literary and Cultural Theories, including postcolonial approaches and Gender Studies.