Columbia Workshop Plays
| Author | : Douglas Coulter |
| Publisher | : |
| Total Pages | : 408 |
| Release | : 1939 |
| Genre | : American drama |
| ISBN | : |
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Columbia Workshop Plays Fourteen Radio Dramas PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Columbia Workshop Plays Fourteen Radio Dramas PDF full book. Access full book title Columbia Workshop Plays Fourteen Radio Dramas.
Writing Audio Drama
| Author | : Tim Crook |
| Publisher | : Taylor & Francis |
| Total Pages | : 290 |
| Release | : 2023-03-31 |
| Genre | : Performing Arts |
| ISBN | : 1136875840 |
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Writing Audio Drama is a comprehensive and intelligent guide to writing sound drama for broadcasting and online production. The book uses new and original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years. Audio drama in the context of podcasting is now experiencing a global and exponential expansion. Through analysis of examples of past and present writing, the author explains how to originate and craft drama which can explore deeply psychological and intimate themes and achieve emotional, truthful, entertaining, and thought-provoking impact. Practical analysis of the key factors required to write successful audio drama is covered in chapters focusing on audio play beginnings and openings, sound story dialogue, sustaining the sound story, plotting for sound drama and the best ways of ending audio plays. Each chapter is supported by extensive companion online resources expanding and supporting the writers and subjects discussed and explored, and extensive information on how to access online many exemplar and model sound dramas referenced in the chapters. This textbook will be an important resource for undergraduate and postgraduate students taking modules and courses on radio drama, theatre and media drama, audio theatre, audio drama, scriptwriting, media writing.
Theater of the Mind
| Author | : Neil Verma |
| Publisher | : University of Chicago Press |
| Total Pages | : 305 |
| Release | : 2012-07-11 |
| Genre | : History |
| ISBN | : 0226853500 |
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In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.
Media and the American Mind
| Author | : Daniel J. Czitrom |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 269 |
| Release | : 2010-02-03 |
| Genre | : Social Science |
| ISBN | : 0807899208 |
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In a fascinating and comprehensive intellectual history of modern communication in America, Daniel Czitrom examines the continuing contradictions between the progressive possibilities that new communications technologies offer and their use as instruments of domination and exploitation.
World War Ii: the Radio War
| Author | : R. LeRoy Bannerman |
| Publisher | : AuthorHouse |
| Total Pages | : 112 |
| Release | : 2013-09-18 |
| Genre | : History |
| ISBN | : 1481779494 |
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World War II: the Radio War relates concerns and conditions facing American homes during The War and the role that radio played in maintaining morale, providing information and incentive to achieve patriotic responsibility. This human account of public sacrifice and national involvement is relevant to current attitudes and concerns facing our country today in spite of the events occurring some seventy years ago. Although the subject is American-based, the narrative of this book applies to other peoples and has appeal in their countries, especially England.
American Literature in Transition, 1940–1950
| Author | : Christopher Vials |
| Publisher | : Cambridge University Press |
| Total Pages | : 382 |
| Release | : 2017-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 1108548601 |
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In the aftermath of World War II, the United States emerged as the dominant imperial power, and in US popular memory, the Second World War is remembered more vividly than the American Revolution. American Literature in Transition, 1940–1950 provides crucial contexts for interpreting the literature of this period. Essays from scholars in literature, history, art history, ethnic studies, and American studies show how writers intervened in the global struggles of the decade: the Second World War, the Cold War, and emerging movements over racial justice, gender and sexuality, labor, and de-colonization. One recurrent motif is the centrality of the political impulse in art and culture. Artists and writers participated widely in left and liberal social movements that fundamentally transformed the terms of social life in the twentieth century, not by advocating specific legislation, but by changing underlying cultural values. This book addresses all the political impulses fueling art and literature at the time, as well as the development of new forms and media, from modernism and noir to radio and the paperback.
Radio Drama, 1935-1945; Television Drama, 1945-50
| Author | : Howard Becknell |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 1951 |
| Genre | : |
| ISBN | : |
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Lost Sound
| Author | : Jeff Porter |
| Publisher | : UNC Press Books |
| Total Pages | : 296 |
| Release | : 2016-03-11 |
| Genre | : Performing Arts |
| ISBN | : 1469627787 |
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From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before. And when the literary aspects of specific programs such as The War of the Worlds or Sorry, Wrong Number were considered, scrutiny was superficial. In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect. Addressing avant-garde sound poetry and experimental literature on the air, alongside industry policy and network economics, Porter identifies the ways radio challenged the conventional distinctions between highbrow and lowbrow cultural content to produce a dynamic popular culture.
Anatomy of Sound
| Author | : Jacob Smith |
| Publisher | : Univ of California Press |
| Total Pages | : 269 |
| Release | : 2016-06-28 |
| Genre | : Social Science |
| ISBN | : 0520960858 |
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This collection examines the work of Norman Corwin—one of the most important, yet understudied, media authors of all time—as a critical lens to view the history of multimedia authorship and sound production. Known as the “poet laureate” of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio’s success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to “soundwork,” relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin’s work—from his World War II–era poetry and his special projects for the United Nations to his path-breaking writing for film and television—and its influence on media today, these essays underscore the political and social impact of Corwin’s oeuvre and cement his reputation as a key writer in the history of many sound media.
Radio's America
| Author | : Bruce Lenthall |
| Publisher | : University of Chicago Press |
| Total Pages | : 275 |
| Release | : 2008-11-15 |
| Genre | : Technology & Engineering |
| ISBN | : 0226471934 |
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Orson Welles’s greatest breakthrough into the popular consciousness occurred in 1938, three years before Citizen Kane, when his War of the Worlds radio broadcast succeeded so spectacularly that terrified listeners believed they were hearing a genuine report of an alien invasion—a landmark in the history of radio’s powerful relationship with its audience. In Radio’s America, Bruce Lenthall documents the enormous impact radio had on the lives of Depression-era Americans and charts the formative years of our modern mass culture. Many Americans became alienated from their government and economy in the twentieth century, and Lenthall explains that radio’s appeal came from its capability to personalize an increasingly impersonal public arena. His depictions of such figures as proto-Fascist Charles Coughlin and medical quack John Brinkley offer penetrating insight into radio’s use as a persuasive tool, and Lenthall’s book is unique in its exploration of how ordinary Americans made radio a part of their lives. Television inherited radio’s cultural role, and as the voting tallies for American Idol attest, broadcasting continues to occupy a powerfully intimate place in American life. Radio’s America reveals how the connections between power and mass media began.
